Showing posts with label DCU. Show all posts
Showing posts with label DCU. Show all posts

Sunday, November 19, 2017

DC Movies Watch: Justice League (2017)



I had no intention of seeing Justice League (2017).

It's not that I don't like the Justice League as characters or concept - I'm a comics guy who tilts toward DC Comics, and once had a complete run of everything from Morrison's JLA run in the 90's to 2011 (I sold if off during the purging of longboxes about two years ago*).  My bonfides include significant runs of Wonder Woman, Superman and Flash comics, reasonable Batman-cred, and having had watched the respective movies and TV shows featuring the JLA characters in a wide variety of live-action and animated incarnations (with exceptions which I can discuss but won't do here). I will happily test my DC Comics-Fu against any of you nerds (but not Mark Waid).

I'm on record regarding Man of SteelBatman v Superman: Dawn of Justice, Suicide Squad and Wonder Woman.  One of these films was much, much better than the other three.  Let's just say 2017 was much better for DC than prior years.

It's no secret those first three movies left me a broken, bitter man.  The very ethos of the films was so far afield from the DCU I knew and loved, and the take on Superman so fundamentally broken (and at the end of the day, I'm a Superman guy), that I just didn't want to do it again.  I'd watch it on cable or when JimD sent me the BluRay against my protestations.

Then, as of Thursday I guess, trusted sources, such as creators Mark Waid, Gail Simone, Sterling Gates and our own readers including Stuart and JimD saw the movie, and weren't furious at it.  They had some nice things to say.  So, I got my tickets and I went to a 10:45 PM show on Friday evening.

Let's be honest:  Justice League has massive plotting issues, bizarrely genericizes and changes Kirby's Fourth World mythology in a way that makes it feel one-note to audiences who don't know their Granny Goodness from their Mister Rogers while also ruining the epic world building for fans of The New Gods (one of the most important ideas in superhero comics and comics in general).**  It has some terrible CGI, I hate the Flash's costume (a TV show should not be kicking your butt in this arena), and not nearly enough Amy Adams for my dollar. ***

But...

After three narrative and character misfires and one absolute gem of a superhero movie (you're my hero, Patty Jenkins), shake-ups in management at DC, a switch of directors, reshoots, a slashing of runtime by nearly an hour...  Some combo of people and factors finally seemed to care a bit about, at least, Superman.  If nothing else, they got Superman right.  And I cannot tell you how much of a difference that made to me as a viewer and what I was willing to deal with and what I wasn't in my superhero epic.

Tuesday, October 17, 2017

Happy B-Day to Margot Kidder!


Happy Birthday to Margot Kidder!

She is, of course, one of the greats of Superman media as Lois Lane in four Superman films and with a brief stint on Smallville.  Arguably, Kidder did quite a bit to pivot the popular conception of Lois as less a straight-laced member of the newsroom (something she never was in the comics, but that's how she was played on TV's Adventures of Superman) and into the gutsy risk-taker with no time for a Dictionary that made absolute sense as the kind of woman who would capture the heart of the Man of Steel.

And, she's absolute dynamite in those first two Superman movies.  The interview scene is pretty incredible if you haven't seen it in a while. 

Happy Birthday, Ms. Kidder!

Saturday, September 9, 2017

Super Re-Re-Re-Re-Re-Watch: Superman - The Movie (1978)


The other night Jamie and I watched Superman: The Movie for the first time in some time.  For us, that meansL it's been over a year since we sat down and watched it.  For me, it's been greater than 6 months.  It may be that same "more than a year" timeframe - these days I can no better remember a particular viewing of the movie than I can an airplane flight or yet another hotel room.  I've been trying to watch things new-to-me and kind of failing at it, and re-watching this movie, yet again, was not going to get me into anything novel.

What spurred us down this path was the recent article on a site called Polygon that discussed what most Gen-Xers and our forebears already knew:  Christopher Reeve is more than just a buff, cut dude in spandex.  He was a Julliard-trained actor.  And, he was working with a director and script that didn't just ask him to glower or look mournful across the span of two movies.  In comparison to the funeral dirge of Man of Steel and Cavill's limited acting opportunities and Batman v Superman and the inane use of the character, Superman: The Movie's myth-building, multi-tier, multi-faceted structure gave Reeves (and the film itself) the chance to do something deft and nuanced when it wasn't being broad and slapsticky.

Sunday, August 27, 2017

A Century of Jack Kirby


You're going to see the names Jack Kirby and Jacob Kurtzberg a lot today.  Jack Kirby is the pen-name of the greatest comic artist and creator to grace this orb we call planet Earth.

Here, on the centennial of his birth (August 28th, 1917), it's possible to suggest that Jack Kirby may be one of the most important artistic and literary figures of the past 100 years.  The recognition came late, decades after his passing, and, still, his name is hardly a household word.  But the creations he unleashed upon popular culture from the 1940's to the 1990's would either be taken up directly by the public (at long last), becoming part of the parlance, or influence generations who could never produce that same spark of imagination, but built either directly or indirectly upon what he had done before.

There are Kirby bio sketches out there a-plenty (but no definitive monograph that I'm aware of), a magazine dedicated to the study and fan-splosion around his work, and Mark Evanier - who apprenticed under him - has become the living memory of his professional life while his grandchildren have taken up the cause of preserving the memory of the man.  Now there's a virtual museum (which deserves a physical location), and a charity it's worth considering giving to sometime.  And a slew of collections and books celebrating Kirby's influence and work.

Kirby was not first in when comics became a way for kids from the rougher neighborhoods of New York picked up a pencil or ink brush to start bringing in bread, but he was there really early.  He was a workman who put everything he had into the work, comic by comic, year by year, becoming better and better.  As they tell you in art-school, master the rules before you start breaking them - and that's what he did, finding his own unique style, his own way of creating action and drama, and eventually shattering what it meant to create a comics page.

Taking from mythology, from science-fiction, from films, from his colleagues and the bottomless well within, Kirby created whole universes, pockets within those universes, and held the lens to each character, bringing the internal life of gods, men and monsters to life.

Wednesday, July 19, 2017

Black Lightning is Coming to the CW!



I was always a little lukewarm on Black Lightning as a superhero character until, I guess around 2002 or so, someone came up with the idea that Jefferson Pierce was a little older and had daughters who were manifesting powers (and, of course, wanted to be heroes, too).

Not only did it mean Black Lightning was suddenly anchored a lot more as a character - no longer just "that black guy with lightning powers" which he'd become after the early appearances, it gave him a robust supporting cast.

Unfortunately, The New 52 wiped away the take on the Pierce family I'd come to like quite a bit, following the characters across a few DC books.  Needless to say, I'm thrilled this is the angle they're taking on for a new DC show on the CW.  Those writers do family well, and - when given the chance - also do people of multiple generations pretty well.

Looking forward to tuning in and seeing how they pull this off.

Thursday, June 8, 2017

Wonder Watch: Wonder Woman (2017)




It's no secret I'm not a fan of the three prior entries in the shared DC filmic universe (which the kids are calling the DCEU, of DC Extended Universe, which makes no sense, but this train left the station without me).

If you want to extrapolate how much I was dreading the possibility of another weak entry from DC in the current superhero movie bonanza, you can check out my recent post on my love for Wonder Woman as a character and then, based on how I felt about Batman v Superman and Suicide Squad, try to figure out how another movie as weak as the prior DC films was going to settle with me.

Of course, as the cinematic debut of The Amazing Amazon (despite 75 years in print and a well-known commodity), Wonder Woman (2017) carried an unreasonable set of both expectations and penalties for movies far beyond this single picture.  If it failed, who knew what this meant for Wonder Woman as a franchise, yes,* but, if it failed: what would happen to female-starring superhero movies in general?

With much of the same crew responsible for prior efforts involved in this venture, there was no reason to believe much had changed from the disappointing first three DC filmic installments.  And, no, I couldn't trust the trailers.  Man of Steel had a phenomenal trailer, and I actually went to see Suicide Squad in part because it had a different director than Snyder and had a fun trailer.

Whatever changed at DCEU's offices (Geoff Johns' rise to power, I'm guessing), I am ecstatic to say:  Wonder Woman has made it to the big screen, and I was absolutely thrilled with the movie.

Saturday, June 3, 2017

TL;DR: We Discuss Our Love of Wonder Woman as Character, Icon and Hero



This isn't a review of the movie, which I'm slated to see in a few hours.  But with the arrival of Wonder Woman in cinemas, I wanted to reflect on Wonder Woman as a character and my road with Diana.

Like most kids of my generation, I grew up with Wonder Woman as the default "superhero for girls".  Sure, DC had a wide array of female characters, but a lot of "team" concepts aimed at boys included 1 or maybe 2 girls on the team no matter how big the roster got (see: GI Joe).  And on Super Friends, Wonder Woman was the all-purpose female character who was not Jayna of The Wonder Twins of Wendy of Super Marv and Wendy (ahhh, the 70's).

but at least they gave WW two villains from her rogues gallery

Sunday, January 15, 2017

Superman Gets a New Suit - State of the Comics with "Rebirth" and heading to "Reborn"


The past, oh, six years of reading Superman comics has not been the easiest of rides, and I'm not sure DC Comics is making any of this any easier to deal with in the long-run with the current convoluted decisions.  But, for the moment, I am very much enjoying both Superman and Action Comics as much or more than I have enjoyed the monthlies at any point since I became a regular reader (which is later in life than you'd think, but creeping up on twenty years now).

CanadianSimon hit me up to point me to an article featuring the new look for Superman that's coming soon in the comics.  Rather than overload his email with responses, he's getting a blog post as I think a bit about the past few years and DC's many attempts to land on a new suit.

Tuesday, December 6, 2016

Checking in on DCTV: Supergirl and The Flash



Season 2 of Supergirl moved to The CW network, which was already home to DC's Arrow, The Flash, Legends of Tomorrow and iZombie, and the move has been nothing but good for the series, so far as I can tell.  Whatever dictates Season 1 had upon it as a show on a major network, moving to the less-major CW Network has meant the show feels less like it's bucking TV formulas and now it's matching The Flash for melding DC lore with crafting it's own mythology and character arcs.

This season I've enjoyed the shake-up and escape from CatCo, especially if Cat Grant isn't even going to be around and the far more fulfilling role for Win.  And, hey, Kara isn't being defined by which boy she'll pick, which is kind of remarkable on TV.  While Alex's "coming out" storyline felt a bit rushed, crammed in there in-between cyborgs and fiery aliens, alien fight clubs and whatnot, it's interesting to see the show stake it's claim on big-tent "Supergirl is for everyone" and just move forward without turning the show into a melodrama we all have to slog through.

In fact, the CW shows are pretty remarkably good at not doing the things that TV has traditionally done that drove me crazy - namely: have have characters keep secrets from people they otherwise trust when keeping a secret makes literally no sense and drag it out over whole seasons of a show or until they just forget to resolve the storyline.

Saturday, December 3, 2016

Bat-Christmas Watch: Batman Returns (1992)



So, I was at work and I DM'd Jamie.

Me:  You want to watch a Christmas movie tonight?
Jamie:  Yeah.  "Batman Returns"?
Me:  *a single tear of joy rolling down my cheek, certain I married the right woman*

I didn't immediately get to see Batman Returns (1992) upon its release.  I was at a (sigh) 7 week drama camp for high schoolers that was well worth the money as, in week 2, I realized I absolutely did not want to major in drama when I did go to college.  So when I got home and more or less immediately drove to go see the movie, I was aware it was "weird", "not as good as the first one" and the other things people were saying at the time.  My memory of seeing the movie that first time was primarily of (a) Catwoman and (b) my girlfriend at the time laughing at me as my 40 oz of soda spilled all down the floor of the theater.  Great girl.

It's been a long, long time since I watched this movie.  It's nowhere near one of my favorite films, superhero or otherwise, and it's always been a bit of a mess.  Sure, it features things I love in theory - a Circus of Crime, penguins loaded down with missiles and helmets, the Batmobile, Michelle Pfieffer...  but it also feels like too many cooks were in the kitchen deciding what this movie would be.

Tuesday, November 29, 2016

Happy Birthday, Jimmy Olsen!

November 29th is, it seems, the birthday of one James Bartholomew Olsen, Superman's Pal.



It's nearly impossible to capture all the different interpretations of Jimmy, especially as he first appeared as a major character not so much in the comics - where he was an unnamed copyboy - but in radio.  In the 1950's, Jack Larson played Jimmy on The Adventures of Superman, and the character really took off.  National Comics responded by launching a comics which would run for almost two full decades, Superman's Pal, Jimmy Olsen.

I couldn't tell you exactly why I'm a fan of the character, but there's no question he's a fascinating character across a wide field of media.  And, yes, his comics are absolutely mind-bending as National tried to figure out what to do with the character in issues after issue.  Never underestimate the creative power of an unwinnable situation.

Even more so than Superman, Jimmy can change and bend to meet the needs of a story, so long as he's the youngest and most naive guy in the room.  And as a lead protagonist, the reader feels two steps ahead of our hero.  A lot of actors have had a lot of takes on Jimmy, and I have my favorites, but they've all brought something unique to the character.

Happy birthday, Jimmy.  I hope someone got you a cake.

Jimmy in "The Adventures of Superman"

Friday, November 11, 2016

Batman: Return of the Caped Crusaders (2016)



Had this movie not been released the week of the election, I expect this movie would have made a bit bigger splash in the media, maybe even gaining some mainstream media attention.

If you're looking for some pure, escapist fun to watch with the kids* (and you want to guarantee they'll enjoy the action while you enjoy the jokes), I really can't recommend the newly released Batman: Return of the Caped Crusaders (2016) enough.

Thursday, October 20, 2016

Super Watch: Supergirl Season 2, Episodes 1 & 2



When I started watching Supergirl last season, I spent a lot of time rolling my eyes and letting my disappointment in the formulaic, color-by-numbers approach take me to a dark place.  But then, probably earlier on than I'd admit, the show started doing something different from what I expected.  Rather than setting up petty jealousies between characters, rather than turning Calista Flockhart's Cat Grant character into a caricature, rather than turning Kara into a hapless dope that everyone loves only because that's what the show insists must happen despite the fact the character is an idiot ruining everyone's lives...  someone stepped in and started turning the show into something I quite liked.

Monday, September 5, 2016

Obligation Watch: Batman v Superman - Dawn of Justice (theatrical cut, 2016)



So, I was in no rush to ever see Batman v Superman: Dawn of Justice (2016).

In summer of 2013, despite the many positives of having a Man of Steel movie even existing, a stellar score by Hans Zimmer and Amy Adams cast as Lois Lane, I never cottoned to the movie, and, in fact, despite the fact my completionist self purchased a deeply discounted BluRay of the movie, it's never found it's way onto the platter for a spin.

But, you know, WB and DCE seemed aware of their problems with Man of Steel.  It was a little hard to ignore when adults watching the movie started saying "holy @#$%.  Did I just watch a movie where Superman was turning presumably occupied buildings into rubble and started his public career by snapping the neck of the bad-guy?  Yeesh."  So, despite the return of Zack "I don't understand characters or motivations" Snyder as director and the casting of Jessie "Two Modes of Nebbish" Eisenberg as Lex Luthor, I'd tried to withhold judgment until the reviews hit.  And, mostly, the reviews were not kind on many levels.  So, I'd stayed away.

But, ha ha ha.  One of you (JimD) decided to just send me a copy of the BluRay in the mail.  Over the course of two evenings, I watched the movie, trying not to open my computer or look at my phone when the movie got dull (which was more or less 90 of the 150 minutes).  I tried to make note of what I liked and didn't like, but - I guess unsurprisingly - the movie offered little to enjoy that was not Amy Adams.

It's not the worst movie I've ever seen.  for example -  Suicide Squad was just a dumber movie.  But BvS:DoJ felt positively adolescent in some ways, and had the storytelling instincts of a five year old relating the events of the day.  But it has some interesting stuff in it, too, as far as DC Comics lore.

It's just not a terribly good movie.

Monday, August 15, 2016

DC Comics' Rebirth - DC Tries To Get It's Groove Back



I'm buying way, way more in the way of DC Comics these days then I have in a few years.  Not as many as I might have been back in the hey-day around 2007 (back when I was practically panic-buying comics, afraid I'd miss something), or even as many as I was in the days before DC's New 52 effort launched, but I'm back up from, like, 3 per month (I was picking up Action, sometimes Superman, Sensation Comics and Wonder Woman '77 when it came out).

But, back then, I was literally picking up about 25 DC titles per month, I think.  It was a lot, but I was a Wednesday comics guy, I liked keeping up weekly and monthly with all the ongoing characters and stories, seeing what would happen, good, bad, otherwise, and it was the constant decision-making of "is this comic worth picking up or should I try something else?".  At the core of all the titles I read were four characters - Superman, Wonder Woman, Flash and Batman (in a somewhat managed capacity as there was always too much Batman on the shelf).  The rest were usually up for debate.

With Rebirth, I'm picking up a few titles:

Action Comics
Superman
Wonder Woman
The Flash
Titans
Justice League
Superwoman
New Superman
Supergirl (not yet released)
All Star Batman
Trinity (not yet released)
and probably the Super Sons title or whatever it's called, which will come out this Fall.

I'll be waiting on word from folks to see if any of the Green Lantern titles are worth it, but I'm not holding my breath.  When they quit making the book about the Corps shattering and reforming and shattering and reforming, somebody wake me up and alert me.

Wednesday, August 10, 2016

Vertigo Watch: Preacher (TV series, 2016)



At the beginning of the 1990's, I almost bailed on comics.  If you want to know who kept me coming back I can throw a bunch of names at you of authors and artists, but the real force bringing me back to the funny book store was editor Karen Berger, the mastermind behind the 1993 launch of Vertigo comics.

A lot of people say a lot of negative things about the comics industry in the 1990's, and if you consider what was going on in many corners, they're not wrong.  I was avoiding shiny and holographic covers, watched unknown companies try to launch whole universes in one shot and avoided the Scarlet Spider stuff like the plague.  But Berger was the one who saw the potential for what comics could do, saw the potential in then little known writers, was flexible about what could appear in a floppy comic, and she may be the least risk-averse person to ever work at the Big 2.

After successes with Wonder Woman, Legion and other titles, she shepherded several cutting edge titles that eventually set up shop under the Vertigo imprint.  She gave Sandman, Swamp Thing and Hellblazer a home, nurtured and loved both the titles and creators, and resurrected dead IP at DC Comics (Kid Eternity, The Tattooed Man, Shade: The Changing Man) while also letting creators bring their own, fresh ideas to the Vertigo.  In an era embracing what had been counter culture  as we coined such terms as "Alternative Music" and put a groovy coffee shop on every corner, the company that put out Superman was also putting out The Extremist and Transmetropolitan.

Just imagine a young and hungry Neil Gaiman, Grant Morrison, Warren Ellis...  And, of course, Garth Ennis.  In many ways for which she will rarely be given the credit she deserves, Karen Berger gave us Preacher.

Sunday, August 7, 2016

Suicide Watch: Suicide Squad (2016)




As the lights came up, I turned and looked at my movie companion and heard myself say "that was the worst movie I've seen since Battlefield Earth".  But, that was unfair.  It's the worst movie I've seen since 1998's Godzilla,  but the issues with the movie are maybe more akin to Battlefield Earth.

Now, I don't say that lightly, and I obviously don't include "bad movie" fodder like The Room, Birdemic and other grasp-longer-than-reach independent efforts.  Rather, there's a special place in movie-going hell reserved for huge blockbuster movies with gigantic budgets for production and marketing that have been corporate committee'd to death.

I didn't show up at Suicide Squad wanting to dislike it.  I'm a grown-assed adult, and if I don't want to see a movie, I won't.  Heck, I could have skipped the movie with a refund before it rolled (and I thought about it after seeing the reviews).  The movie was sold out and people would take the seats.  I could have had a nice beer on the porch at the theater.

I am, of course, not a DC "hater" and am more than happy to discuss DC comics, associated media and lore at length.  In short, don't make me embarrass you, kid, when you come at me to explain the movie.

For decades I've read DC comics, watched TV shows - good and bad - read non-fiction histories of the characters and industries.  And, in this era I just want for DC to make a movie that isn't a trainwreck, and - while I've not seen BvS - that doesn't seem to be happening.

There's probably a competent movie somewhere in the footage and scripts that led to the product that is Suicide Squad (2016).  Director David Ayer has a respectable filmography as both writer and director, and on IMDB, he's listed as the sole writer and director, but...  well, it's Warner Bros.  I mean, they say a lot about being a "director's studio", but if you believe that the suits had nothing to do with how this movie wound up, I have some beachfront land in Arizona to sell you.

I have no doubt the folks who've already branded themselves as DC movie fans (and as carriers of true fandom for these characters) will like the movie as it follows a certain line of thinking that has so far appealed to that audience and basic issues with story and structure didn't deter them with Man of Steel, and from what I've heard about BvS, even more so.   It is in no way short of wanting to be hip and edgy like an Ed Hardy shirt or vape booth at the mall.

It's a movie that does not know the rule of "show, don't tell" - it doesn't trust the audience to follow a story, delivering character and action in literal bullet points.  Mostly, though, the film is presented in such a way that the errors and issues were so large and as consistent as gunfire throughout the movie, that it's impossible to stay with the movie rather than just cataloging the issues as they pop up, one after another.

At almost every single thing this movie attempts, it misses in big and small ways, with the unsurprising exception of the Will Smith as Deadshot storyline (Big Willie carries too much clout in Hollywood to not come out of this still intact, and the charm I'd nearly forgotten the man has on screen fills in a lot of gaps that the movie leaves there for virtually every other character).  Whether it's the much derided musical accompaniment, the nonsensical story bits left in place after the editors were done, the odd choice of villain and scope of the mission, or why everything in the movie felt like it needed to be doodled upon from the frame of the film to Margot Robbie's face to Will Smith's collar.

This movie is a @#$%ing mess.  And, no, it's not even really a "fun" or "enjoyable" mess at that.  Maybe "a distracting two hours where you'll ask yourself a lot of questions about why they made a lot of decisions the way they did."  That kind of mess.

Sunday, July 24, 2016

Comic-Con Trailer Discussion! DC, Marvel, Kong!



Randy suggested I take a look at the trailers that came out during Comic-Con, and while I haven't looked at every one of them, and some of them I have no opinion on in general (like the new Harry Potter), I guess I can do this fairly quickly and painlessly.


DC


Wonder Woman



I've already been asked how accurate this is to the original comics, but as one always has to say with DC comics and characters, in particular, the specifics aren't that important.  Especially trying to bring the character to the big screen in 2017 versus what the characters were like in their 1941 original first appearance.

The question needs to be:  how did they handle the origin in general (do the producers understand the character well enough to understand the importance and resonance of the most important details of the character), and what did they do to demonstrate that the character is not a new character masquerading as the titular character?

I am not expecting the poly-sexual, bdsm subliminal antics of the original comics to ever make the big screen (we can make arguments about Season 1 of the Lynda Carter show some other time).  This is the Wonder Woman of the Greg Rucka era, who still carries the lasso, but is like to pick up a sword and shield.  To avoid comparisons to her contemporary creation, Captain America, the origin story has been transported to WWI instead of WWII, a change which I feel doesn't exactly make sense for a downed aviator to find Themyscira by accident (the range on those flyers was not putting them out over the mid-Atlantic, and aircraft carriers barely existed at the time).

But, ignoring the logistics of aviation history, I have to say I'm as excited by this trailer as I likely am to be about anything spinning out of DC/WB's theatrical efforts.  Gadot isn't my first choice, but she seems fine in the part.  The action looks like it's not softened in the slightest and the Amazons are living up to their potential from the comics if this trailer is to be believed.

Like Captain America, the action is likely to move to the modern era for any sequels, which kind of begs the question "why set it in WWI when it's going to draw so many comparisons to Captain America?"  It's not like we've lacked for military conflict in the past 20 years.


Tuesday, June 28, 2016

We Ponder the Ever-Growing Complexities of Superman and DC's "Rebirth" Event


It's no secret I wasn't a fan of much in the way of Superman comics since the launch of The New 52.  Somehow the character stumbled off the blocks, introduced in Justice League #1 as a showboat and almost a bully.  The history of the character never added up, what with DC's mishandled "we're five years in since Superman appeared" idea, a history they utterly failed to reconcile with pre-Flashpoint continuity despite their promises to the contrary.  The Superman title tried at the start.  You could feel George Perez try, get compromised again and again, and his abrupt departure and comments afterward about editorial interference jived with the inconsistency of what was on the page, not just in that title, but in many of the New 52 titles I tried out.

Over in Action Comics, Grant Morrison was given free reign to do as he pleased, and you could feel him trying to do something, working hard to try to seize the opportunity, but whatever he was trying to build with a blue-collar, working-man's hero in jeans and t-shirt was mis-appropriated to ill-effect by the end of the New 52 era and "Street Fighter" Superman in jeans and t-shirt almost a loud sigh that DC just didn't know what to do with the character they'd tried to assemble.

The comics just never quite worked.  I wish they had.  I can't say how much my waning interest in Superman comics took out my interest in comics in general.  If you've seen a major shift from comics to movies in my blogging - well, where do you suppose I'm spending my dollars and spare hours now?

Rebirth is DC Comics' latest line-wide reboot and an attempt to recapture what I'd characterize as the lost spirit of DC Comics.  Kicked off over the last month or so, they're basically ditching the line-wide decree to make their characters all more "edgy", rolling out all-new number 1 issues and trying to find their footing.  It won't solve a lot of the problems at DC as I haven't heard of a single person in editorial or publishing losing a job, and the guy running the Superman office at the moment is the same guy who was at the helm when the Superman line lost sales and went from 4 books to 2 (and those weren't holding steady).*



But all that aside - as Superman readers, what did we actually get out of Rebirth?

Well, man, they've certainly got their work cut out for them.