First Watch: The Parent Trap (1961)

Watched:  02/05/2026

Format:  Disney+

Viewing:  First

Director:  David Swift

So, The Parent Trap (1961) is one of those movies that gets so heavily referenced, I figured I was good skipping it.  Twins (Hayley Mills and Hayley Mills) are separated at birth, one goes with Mom (a radiant Maureen O'Hara) and one goes with Dad (Brian Keith) - and neither is supposed to know the other exists.  For reasons.

Kids meet at camp, figure out they're sisters, and swap places for a bit til it's time to reveal who they are and force their parents back together.  Wackiness ensues.  

After we finished The Muppet Show special on Disney+, the menu offered up this movie, and I mentioned I'd never seen it, and Jamie insisted.  I mean, it was not exactly a hard sell.  I'll watch Maureen O'Hara read the dictionary.

Anyhoo, my impression of the plot was largely right.  What I wasn't prepared for is the kind of dark sense of humor the movie has, and that it's even a little bawdy at times - for a live-action Disney movie from 1961.  It's really funny.

Yeah, I really liked The Parent Trap.  Who knew?

Up All Night Watch: Assault of the Party Nerds (1989) & Assault of the Party Nerds 2 (1995)

Watched:  01/17 and 02/04/2026

Format:  YouTube - Up All Night

Viewing:  First/ First

Director:  Richard Gabai

Rhonda Shear is back with an all-new version of her 90's show Up All Night, now playing on YouTube.  

Look, I'm not going to discuss these two movies.  They're B movies from jump, and proud of it.  One is a Revenge of the Nerds knock-off, and one is a movie about our lead/ director as now a private detective.

Of note - Linnea Quigley appears in both movies.  Troy Donahue appears in the first.  Burt Ward, Rhonda Shear appear in the second.

While both movies are exactly the stunning material you're used to from Up All Night, the Rhonda-starring Up All Night bumpers are the highlight.  Richard Gambai appears with both movies, but he and Rhonda do a bit of a retrospective and talk about their 90's glory days.  It's kind of interesting to hear about working in the fringes during that period.  

If the show seems like it's trying to figure itself out - in all fairness, Up All Night was also reinventing itself constantly over its 8 year run.  So it's just kind of whatever it needs to be at any given time.

Happy Birthday, Ida Lupino

Happy birthday, Ida Lupino, born this day in 1918.

She's actually British born, but fine, Google robot.

Western Watch: How The West Was Won (1962)

Watched:  02/02/2026

Format:  Disc

Viewing:  First

Directors:  John Ford - Henry Hathaway - George Marshall

The word that leaps to mind watching How The West Was Won (1962) is "spectacle".  Really, I'm not sure I've ever seen anything else quite like it.  

It's a movie with an overture and intermission and exit music.  Its runtime is almost three hours.  There are three big directors!

It was shot for Cinerama - one of two movies ever shot in the format.  It's intended to be a nigh-immersive experience, with three sync'd 35mm projectors running in unison against a curved screen that surrounds you at about 140 degrees.  

Raimi Watch: Send Help (2026)

Watched:  02/02/2026

Format:  Alamo

Viewing:  First

Director:  Sam Raimi

So, two things before we get started.

1.  Back in college, my movie buddy was CB.  We went to film school together back in the day and saw lots and lots of movies together.  Turns out, CB now lives very close to me, and for the first time in decades we were taking in a genre movie like it was the mid-90's all over again.  (I saw Dead Alive with CB, for example).  Shout out to CB!

2.  I have Rachel McAdams face blindness.  It's a serious condition.  Jamie thinks it's a funny game to ask me occasionally who that person is on TV or in an ad or whatever, and I never know who she is.  I have no idea why.  She's a perfectly lovely woman, but if I was the witness when she committed a crime, she'd get off scot free.  Sure, I'll recognize her here, but when she's in her next movie trailer, Jamie will ask me again who that actress is, and I will have no idea.

This is also the third movie I've seen inside of a month that was about getting marooned on an island.  January 4th, we watched a Hallmark movie, Lost in Paradise and last week we watched A Game of Death.  Love an unintentional theme.  

If you've seen the trailer, you know what this movie is about.

Amazon Watch: The Wrecking Crew (2026)

Watched:  01/31/2026

Format:  Amazon Prime

Viewing:  First

Director:  Angel Manuel Soto

So, I was a fan of The Expanse, and I saw Frankie Adams - who played Martian Gunnery Sergeant Roberta Draper on the show - was in a new action movie with Jason Mamoa and Dave Bautista.  So, despite some negative stuff I'd seen online, I put on The Wrecking Crew (2026).  

Positives:  

• it does have Frankie Adams
• there's some bits about Hawaiian culture I didn't know
• you get to see Hawaii

Negatives:  

• this movie is terrible

80's Regret Sci-Fi Watch: Millennium (1989)

this is a movie about Cheryl Ladd's hair

Watched:  01/30/2026

Format:  YouTube

Viewing:  Second

Director:  Michael Anderson

So, in 1989, I was 14 and just started high school.  During the summer, at B. Dalton I'd picked up some Starlog-type magazine that had gone all-in on how we should all go see Millennium (1989) upon its release.  I knew who Kris Kristofferson was (I'm from Texas, he's from Brownsville), but not Cheryl Ladd, who was coming off a run of TV shows, etc... that I didn't watch.  She was a thing, but not so much of a thing to those of us exiting middle-school.

The magazine pitched the movie as a dystopian sci-fi epic with a robot, and, hey...  I was sold.  

flight attendant hair

Also, in high school one meets new people, and free from the shackles of knowing me in middle school, a lovely girl and I met, and decided to go on "a date".  What I now get in 2026 that I did not get in 1989:  I guess this girl really wanted to go out with me, because there was no way in hell she wanted to see this dumb-ass movie.*

Catherine O'Hara Merges With The Infinite

I don't know what it says about me that of the famous people whose passing I regularly note, this is maybe the third that genuinely upset me.  Like, tears, and whatnot.  

Doesn't everyone love Catherine O'Hara?

Part of that SCTV crew who went on to do some of the most meaningful work in media of the last fifty years, O'Hara has been everywhere, from Home Alone to Beetlejuice to, most recently, The Studio, to her masterful, beautiful turn as Moira Rose in eighty episodes of Schitt's Creek.  And, of course, all of her roles in the ensemble of Christopher Guest's movies, like A Mighty Wind and Waiting for Guffman.  

Absolutely one of my favorite performers, I am shocked and saddened that she's gone.

Anyway, the other two were David Bowie and Stan Lee.  

Wise Watch: Criminal Court (1946)

Watched:  01/29/2026

Format:  A shady Russian website

Viewing:  First

Director:  Robert Wise

I have to assume this 62 minutes flick was a B-movie in the classic sense.  The term originated not to mean a cheesy movie, but the way movies *used* to work was that you would basically pay to enter the theater any time that night, and there would be the feature movie, or A-movie.  But there would also be cartoons, newsreels, etc...  and a B-movie.  And that generally meant a cheaper feature film that was not as full of stars, big sets, etc...  And usually it had a shorter run-time.  Some of those B-movies were very popular, after all - people were still trying to make something good.*

This movie feels almost like it should be part of a series, but it's not.  There are characters who we just know as "types", so the familiarity makes it feel like you've just walked in during the first Season 2 episode of an ongoing show.  The flick stars Tom Conway as a Matlock-like defense attorney who is prone to in-court antics that would more likely land him in jail than get his clients exonerated.  In fact, to prove one guy is not a credible witness, he fakes a breakdown and wields a revolver in court, threatening people.

Unless that's an approved method on the bar exam.  You lawyers let me know.

Chabert Watch: Be My Baby (2007)

Watched:  01/29/2026

Format:  Disc

Viewing:  First

Director:  Bryce Olson

One of the worst movies I've ever seen.  

Just amazing.

I found this disc for cheap a couple weeks back and have been putting this off because the reviews were not kind.  And for a long time, I was fine avoiding it, because it looked awful.  But here we are.

Be My Baby (2007) wants to be a particular kind of comedy about stunted adulthood and the world's most this-would-never-work scam.  It's entirely misanthropic til its confusing and unearned ending, and I cannot fathom how this got funding if someone didn't just have rich parents.

The script is a trainwreck starting with the concept.  The issues continue with the look and sound of the film - all very "student film" with awkward set-ups and occasional room echoes, etc... which do the movie no favors.  Completely flat lighting, etc.. Wooden acting.  Every take feels like "we're gonna get this in two takes and then we have to move on."  A product of a low-rent production.  Fine.  I've seen way worse.

But, my god, the actual story....

I don't know what was going on in Los Angeles from about 1995-2015, but the belief in the baseline shittiness of humanity that drives the whole premise of so many of these low budget movies is absolutely wild.

Wise Watch: A Game of Death (1945)

Watched:  01/27/2026

Format:  YouTube

Viewing:  First

Director:  Robert Wise

Technically I should have watched The Body Snatcher (1945) next in my Robert Wise movie marathon, but I just watched that in April, so I'm going to save it for October.  It's a solid horror entry, so let's do that in the spooky season.

So, instead, I found A Game of Death (1945) on YouTube.*

Minimal surprises here, really.  It's an adaptation of the Richard Connell short story The Most Dangerous Game, which might as well be called "the most frequently adapted/ riffed upon/ re-done plot in movies".  

A wartime-era movie, it stars people who were not part of the war effort, and the only familiar face was Audrey Long, who will also be in the movie again in two movies when we hit Born to Kill.  Our lead is John Loder, who, honestly I simply don't recognize, but he's in Now, Voyager, so.  

I give Robert Wise and RKO a lot of credit here.  They don't shy away from the implications of the film, or how psychotic everything is, even if they give our villain an out - that he's suffering some sort of mental instability since he got crosswise with a Cape Buffalo that bonked him on the head.**

But the vibe of the movie is dark from the start as we watch a ship get tricked into wrecking itself, and swiftly realize it was intentional, everyone else is dead, and what our hero has walked into.  And what plans our villain (Edgar Barrier) has for the stranded woman once he offs her brother.  

The two servants are appropriately creepy, Gene Roth playing the cruel German henchman and Hollywood utility player Noble Johnson.  

The hunt sequence makes excellent use of someone's jungle sets, and Wise puts the camera behind the hunted in some visually striking sequences.  

All in all, the movie is fine.  It feels smarter than you'd expect here and there - allowing our hero to never be an idiot or be more than a step behind the audience and what it knows, and maybe a few steps ahead.  

The one thing I'd say that could have been hilarious would have been if when the villain gives our hero a knife before sending him into the jungle, if dude would have stabbed the baddie right there and proclaimed himself the winner.   I honestly don't know why he didn't.  

*I now have a policy of "it's fine" if I watch a movie on YouTube that has been uploaded by someone unofficial.  Look, the studios are refusing to make a lot of movies available via legitimate means, which means they've abandoned both the movies and the audience for those movies.  If they want money, they need to stop letting accountants drive decisions regarding access.  They can put the movie on YouTube as easily as MovieFiend668 or whatever

**I just recently watched a YouTube on how dangerous Cape Buffalo are - and they're responsible for an absurd number of human deaths each year.

Chabert Freeze Watch: All of My Heart (2015)

Watched:  01/24/206

Format:  Hallmark

Viewing:  Second

Director:  Peter DeLuise

I am logging everything.  Normally I wouldn't have mentioned this re-watch, but this is what we put on while we were waiting to see if we were going to lose power on Saturday night.  

As your foremost Chabert movie expert, this is definitely one of the better written parts she's been given at Hallmark, and she works very well with co-star Brennan Elliot.  

If you're worried you're about to lose power and need to put something on while you panic mildly, this is perfectly fine.

Noir Watch: Shield for Murder (1954)

Watched:  01/26/2026

Format:  TCM Noir Alley

Viewing:  First

Directors:  Edmond O'Brien and Howard W. Koch

This movie has some really interesting stuff, and maybe exploits some of the actual issues cops deal with for entertainment and shock value.  It's not the best movie - it drags in some places and feels like it's stretching to reach feature length once you kind of see where all of this is going.  But thematically, it's right there in the mix with the darker noir films.

Police detective Barney Nolan (Edmond O'Brien) kills a man in an alley and takes a stack of money off of him - $25,000 (roughly $300K in 2025 dollars).  He tells his pal and fellow cop Mark (John Agar - the ex Mr. Shirley Temple) that he was trying to bring in the bookmaker, but things got messy and shots were fired.

Soon after, Barney is picking up his young girlfriend, Patty (Marla English) and showing her a model home he says he'll buy.  Meanwhile, he hides the money beneath the house.

A pair of Private Eyes, thugs from the gangster who the money belonged to, start snooping around.  And a witness comes forward who saw everything, and Barney can't have that.

The movie has a scene with a platinum blonde Carolyn Jones as a bar fly.  

The basic gist of the film is a character study of a cop who has always been a good guy, but he's worn down by everything he's seen, and the knowledge he'll never get ahead while the crooks run around with $25,000.  How far will he go for his slice of the pie?  And how crazy will it make him?

As Eddie Muller hinted at during the intro, it just doesn't seem like Edmond O'Brien is anyone's favorite - and I'm probably in agreement.  He's not a bad actor, he's just not a favorite, but he's in enough noir films, he starred in two of three I watched this weekend.  Clearly this movie meant a lot to him, and he directs himself just fine here.  But never has it been more clear that a star was twice the age of the woman he's paired with and with so little chemistry.  It's just hard to buy.

There are some dynamite sequences, like a brutal sequence where we realize how far gone O'Brien is when he's cornered by the detectives in an Italian restaurant.  And a shoot-out at an indoor pool.

Anyhoo, I've seen that poster above for years and never came across the movie itself, so it's a delight to finally watch the thing.  

Totter Noir Watch: Man In The Dark (1953)

Watched:  01/24/2026

Format:  YouTube

Viewing:  First

Director:  Lew Landers

I always like a movie that's entire premise is based on 1950's-era psychological science.  

Edmond O'Brien plays a former gangster who has been pinched.  Facing a minimum 10 year stretch, he agrees to a bit of Clockwork Orange scientification.  A doctor is going to perform surgery on his brain to remove his criminal element or some such.

On the other side of the surgery, he can't remember who he was or what he used to do, and is no longer a shady crook, I guess.  From a detective for an insurance company, we learn O'Brien boosted $130K prior to his incarceration, but nobody knows where it is, and now that includes O'Brien himself.*   O'Brien coming along fine when his old gang kidnaps him/ liberates him.  

For reasons that amount to "we're real dumb", the old gang thinks for way too long that O'Brien is faking his amnesia.  They trot out his girlfriend, Audrey Totter, to convince him to play ball.  Eventually, she realizes he doesn't remember she was his girlfriend - and, if I may, that would seem like a welcome surprise.

Anyway, Totter never really liked O'Brien before - or at least knew she was disposable to him.  But she likes this new version.  

But as the crooks (led by Ted de Corsia) start to press, O'Brien has a dream with clues!  Memory clues!  And they find a slip of paper with a number that must mean something.  

Anyway - it means going to the Oceanpark Pier pier you see in one in every 20 film noir movies, and having a face-off.  

Highlights of the movie include:  

• it has a dream sequence that isn't a patch on Spellbound, but is still entertaining
• plenty of Laffing Sal
• Audrey Totter in smashing dresses
• an extended "getaway" flashback sequence with no story impact that I am pretty sure is on the roofs of the backlot at the studio
• the only fistfight I've ever seen on a roller-coaster track while it's operational.  Some real stunt work here.

I wouldn't say the movie is great or essential, but Totter feels weirdly too good for this movie, putting depth into her character that I'm not sure the movie earns. So if you're looking to catch another solid role for her, here you go.

If the movie seems a bit odd, visually, it is a 2D presentation of a 3D movie.  So that might explain the long escape sequence and a few other scenes.  I am very curious how the roller coaster sequences would have looked.  Pretty good, I expect.

There is a curious "will he go back to his wily, crooked ways" tension to the movie, but it's really just about survival.  Why O'Brien doesn't just go to the cops, I do not know.  It does mean he punches a dude off the hill of a rollercoaster track, so...  it's not like this is entirely a "on the side of the angels" ending.

*I would think handing over the money would have been key to the court agreeing to let O'Brien be a scientific subject, but the ethics of experimenting on prisoners is at best a gray area in this movie

I think I did a phenomenal job not making any jokes about Totter in 3D.  Please clap.

Dog Watch: Air Bud (1997)

Watched:  01/23/2026

Format:  YouTube

Viewing:  Second

Director:  Charles Martin Smith

I am unsure why, but for about a decade-and-change, America loved a kids movie about an animal playing sports.  A lot of these were apes or monkeys, but the foremost animal-athlete was Buddy, star of Air Bud (1997).  

It's been probably since 1999 or so since I actually watched this movie, thought "well, it's a kids movie and not for me" and went on with my life.  But thanks to the younger generation growing up with this movie, it's been meme'd, and, of course, John Oliver has been making Air Bud discussion a feature of his YouTube videos.  

• Part 1
• Part 2
• Part 3

Well worth your time and mind-space, I assure you.  

Oscar Nom Re-Watch: Sinners (2025)

Watched:  01/22/2026

Format:  HBOmax

Viewing;  Second

Director:  Ryan Coogler

I guess they announced the Oscar nominees, and Sinners (2025) is up for a record 16 Oscars.  Jamie had already asked to watch this movie a few times, and I figured - hey, tonight's the night.  (I'd delayed because the movie is 2+ hours, and I wanted to do it in one sitting.)

In my 2025 Favorite Movies list, it came in as Honorable Mention, just behind Flow, which I called my Favorite of 2025.  But I'll let you in on a little secret (pssst.  Scoot closer)  Ya see  - it's kinda arbitrary.  I could have picked either movie.  

I will say, Sinners isn't a different movie on a rewatch, but it's really, really good as a rewatch - and is a different experience.  It's very well written and edited (along with everything else, which is why they're throwing award noms at it), so when you know what's coming - things definitely have a different weight to them.  

All that said, I don't actually want to talk too much about the movie again.  I dunno, here's my post from April.  I probably liked it even better on a second viewing.  

Yes, it has received a lot of nominations, and it's kind of wild, but there are a variety of reasons that's true - including the film's overall popularity and watchability while still managing to reflect on the sorts of themes Academy voters tend to like to nominate.  The performances across the board sell the movie, and it's, if nothing else, pretty @#$%ing novel.  

Masters of the Universe Movie: So, Nostalgia is a Weird Thing

So, there's a new trailer out for a He-Man movie.

And then I saw writer Chris Roberson said, over on Bluesky:

Hallmark Watch: Frozen In Love (2018)

Watched:  01/21/2026

Format:  Hallmark

Viewing:  First

Director:  Scott Smith

Here in real life, we're prepping for a winter storm coming this weekend, and I knew I was planning to finish watching Mademoiselle Fifi in the evening, so we threw on this RomCom from Hallmark, Frozen In Love (2018).  

The film is not a Christmas movie, but the stuff Hallmark programs, post-holidays, to fill the winter months.  Yes, there is snow and ice and ice hockey in this movie.  No, I don't know anything about hockey.

Wise Watch: Mademoiselle Fifi (1944)

Watched: 01/21/2026

Format:  YouTube

Viewing:  First

Director:  Robert Wise

Our viewing of movies by Robert Wise continues with Mademoiselle Fifi, a 1944 movie, made during the darker days of World War II, using the Franco-Prussian War as a wispy-thin analog for the German occupation of France and a clear show of support for the French Resistance.  

This is Wise's first solo directorial effort, but you'd never know.  The movie seems assured of the handling of actors as it does of camera management and tone.  

The movie is intended as an odd propaganda - yes, stateside it would be seen as pro-French Resistance, but also would have informed Americans of what it means to be occupied, and how those under the bootheel may react in ways noble, practical and cowardly.  And, that some may not see much different day-to-day, or take advantage of cozying up to the occupiers.  I cannot assume this would have been very comfortable for movie go-ers who may have wanted to have less nuanced takes on the occupation.

Happy Birthday, Geena Davis

Hey!  It's the birthday of Geena Davis!  Who doesn't like Geena Davis?  

I believe my intro to Davis was as Larry in Fletch.  After that, she was just sort of omnipresent in movies.  But I decided she was *great* (post-Oscar win) when I saw Thelma & Louise and A League of Their Own within a year of each other.  

I didn't see a few of her bigger movies til well after the fact, but I can always say, along with Sigourney Weaver and a few others, if you say "hey, Geena Davis is in it", I'll watch it.  

Davis is less in the spotlight these days - the last thing I saw her in was GLOW, where she crushed it as a casino manager and former showgirl.  But she's not just doing the acting and producing thing (she's a very successful TV and film producer).  She founded the Geena Davis Institute.  

I think she's the right person to have started such an org, and their work is important, bringing research and spotlights to issues of "equitable representation in media" (from their website).  

Here's to Geena Davis - trailblazing and playing my favorite ballplayer in a movie.

Also, she once surprised Stuart at work.