Sunday, October 30, 2016
Halloween Watch: The Uninvited (1944)
It's been years since I've seen it, but once upon a time, I loved the 1940 movie Rebecca. And, yes, should my ship come in, I am absolutely naming my expansive estate "Manderley". I expect to be very unhappy there and hire extremely creepy staff.
The Uninvited (1944) is not Rebecca, but it feels very much of the same mindset and era, like someone took the basic work and pitched it up in some places, toned it down in others and added some layers of complexity while removing some of the scale. Also - ghosts.
That doesn't mean I didn't like The Uninvited, but it's hard not to see some parallels between stories of lovely seaside houses and the mysteries they hold about their former mistresses. A good PG-sort of fright fest, The Uninvited has genuinely creepy moments and does a pretty good deal on a World War II era budget and with the limited casting options.
Our story: A brother and sister from London (Ray Milland and Ruth Hussey) are vacationing in a quaint coastal town and find a lovely house, clearly unoccupied for some time. On a near lark, they decide to give up their London lives and purchase the house. It is sold to them by an older gentleman who's granddaughter was a child in the house when her mother fell from the cliff.
No sooner do they move in than, late in the night, the sound a woman wailing begins to echo throughout the house. Soon, they begin investigating the history of the house, trying to figure out their situation and - as the granddaughter is now a fetching 20 year old, Ray Milland starts getting friendly with her.
The movie operates like equal parts investigation and spook-fest. It's at it's best when the hauntings are in effect, creating a truly eerie sensation via inexplicable sounds and occurrences in darkened rooms - something utterly uncanny but relatable and terrifying. When ghostly apparitions do appear, they're really pretty effective, but it removes the mystery and we're still really far from Ghostbusters-librarian-level FX, but still really captivating. Just not as scary as the unseen.
Arriving about two decades before The Haunting, the film almost seems to point the way out from drawing room thrillers to supernatural tales that didn't have the weight of monsters and mad scientists - this is a classier breed of ghost picture, and it works well.
As it is a puzzle wrapped in a mystery and smothered in secret sauce, I am reluctant to give much more away. But I would recommend it for a good "date night" spooky movie. There's enough here to win over someone who may like Gothic Tales but isn't enthused by the usual Halloween content. It's not got the fun camp of House on Haunted Hill, but it does have the veneer of the drawing room mystery about it. And, I think, some genuine chills and points the way toward so many things that came afterward, from seances to do some detective work to dark family mysteries that must be uncovered.