Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Saturday, April 9, 2022

PODCAST: 192: "New Mutants" (2020) - A Marvel Madness Episode w/ Danny Horn and Ryan




Watched:  03/26/2022
Format:  Disney+
Viewing:  First
Decade:  2020's
Director:  Josh Boone




Puberty is a challenging time. You're growing, changing, making new discoveries and accidentally murdering bystanders with your newfound powers. Danny and Ryan splice into the genetics of this long-delayed installment in the X-franchise, the arrival of which signaled the last gasps of Fox Studios' X-films. Join us as we ponder what the movie thinks it is, what it is, and try to retain control.


SoundCloud 


YouTube


Music:
The New Mutants Score Suite - Mark Snow


Marvel Madness Playlist

90's Watch: Nobody's Fool (1994)




Watched:  04/05/2022
Format:  HBOmax
Viewing:  Third
Decade:  1990's
Director:  Robert Benton

It's been decades since I've seen Nobody's Fool (1994), but it's a movie I saw in the theater twice and a few times after.  I recalled feeling weirdly and profoundly moved by the film and was unsure how it would sit as I'm closer to the main character's age than the grandson's age at this point.

On first blush, the movie could be read as some smalltown schmaltz, but reviews of the time were overwhelmingly positive and reflect a lot of how I felt about the film at the time.  It takes place within the kind of small town romanticized by politicians in ads, of Main Streets and "working people", but it's also frank that small towns are kind of hard, that it's not always the pathway to the achievement of the American Dream and when you know everyone in your town, it can get weird.*  

To that end, it's a reminder of a kind of film you don't see as often these days as it's a quiet, thoughtful ensemble film where actors seem to be enjoying the work, a few name Hollywood types playing supporting roles just to be there, in the mix with up-and-comers and character veterans.  Of course, anchored by one of the best of the post 1950 American cinema, Paul Newman, still handsome and better than ever when it comes to what he does, which is say a thousand words with a glance or even in stillness.

Friday, April 8, 2022

Friday Watch Party: MY BIRTHDAY SURPRISE!


Next week I celebrate my birthday, and so I think I should pick a movie and SURPRISE the hell out of all of you.

Here is my promise - it will not be gross, there will be a minimum of nudity, and it will definitely be a movie.

Day:  Friday 04/07
Time:  8:30 PM
Service:  Amazon Watch Party
Price:  I promise it won't be more than $4







Thursday, April 7, 2022

Watch Party Watch: Flash Gordon (1980)




Watched:  04/01/2022
Format:  Amazon Watch Party
Viewing:  Unknown
Decade:  1980's
Director:  Mike Hodges

In a lot of ways, Flash Gordon (1980) maybe came out at exactly the wrong time and set the tone for what would be a problem for comic-based material until X-Men in 2000.  

With Star Wars and Superman released to critical and financial success, Dino De Laurentiis began mining the properties that had influenced the creation of both properties and set the tone in Hollywood that Marvel and DC couldn't get anything green lit for years - but somehow pulp characters would get movies.*  As The Incredible Hulk and Wonder Woman disappeared from TV, Buck Rogers showed up on the small screen, and De Laurentiis went and tapped Lorenzo Semple, Jr., one of the main brains behind the 1960's Batman series, to bring Flash Gordon to the big screen.  

Saturday, April 2, 2022

PODCAST 191: "Hired To Kill" (1990) - Movies of Doom w/ SimonUK and Ryan




Watched:  03/14/2022
Format:  Amazon Prime
Viewing: First    
Decade:  1980's
Director:  Nico Mastorakis




SimonUK and Ryan head into enemy territory with Movies of Doom, our first voyage into "wow, this looks terrible. Let's watch this immediately" cinema. This one has A Very 90's Actor, 7 actresses you'll never see again, and 3 legends of Hollywood cashing in for a vacation in Southern Europe. It's the Dirty Dozen meets every 80's action movie, meets astounding sexism!


SoundCloud 


YouTube


Music:
I'm Too Sexy - Right Said Fred



Movies of Doom!

Verhoeven Watch: Benedetta (2021)




Watched:  04/01/2021
Format:  Hulu
Viewing:  First
Decade:  2020's
Director:  Paul Verhoeven

In the wake of Showgirls, I was curious about what Verhoeven is up to these days.  I knew he'd more or less self-exiled to Europe.  For a director I like, I really hadn't seen his post-90's stuff, so when Justin alerted me Verhoeven had put something out last year, I gave it a whirl.

This is, as we used to say, a Stefon movie.



It's a hell of a thing to watch right on the heels of Showgirls, as this is a movie about nuns, faith, politics and religion, plagues, religious fervor, power dynamics, relativism in truth and morality, and - because it's Paul Verhoeven - eroticism and sexy nuns.  It's also loosely based on real events, changed enough it's not historical fiction in most ways, but... yeah.  Some of this is documented.  

80's Watch: Jewel of the Nile (1985)

As Jamie asked:  What is the physics of what's happening here?



Watched:  04/02/2022
Format:  HBOmax
Viewing:  third?
Director:  Lewis Teague

Woof.

This movie is so bad it has a body count.  No, really.  The last thing in the credits is a "in memory of" and four names scroll by, including the name of Diane Thomas who created Romancing the Stone, of which this is a sequel.

Even as a kid, when I saw The Jewel of the Nile (1985) in the theater, I thought this movie was "not good".  I couldn't have told you why then.  Jamie informs me, when I said "this feels like a cash grab" that it was made incredibly quickly on the heels of Romancing the Stone, and that Kathleen Turner initially refused to do it because the script was so bad.  Y'all, Kathleen Turner is not wrong.  

A weirdly meandering film that just keeps happening, there's essentially a start and an end with no middle during which a bunch of stuff just sort of happens and when our leads are together, they seem like they absolutely *should* part ways as all they can do is argue, it makes the entire third-act rekindling of the romance of the movie make no sense.  But there are multiple scenes in the movie that make no sense but happen just so there's something happening on screen - maybe the greatest example of which is "the chief's son wants to fight Jack so he can court Joan" but the Chief's son is in a hut?  And they just showed up?  And why didn't they just say they were married or betrothed?  Like.  uggghhhhh.

Friday, April 1, 2022

Friday Watch Party: Flash Gordon (savior of the universe!)



FRIDAY.  Join us as we watch himbo Sam Jones as Flash Gordon in the 1980's edition of a very 1930's idea.  

It's interstellar chaos when the Moons of Mongo rain down natural disaster on Earth, but luckily we've got a football player, a lady and the guy from Fiddler on the Roof to challenge Max Von Sydow in what is a weird space twist on "The Yellow Menace".  But Brian Blessed shows up in metal wings and a cool hat.

Also, young Timothy Dalton making knees shake.

This movie is famously bananas, and we think you'll like it.  Sets that make no sense, music by Queen.  A princess that's supposed to be kind of a bad guy, but you're like... okay, I'll join your side.  Flying blind on a rocket cycle.  There's just no end to the joys of this movie.

Day:  Friday, April 1
Time:  8:30 Central
Service:  Amazon Watch Party
Cost:  $4




Wednesday, March 30, 2022

Doc Watch: Summer of Soul (2021)




Watched:  03/30/2022
Format:  Disney+
Viewing:  First
Director:  Questlove

I started watching Summer of Soul (2021) last year on Hulu, but got in trouble with Jamie for starting it without her.  But somehow we never circled back and watched it.  

Well, I guess it won an Academy Award, so that's a feather in Questlove's cap.  And well deserved.  But it also means there's no real reason for me to further discuss or sell you on this movie.  Or even explain it.  

It's a really beautiful, amazing thing.  Watch it.


Tuesday, March 29, 2022

Doc Watch: You Don't Nomi (2019)




Watched:  03/29/2022
Format:  Amazon Streaming
Viewing:  First
Director:  Jeffrey McHale

After watching and podcasting Showgirls, I believe Justin (and then Paul) suggested I watch the documentary You Don't Nomi (2019) a sort of retrospective investigating how we can view the 1995 film, seen as a catastrophe at the time of release but which has been reconsidered as a camp classic in the intervening years.  The doc features multiple reviewers, entertainers and others engaging with the film.  No small amount of the original film is seen as the movie leverages the idea of fair-use in investigating and transforming the source material - and so too does it liberally borrow from other films by Paul Verhoeven.  

In many ways, it's like a bit of film school packed into a tidy 1:38 or whatever it was.  Opinions are applied as fact, schools of thought as dogma.  But almost no one speaking is in total agreement.  We look at what else Verhoeven has done, we look for things he returns to, what his films say on certain topics (women!  violence!  seeeeeeeexxxx!) and try to draw conclusions.  And with Verhoeven, the answer is often that, no, he's not making a mistake or doing something goofy, he meant something specific and it wasn't there to make you feel better or confirm your biases.  All of which, were I to watch Showgirls sober, would definitely make me re-evaluate the film.  

Sunday, March 27, 2022

Chill Out Watch: Napolean Dynamite (2004)




Watched:  03/25/2022
Format:  Amazon Prime
Viewing:  Unknown
Director:  Jared Hess

I am torn between writing a lengthy thing about this movie and writing nothing about this movie, and I don't think the world is better for me writing a longer thing.  We all know this movie is 1000x better than we thought it would be.  

So, I will just say that Tina Majorino is the not-at-all-secret weapon of this movie, and it's amazing.  

Also, I have that the local AC and plumbing company is doing Napolean Dynamite skits for its commercials.  They aren't good.




Friday, March 25, 2022

PodCast 190: "Showgirls" (1995) - A Day-Drinking Surprise Birthday Movie Exchange w/ Jamie and Ryan




Watched:  03/19/2022
Format:  BluRay
Viewing:  Second
Decade:  1990's
Director:  Paul Verhoeven




NSFW!!! This year for their birthdays, Jamie and Ryan are exchanging movies, but each will surprise the other with their selection. For Jamie's birthday, Ryan rolled out the martinis and 1995's most notorious camp-tastic hit in glorious NC-17 style. It's a wild world of the American Dream if your dream is to DANCE. Mine isn't, so this mostly seemed like it was trying very hard to make a point, but forgot what that point was multiple times along the way.


SoundCloud 


YouTube


Music:
Vision Thing - Sisters of Mercy
Goddess - David A. Steward, Showgirls OST


Ryan's Random Cinema

Sunday, March 20, 2022

Parker Watch: Parker (2013)




Watched: 03/18/2022
Format:  BluRay
Viewing:  Second
Decade:  2010's
Director:  Taylor Hackford

By now, I assume y'all know I'm a bit of a completionist, and I'm slowly buying the BluRays of all the movies based upon the Parker novels by Richard Stark.  Most famous of these movies include Point Blank with Lee Marvin and Payback starring Mel Gibson (which I don't own because Gibson, but probably will buy used to take him out of the money chain).  

If you're newer to the blog, when I traveled a lot for work, I read all 24 Parker novels and the Grofeld offshoots.  The movies never match the books - writer Richard Stark (real name: Donald Westlake) was not willing to let them use the name "Parker" as he was aware that the movies would differ too much from the books, and movie people tend to miss the point of Parker.  Which is 100% true.  So the movies are all oddball mutations of Parker as a character and the plots of the novels  - which, if done straight, would be fascinating stuff and probably spur a 1000 think pieces about following a character who is in no way a hero.  He is not a badguy, but he is a bad guy.

Thursday, March 17, 2022

PodCast 189: "The Evil Dead" (1981) - a Horror Canon episode w/ JAL and Ryan




Watched:  03/13/2022
Format:  HBOMax+
Viewing: Unknown
Decade:  1980's
Director:  Sam Raimi




JAL returns to the PodCast to talk about a movie series that helped cement a friendship! Join us as we ponder the crazy early vision of a master of movie making, getting good results out of annoying everyone around you, and what you can do on a shoestring budget that can still provide genuine scares and have a bloody good time.


SoundCloud 


YouTube


Music:
Introduction - Joseph LoDuca, The Evil Dead OST
Dawn of the Evil Dead - Joseph LoDuca, The Evil Dead OST


Horror Podcasts!

Tuesday, March 15, 2022

Pixar Watch: Turning Red (2022)




Watched:  03/15/2022
Format:  Disney+
Viewing:  First
Director:  Domee Shi

I'm going to try to secure Michero to come in and talk about Turning Red (2022), so no lengthy write-up.  

Uh...  so.  How to do this if there will be a podcast?  

I liked it!  You should watch it.  Definitely a great one for the kids hitting late elementary school and up.  It's gonna feel familiar.  For the younger ones, a foretaste of what's coming.

I have a few theories about why it took place in 2002, but will try to verify.  


Sunday, March 13, 2022

William Hurt Merges With The Infinite




Damn.  

William Hurt, one of my favorite actors, has passed.  

I don't have much to say on it.  I'm surprised and saddened.  We all knew he could turn in the best performances even when he signed up for some genre stuff that didn't deserve what he'd bring to the characters he'd inhabit.  And given a chance to get into something good - ex: The Big Chill or Smoke- he was astounding.



Saturday, March 12, 2022

St. Patrick's Day Watch: Leprechaun (1993)




Watched:  03/11/2022
Format:  Amazon Watch Party
Viewing:  Second
Director:  Who knows and who cares

I watched Leprechaun the first time at a party during what I think was Christmas break 1993.  I don't really remember much about it except for that the Leprechaun was a vicious dick and it featured Jennifer Aniston before I knew who she was.  

It follows the same pattern as a lot of horror from that era, and this era.  People are in a country house of some kind, and a dangerous force attacks.  The house actually looks quite a bit like the house from Critters or five dozen other movies of the era.  In this case, an Irish immigrant has returned home from a funeral and brought with him a bag of gold he stole from a leprechaun (Warwick Davis).  Now in the Western United States, he rightfully assumes he's safe from a magical being an ocean away.  

He's not, but he traps the leprechaun in a box for a decade until Jennifer Aniston and her dad show up to rent the house.  The movie also features a "hunky guy" house painter for Aniston to latch onto, his kid brother and the guy who stole Pee-Wee Herman's bike playing a moron.  

A bit about the thing with Mark Holton's moron...  

PodCast 188: "Fantastic Four" (2015) - FF Part 2 - a Kryptonian Thought Beast Episode w/ Danny Horn and Ryan



Watched:  03/01/2022
Format:  Disney+
Viewing: First
Director:  Josh Trank




Danny Horn and Ryan continue on their Marvelous adventure, picking up with Fox's fabulous alternative attempt at bringing the Fantastic Four to the silver screen. And what's more fun for the kids showing up for a superhero romp than turning Marvel's first family into a body horror spectacular? Why, you can also double-down with dead-eyed stars, a grim-as-hell plot and an ending that is dumb as hell. But you WILL reconsider the 2005 film and bump it up a few notches in your personal rankings.

SoundCloud

YouTube


Music:
Fantastic Four Prelude - Marco Beltram and...  Philip Glass?  WTF?

The mentioned article about how Miles Teller sucks

Marvel Madness Playlist!

Friday, March 11, 2022

Friday Watch Party: Leprechaun! Let's Get In the St. Paddy's Day Spirit!



Let's get ready for St. Patrick's Day with a modern classic that launched a franchise and a frankly surprising number of imitators!  See Warwick Davis in his, like, third of fifth most famous role!  A just before Friends Jennifer Aniston!  Be surprised at what a vicious POS a leprechaun can be!

Yes, I saw this, I think Christmas in 1993 after renting it from a gas-station.  

So, get ready for getting ready for the, like, third drunkest holiday of the year!  

Day:  Friday 03/11/2022
Time:  8:30 Central
Service:  Amazon Streaming
Cost:  $4



Western Watch: My Darling Clementine (1946)




Watched:  03/09/2022
Format:  Amazon
Viewing:  First
Director:  John Ford

Yet another deeply factually inaccurate take on the events including Wyatt Earp, Doc Holliday and the Clantons at the OK Corral, but a solid one that throws out all attempts to stay true to the story and instead does its own myth-making.  That's alright.  We have how many years of TV and movies that have used Earp and Holliday as fictional characters with fictional motivations to the point where my usual rules about biopics can't possibly apply.  

I was spurred to check this one out based on a single photo of Victor Mature in a cowboy hat, a still from this movie, and I'm a bit of a Victor Mature fan, and I had never seen him in a western.  When I checked to see what the story was with My Darling Clementine (1946), it was directed by Ford and co-starred Henry Fonda as Earp and Linda Darnell as "Chihuahua", a Mexican songstress.  And, look, I'm only human.  I'll watch a Linda Darnell movie for all the wrong reasons.  The titular Clementine is played by Cathy Downs, who would go on to sci-fi fame in some B pictures like The Amazing Colossal Man, but who also performed in some noir pictures around the 1940's and 50's.  

he's so cool


The movie fictionalizes a full background as a surgeon for "Doc" Holliday (he was a dentist), and makes up a love triangle between himself and Chihuahua, his local saloon lady, and Clementine - a nurse he once loved when he was still practicing.  While the Clantons are trying to remain outlaw lords of Tombstone, they make the mistake of killing Wyatt Earp's (Fonda's) brother, which leads to Earp becoming Marshall of Tombstone - already famed for his work in Dodge City and Deadwood.  Earp falls hard for the virtuous Clementine, and she has some conflicted feelings (and Doc seems kinda screwed up anyway, plus, you know, he's dating Linda Darnell).  

I can genuinely recommend the movie.  I think it's got a lot going for it, and Ford gets great stuff out of his four leads.  The real life story will continue to exist, but I like the arc for Mature's Holliday, and I think he nails it.   But you've also got Ford's Monument valley backdrops, beautifully shot, thoughtful execution of scene after scene, and a kind of humanity to the characters that grounds everything.


I mean...  Linda Darnell