October Watch: Dracula (1931)

With the arrival of the Universal Horror Blu-Ray set, I wanted to get Dracula (1931) in before Halloween.

I first saw Dracula back in high school when it was going through a bit of a renaissance, probably because of those @#$%ing Anne Rice books that I kind of blame for leading to Twilight.

As a kid my concept of Dracula the character was fairly benign and drawn from things like The Groovy Ghoulies and the 70's-monster-plosion.*  But Dracula never seemed to be available on VHS, and I sure as hell wasn't going to read a whole book, but thanks to the monster-magazines and books I always seemed to have growing up, I already knew the story, including the character names and basic plot elements.

I was surprised how spooky I did find the film the first time I saw it.  I've always been of the Ed Wood school of willing-suspension-of-disbelief, even in movies which have long traded on literalism for the most part.  If I see a giant fake bat on a string, I guess I just buy that that's supposed to not just be a bat, but Dracula travelling incognito.  If there are armadillos in Castle Dracula, then, by gum, Transylvania must be overrun with cousins of my fellow Texans.  I dunno.  As long as I'm enjoying the film, I've always been willing to forgive a lot.**

Octoberama! Fridays with Elvira!

Our final Friday with Elvira rolls into the station.

All these years later, who knew Elvira would make a bit of a return in the pop culture consciousness? I, for one, welcome her return for as long as she wishes to stick around.

Really, what better way to celebrate the spirit of Halloween than with a bit of spookiness, a lot of fun and a celebration of creature features, great and terrible?

Octoberama! Superman and a Gallery of Not Really Spooky Supporting Characters!

You have to assume that the Frankenstein here was poor ol' Glenn Strange.

October Watch: Frankenstein (1931) and Bride (1935) Double-Bill!

I don't really keep a list around of "what is my favorite movie?" (I mean, go ahead and check out my recommendations at the tab above, but...) but the first two James Whale directed, Karloff-starring Frankenstein films are in the mix somewhere.

It's one of those things that is difficult to explain.  And it's funny, because I am absolutely not alone in my admiration of these two films - but the folks who like these movies also seem to have a hard time putting feelings into words.  Even the eloquent Neil Gaiman seems at a bit of loss, but I think he does as good of a job explaining the appeal of The Bride of Frankenstein (1935) as you're likely to see.

Octoberama! Once Again with Ann Miller!

Let us head on toward Halloween with Ann Miller, black cats and pumpkins!

Octoberama! Yvonne Craig!

Batgirl fears no tricks!

October Watch: An American Werewolf in London

I cannot begin to come to An American Werewolf in London (1981) objectively.  I had to leave work fifteen minutes early or so to make the picture, and someone said "I've never seen it.  Is it good?" (my co-workers are well aware of my love of movies like The Room, so my interest in a movie is not a sign of my belief in the film's quality).

I paused and said "You know, I don't really know.  I've seen this movie a half dozen times since I was sixteen or seventeen, and I know I like it."  And I suspect that's true for a lot of us who saw the movie when we were the right age to enjoy the horror, the comedy (it is a wickedly funny movie), the sex, and the rather pragmatic ending to the film.  Like the better horror films, you don't really worry about the bad science, the faults in the make-up or effects (and this is Rick Baker so the effects were completely groundbreaking for 1982 and still look mostly terrific.  @#$% CGI.) because its not about whether you can see the string on the bats or the seam in the creature's suit.  In a weird way, as expensive as a creature feature could be to produce, it really is about the story.

Octoberama! Veronica Lake!

When its Veronica Lake, we really don't know what else we could possibly ad.

Octoberama! Sundays with The Bride!

Here's a bevy of posters used to promote screenings of The Bride.

FYI - you can see The Bride of Frankenstein and Frankenstein on the the BIG SCREEN on October 24th!

Get tickets now at Fathom Events. These are two of my favorite films of all time. If you're in Austin and want to go, let me know!

Octoberama! Phantom of the Opera - Masque of the Red Death

Over the years, it was somehow mostly forgotten that at one point, a lot of early movies were tinted for color.  The film might be shot in black and white, but the prints themselves would be processed with a tint to have color that evoked the mood, etc...  However, by 1925 there was already a two-color process, and that's what you're seeing here.

The Lon Chaney starring Phantom of the Opera (1925) is a beautiful movie if you've never seen it.  At least some of the prints feature color, and the Masque of the Red Death sequence, even without color, was always powerful stuff.  With color - I think it's amazing.

At this point in the film, the Phantom has been causing problems (including deaths) but has been unseen.  Here he strides into the middle of a party of the wealthiest in Paris and threatens them all from behind the skeleton mask of Death.

Here it is - silent. You can provide your own music in your own head.



You can see the color better here, but I forewarn you, its synched to the music of the Broadway musical of the same name.

In the first movie and the book, unlike the musical, The Phantom is a spooky bad-ass. So if all you know if Andrew Lloyd-Webber, I recommend looking up the 1925 film.

October Watch! Creature from the Black Lagoon (1954)

If you've never seen Creature from the Black Lagoon (1954), it's an absolute blast of a movie and pretty much sets the tone for every succeeding creature feature to follow - but it also leans a bit on the set-up of movies like King Kong.  Intrepid explorers/ scientists have some vital but benign evidence, return to the spot  far from civilization where it was found, and modern man can't deal with the havoc that ensues when an unexpected monster appears (and makes off with the stunningly attractive woman along for the ride).

Creature is fun partially because of the raw science-adventure tone that movies like Prometheus try to capture, of lantern jawed scientists throwing themselves into the path of danger in the name of discovery - along with a scrubby but affable crew along for the adventure who know their protocols are there for a reason.  As well as knowing natives may be superstitious, but they're also not crazy, so sometimes you just avoid their "Black Lagoons" if they suggest that's not a good place to bring your boat.  But: SCIENCE.

Octoberama! Fridays with Elvira!

DC rebranded "House of Mystery" as an Elvira book, which was kind of an interesting idea

In addition to her work in TV and movies, Elvira has been a fixture of comics off and on since the 1980's.  She was at DC on and off for years, and had a series at Claypool comics as recently as 2005 or 2006.

She has also had various pinball machines and casino slot machines made under her name.

This game is totally fun in real life, and recently became available as an iPhone app.

I'd argue the sequel is even more fun, but is not available as an app.

She's also got her own slot machine.

This isn't to mention all the toys and dolls that are out there in her likeness.

Truly, the lady's copyrighted image is applicable just about anywhere.  I look forward to sitting down to breakfast and my Elvira-O's.

Octoberama! Ida Lupino!

Ida Lupino ponders her spooky pal.

Octoberama! Janet Leigh!

Janet Leigh would go on to have a terrific scare pedigree with appearances in Psycho and Halloween H20.    Not to mention birthing Jamie Lee Curtis, who would launch the Halloween movie franchise.

Octoberama! Myrna Loy!

Ms. Loy reads the cards and hangs with a friend as we head into the spooky season.

October Watch: Ed Wood (1994)

In 1989 I caught my first episode of Mystery Science Theater 3000, which featured the movie Bride of the Monster.  At the time I had never heard of Ed Wood, and I wasn't terribly aware of the sea of terrible monster movies out there.  But I like to know that my adoration of terrible movies sort of begins and ends with the work of Edward D. Wood, Jr.

When I watch a movie like Birdemic: Shock and Terror, a movie so abysmally, ineptly put together that those watching it assume it has to be a put on, I think of Ed Wood and his sincere belief in his projects, and while I understand the desire to refuse to believe anyone could be so myopic...  no.  We're funny things, us people, and we have rich visions that we are often unable to translate.

Ed Wood was released in 1994, and among the folks I worked with in film school, it was a bit of a totem.  We quoted from the movie endlessly, and we believed in the central conceit of trying to follow your uncompromised dreams to make the product you want to make.  And sometimes that meant exactly using pie-plates on sting to recreate a UFO crash.*

This scene (language NSFW), is more or less every project I ever did in film school in a nutshell.

Octoberama! Clara Bow!

I'm as excited as the next guy to see Clara Bow all decked out for Halloween, but she seems to have borrowed someone else's jack-o-lantern...

October Watch: The Phantom of the Opera (1943)

It speaks volumes about the work done in the 1925 silent version of Phantom of the Opera that its still the version of the story most people are familiar with, and which evokes images in the mind somehow more powerful than a smash Broadway musical that's been running for 250 years.

For reasons as mysterious to myself as anyone else, I read the original novel by Gaston Leroux when I was 15.  The book was a spirited, if creepy, adventure story about a very odd, very deadly music enthusiast living in the catacombs beneath the Paris Opera House.

If you've never seen the Chaney-starring version of the movie, you absolutely should.  I saw it the first time in high school when I bought a copy of the movie out of a bin of movies which had seen their copyrights expire and I've tired to own a copy in whatever has been the latest video technology.  You can watch the film now at Netflix!

However, that's not the version that came with my new Universal Monsters boxed set, likely because of the lapsed copyright.  Instead, I got this 1943 version starring the always terrific Claude Rains as The Phantom.

Octoberama! Sundays with The Bride!

Hair and make-up check.

It takes work to look this good.

October Watch: Frankenweenie (2012)

I had actually planned to go see Hotel Transylvania this weekend, but then I looked at Rottentomatoes and had second thoughts.  That movie had scored a 43%, but I noticed Frankenweenie was cruising at around 86%.

The trick is that I like Halloween movies, and Jamie will not watch anything scary.  I've had The Thing on BluRay forever, and one day she'll watch it, but that day has not yet come.  But we can do movies where all the monsters are silly, etc...  My biggest issue is that I haven't really cared much for Tim Burton's work since the golden age of Ed Wood and Mars Attacks.*  I know he has his devoted following, and good for you.  I am not to be counted among your number.

Anyone who's marginally aware of Burton's history knew he was working at Disney when he made Vincent and the original short of Frankenweenie, which, in the post-Batman brouhaha, used to be available on VHS for rent, but for some reason I never did.