Sunday, February 14, 2021

Noir Watch: Born to Kill (1947)




Watched:  02/14/2021
Format:  Noir Alley on DVR
Viewing:  Unknown.  At least 3rd.
Decade:  1940's
Director:  Robert Wise

Some time ago, when I was first exploring noir, Born to Kill (1947) was included in one of the box sets I picked up to try and learn more about the genre.  Honestly, if I wanted to blow the doors off the expectations I think a *lot* of people have about Hayes Code-era film, this is the movie I'd show them.

Our leads are a psychopath and sociopath, divorce(!), a brutal murder, one of our most virtuous characters is a lush, and a PI who is mostly there as an equal-opportunity grifter.  Heck, there's an Elisha Cook Jr. lurking around for good measure.  It's a dark, nasty little film with no POV hero - just characters who cross paths and feel a mutual appreciation and attraction, even as they're connection is going to burn them both out.

This was the movie that showed me what films of the era were really capable of when it came to stepping into the shadows.  You might get sexy obsession in penty of other films, but there was always an obvious line that the characters crossed that was going to be their downfall, the thing that made you want to do the equivalent of "don't go in the basement!" as our protagonist decides to risk it for a nice set of legs or a smokey voice.  Born to Kill doesn't bother with all that  - these characters were going to hell, anyway.  They're just speeding each other along.

Starring Claire Trevor - someone I flat out did NOT appreciate enough for several years but whom I've come back around to and adore - and the notorious Lawrence Tierney as our leads, we've got a pair with some amazing presence.  Tierney's low-key menace and chiseled jaw works phenomenally well as the handsome psychopath who attracts women, but becaomes infuriated at the slightest hint of slight.  Trevor manages to find a delicate balance - we know she's play-acting to certain parties, and we know better to buy it, but it's absolutely seemingly sincere.  

Other players include Walter Slezak as the PI of iffy moral character, Elisha Cook Jr. as a longtime friend of Tierney's who's been maybe the only force on Earth keeping him in check.  Audrey Long is Trevor's wealthy but naive foster-sister with a fortune.  And, notably, Esther Howard plays a rooming house owner with more heart than you'd figure.

There is a character who is murdered with the name "Laury Palmer", and much of the mystery for the other characters is who killed Laury Palmer - and I can't help but think Lynch was winking at this character with Twin Peaks, til it was, you know, magic dream goblins or what have you.

Anyway - "wow, this things DARK" is not really much of a selling point, I suppose, but the execution of the movie, the performances and the winding story are all masterfully handled by director Robert Wise (yes, the man who brought you films as diverse as The Set-Up, The HauntingThe Sound of Music and Star Trek: The Motion Picture).    

But if you want to see what Hollywood could pull off (and Claire Trevor plotting in some excellent outfits), highly recommended.

Beam Me Up, Valentine!

 I Googled "star trek valentine" and the internet did not disappoint!











Saturday, February 13, 2021

Watch Cattrall Party Watch: Split Second (1992)




Watched:  02/12/2021
Format:  Amazon Watch Party
Viewing:  First
Decade:  1990's
Director:  Tony Maylam


I picked this movie as a Watch Party because it looked like exactly what it was - a 1990's sci-fi Rated-R actioner that wasn't taking itself very seriously, but mostly because it co-starred Kim Cattrall, and after last week's Mannequin 2 viewing, I was like "we should have watched the one with Cattrall", so here we are.

Split Second (1992) is not a good movie.  A quick check after the film finished confirmed what I suspected - the movie had multiple voices seemingly at battle with one another, including star Rutger Hauer having input as they went along.  So, because the story is all over the place - and the story is basically them trying to figure out who (and then what) is killing people, nothing makes sense and nothing matters.

The answer is:  it's a big, Giger-Alien knock off that is maybe invisible, or moves very fast, or something.  They never really say.  I do know they hide the monster till the very end of the movie, but it's featured on the poster?  

We have an odd-ball pairing of the bookworm cop who has credentials that make him seem like maybe the police is a weird place for him to wind up, and Rutget Hauer, who is a loose cannon cop with self-destructive tendencies who clearly needs to be on leave, but they keep him on the streets because... well, in 2021 it'd be because the police unions will be damned before they suggest maybe someone isn't fit for duty.  Here we get a police sergeant just yelling at Hauer and telling him he's dangerous and whatnot, and then handing him back his badge.

Forget to Mention It Watch: Return of the Swamp Thing (1989)




Watched:  01/28/2021
Format:  Amazon Watch Party
Viewing:  Second?
Decade:  1980's
Director:  Does it matter?

We did this one as a watch party, and I often forget to write up watch party movies.  But, yeah, this movie isn't very good.

I...  I don't really think it bears much discussion.

Friday, February 12, 2021

Friday Watch Party: Split Second (1991)


Well, this looks like something I cannot believe I didn't see in 1991 when I was the exact audience for the movie.  But there you are.

It's the edgy future of 2008!  Rutger Hauer!  Kim Cattrall in a sassy brunette bob!  a monster!   A ridiculous gun!  Let's get 90's mid-budget actiony! 

Day: 02/12/2021
Time:  8:30 Central
Where:  Amazon Prime Watch Party

Link here to watch


Thursday, February 11, 2021

Happy Birthday, Max

 


Happy birthday to Max, one of Texas' finest exports.  

You can find him at:

  • https://twitter.com/FactoryMirror
  • https://twitter.com/ItsPlasticMan

Wednesday, February 10, 2021

Disney Watch: Treasure Island (1950)

 

Watched: 02/20/2021
Format:  BluRay
Viewing:  unknown, but first in a while
Decade:  1950's
Director:   Byron Haskin

To give you guys an idea of the difference between kids movies of the early 1950's (that I watched about 30 years later) and what comes out these days - Walt Disney's Treasure Island (1950) features a guy ordering a "double rum" in the first scene, an old pirate drinks himself to death in the first ten minutes, and then there's cold-blooded murder, mutiny, and people shooting each other and a kid who shoots a guy in the face after getting stabbed with a dagger.

I mean, we saw this movie at school.  

I also checked the novel out of my elementary school library, and it makes the movie look like a walk in the park.  

Now THAT'S adventure!

It's a fascinating movie as Jim Hawkins, our 12-year-old avatar, is a kid caught up in a *very* adult adventure, complete with both the violence and risk of a pirate story, but - watching it as an adult - I'm reminded how flawed the protagonist-type characters are as well.  But, more than that, it walks a gray path for Jim as he is genuinely befriended, to the best of his ability, by Long John Silver - who clearly has a soft-spot for the kid, but will also cut his throat to save his own skin.  

This was one of the first movies I ever saw that included this sort of betrayal, and it was all the weirder to parse watching as a kid, because Jim and John do have a weird buddy-ship even though they're locked in mortal combat, and LJS's minions are *always* ready to gut the kid.  But I do like that Hawkins sees both sides of the coflict, and has complicated interactions with the adults around him.  It's a heck of a way to illustrate a young man discovering the world beyond his door.  



Tuesday, February 9, 2021

Finally Watched It Watch: The Last Picture Show (1971)


Watched:  02/09/2021
Format:  TCM on DVR (from, like, April)
Viewing:  First
Decade:  1970's
Director:  Peter Bogdanovich

So, I always knew this movie had a stellar reputation.  And, it's totally earned.  So earned, I'm not going to talk about it here.  Maybe on some future viewing.  

I *do* find the fact the father of a girl I dated in college was really, really pushing me to watch this movie to be a curious choice in making suggestions for the beau of your precious darling, but good on you, sir.  Good on you.

Mary Wilson Merges With The Infinite


Mary Wilson of The Supremes has passed.


Growing up, The Supremes were put on a pedestal by the media, and my mother herself was a fan.  While it was not non-stop Supremes music in our house, I was aware of her opinion on them.  And, even by middle school in the mid-80's, I was pretty well aware of their pop culture stature and place in American music.  

Just before COVID hit, SimonUK and I went to go see Mary Wilson at a small theater here in Austin.  Our seats were terrible, off to the side and partially obstructed by the piano.  Still, I was excited.  Hilariously, I'd found out days before that my parents were also going to be at the show, and sure enough - there they were.

Anyway - show starts, and Mary Wilson does a number, maybe two, then looks over at me and Simon and says "there's better seats right up front".  So.  We got up and moved, and I sat front row center for Mary Wilson, and I am here to report - it was one of the best concert experiences of my life.  

That was less than a year ago.  

I am stunned to learn of Wilson's passing.  She seemed a fraction of her 70+ years, was lovely, hit every note and kept the room in the palm of her hand.  I was semi keeping track of her for when I expected she would return.  

As shocked and saddened as I am to hear she has passed, I also am sure of her legacy and place in music history.  

We'll miss you, Mary Wilson.

Monday, February 8, 2021

Accidental Watch: Keep Your Powder Dry (1945)

the tagline is not remotely what this movie is about



Watched:  02/08/2021
Format:  TCM
Viewing:  First
Decade:  1940's
Director:  Edward Buzzell

Knowing it was Lana Turner's 100th birthday and TCM was running a marathon, I flipped over to TCM on the cable dial, and was just putting on this World War II movie about women in the WACs starring Turner, Laraine Day and Susan Peters... and then the movie ended and I realized I watched the whole thing.  

Anyway.  I guess that happened.  It was not bad!