2010's Watch: Bad Times At The El Royale (2018)

Watched:  06/29/2025

Format:  Prime

Viewing:  First

Writer/ Director:  Drew Goddard

It's possible in fifteen or twenty years, this movie will be found and puzzled over as featuring folks who are now established stars, mixed with longtime stars.  Bad Times at the El Royale (2018) features Cynthia Erivo in what I will say should have been a break-out performance and her entree into film stardom, rather than waiting til Wicked.  Lewis Pullman is here.  As are Chris Hemsworth, John Hamm, Jeff Bridges and a not-50 Shades-ing Dakota Johnson.  

But this movie came out and tanked.  That's neither here nor there, but it has meant that it's not exactly on the forefront of people's minds as few eyes saw the movie in the theater and it's not found an audience on home video. 

What's odd is that Metacritic comes in at a mid-range-ish 60, and the audience score is a generous 71.  And yet... no one saw this.

However, maybe in the same way of The Last of Sheila from 1973, it will find an audience that will make sure it has a cult following.  Or not.  (I heartily recommend The Last of Sheila.)

Doc Watch: My Mom Jayne - a film by Mariska Hargitay (2025)

Watched:  06/28/2025

Format:  Max

Viewing:  First

Director:  Mariska Hargitay

I don't watch Law & Order much, but for a while back in the 00's and 10's, SVU was the one I'd watch in re-runs.  And Mariska Hargitay was hard to miss as the ultra-driven cop, Detective Olivia Benson.  But it was probably in the 2010's that I figured out her parents were screen legend Jayne Mansfield and body builder Mickey Hargitay.  

Mansfield is the stuff of Hollywood Babylon legend, following a career path that feels one-part Monroe, one-part Jane Russell.  I've seen only two or three Mansfield movies, and she struck me as very good at what she did (I liked her a lot in The Burglar), but she and I don't cross paths much in my TCM viewing.  

Once I knew about her parentage, I also never could quite sort out Mariska Hargitay's domestic situation, as I couldn't believe she'd even been born when Mansfield died in a car wreck in 1967.  It seemed Mariska was a smidge older than I'd guessed (good genes, I guess) - but she was three at the time, and in the car when it happened.  But, due to her age when Mansfield passed, Hargitay didn't have memories of her mother, and she wasn't raised by her.  

The doc, My Mom Jayne: a Film by Mariska Hargitay (2025), is Hargitay coming to terms with who her mother was, learning who she really was away from the public, and embracing her relationship with the woman she never really knew.  

Musical Watch: Wicked (2024)

Watched:  06/26/2025

Format:  Peacock

Viewing:  First

Director:  Jon M. Chu

I am a huge fan of the OG Wizard of Oz.  My second biggest regret about ending the podcast was not covering the movie before we put away our mics.  In my opinion, it's not just an important film, it's a key to American film and culture.  

That said - I am fine with derivative works.  Of course people want to explore this amazing world in which Wizard of Oz takes place, to consider and deconstruct and shuffle around the cultural icons of the movie, look into the characters, themes, etc...  It's a bubbling well for interpretation, commentary and America.

Wicked (2024) came in riding decades of popularity as a stage show and soundtrack.  Idina Menzel and Kristen Chenowith were launched to super stardom with the show and became fixtures.  People who don't care about Broadway probably already knew two of the songs by osmosis before ever buying a movie ticket.  It's one of the few 21st Century Broadway shows to break into the pop consciousness like 20th Century shows like Oklahoma!, Phantom, Cats or Les Mis.  

The film adaptation did great at the box office and was at least an American phenomenon.  It did fine overseas, but likely suffered from being an English-language musical about a play that probably hasn't been getting seen in Beijing, etc...  quite yet.  And who knows if they care about The Wizard of Oz in Lichtenstein?

But in the states, it made almost half-a-billion dollars.  As the movie was released in late Fall, Christmas season 2024 was pink and green with the movie's merchandise and imagery everywhere.  It was kind of neat.

Noir Watch: High Tide (1947)

Watched:  06/22/2025

Format:  TCM

Viewing:  First

Director:  John Reinhardt

This movie had the unfortunate combo of plodding pacing while feeling deeply convoluted.  Throw in some off-brand talent and poverty row aesthetics, and it's not exactly one of the most polished movies you're going to see.

It's a bummer, because it feels like there's probably a good story or movie in here somewhere, but this probably isn't it.  

There's just so many angles and storylines, and the movie runs only 72 minutes but has enough going on for something 45 minutes longer.  It also uses the framing of "wow, this is awful.  How did we wind up here?" with two of our leads in a car wreck at the beach, both trapped and waiting for the high tide to come in and kill them.

We flash back to a newspaper office with a tough editor, a weak-knee'd rich boy boss and our lead - who had been fired from the paper coming back to find out why his editor pal is making him the beneficiary on his high dollar life insurance.

There's multiple dames in play, gangsters, perturbed fired reporters.  It's a lot.  And it's kind of hard to care about forty minutes in as things just keep happening but it feels like the movie is spinning its wheels.

I just couldn't get into it.  I wish I could say I did.  But...  alas.  

Then, at the end, when they put all the pieces together, I was like "oh, that's actually really smart and cool".  Alas, I just didn't maintain much interest to get me to that point.  It's so short, I'll rewatch it soon to see if I like it better when I'm in a better headspace.

Chabert Whoops Watch: The Sweetest Christmas (2017)

Watched:  06/21/2025

Format:  Hallmark

Viewing:  First

Director:  Terry Ingram

Job: Receptionist/ Would-Be Baker

Location of story:  Helen, Georgia (which is apparently a real place themed like a German village?)

new skill:  ruining two men's lives

Man:  Lea Coco (no, really)

Job of Man:  Italian Restauranteur

Goes to/ Returns to:  has returned home

Event:  National Gingerbread Competition

Food:  oh, Gingerbread, man.  So much Gingerbread.

Well, whoops.  

I thought I'd watched this one, but... and follow me here... I found out through an odd way that I had *not* watched it.  I had confused a Valentine's movie about chocolate with The Sweetest Christmas (2017) while managing the Chabert-a-Tron 3000 and checked it off.

Hey, moron... how did you puzzle that one out?  you may be asking yourself.  

Doc Watch: Implosion - The Titanic Sub Disaster (2025)

Watched:  06/21/2025

Format:  Max

Viewing:  First

Director:  Pamela Gordon

Friday when I wrapped work, Jamie informed me that there was, in fact, a different documentary about the Titan submersible disaster currently playing on Max (part of the Discovery/ HBO partnership).  And so it was we put on Implosion: The Titanic Sub Disaster (2025).  

Just a couple of days ago, we wrote about Titan: The Oceangate Disaster which we watched on Netflix, so, yes, this is a second doc on the same topic.

Thanks to streamers seeing documentary as a fairly inexpensive endeavor, we often get more than one documentary on the same hot topic - and since the Fyre Festival adventure, I've liked watching dueling docs.  It gives me a chance to get more than one POV on a topic, and you do start feeling like you're triangulating on some version of reality as different film makers will pursue different angles.

In that prior write-up, I sort of raged against the myth of the maverick entrepreneur, so I won't repeat myself here.  

This doc is actually a great companion piece to the Netflix film with different interview subjects, some of whom share more of the mentality of Stockton Rush, some of whom were on the boat and are not covering their ass, and some saying out loud what you kind of have to suspect based on the evidence provided in both films, but which we still don't know for sure.

Doc Watch: Titan - The Oceangate Disaster (2025)

Watched:  06/18/2025

Format:  Netflix

Viewing:  First

Director:  Mark Monroe

(blogger's note:  we did also watch the other doc on this topic over on MAX)

Well.  This was horrifying.

I woke up this morning to another Space X rocket exploding on the pad.  Which is kind of normal when you're figuring out gigantic rockets (see the Atlas rocket program).  But the failure rate of Space X is starting to be a real stunner as booster after booster goes en fuego.  As is the insistence we get Tesla robot taxis on city streets when those taxis don't seem to recognize things like children in the road.

Also, I've worked for difficult people.  I have been a difficult people to work for.  What neither I, nor those people, have done is ignore and fire anyone who was coming along to warn us of catastrophe.  Especially catastrophe that would murder me 4000 meters beneath the ocean waves.

What Titan: The Oceangate Disaster (2025) manages to do is show how one ego run amok - and an absentee board, I'd argue - led directly to the death of five people for absolutely no reason.  

It's a story of a small kingdom, one with life and death stakes, where one guy's Ahab-like vision meant that employees needed an almost religious faith in a technology that clearly was not meant to do the thing it was required to do.  And our Ahab would ruin you if you crossed him.

I think in the wake of the news stories on Titan, we all had a pretty good idea that there had been signs.  What it was hard to know was how numerous, obvious and devastating the indicators of coming disaster had been and for how long.  

In simple terms, the doc lays out the case that systems we assume will be there didn't just fail, they don't exist.  

SPOILERS

Chabert Watch: Gypsy (1993)

Midler took center stage?  Whaaaaat....?

Watched:  06/13/2025

Format:  Prime

Viewing:  First

Director:  Emile Ardolino

Everything's coming up Chabert!

So, I'd never seen Gypsy before in any form.  A snip of the Natalie Wood version was on once and we agreed we'd watch the full thing at some point and... we did not.

This film, Gypsy (1993), was a TV movie that aired in December of my Freshman year of college, so I am not shocked I was unaware of it existing.  All I really knew about Gypsy was:

1. Jamie once played a small part in a community theatre version of the play 
2. Broadway queen Audra McDonald is currently receiving rave reviews for her portrayal of Momma Rose.  
3. It's sort of about the ultimate stage mom
4. It's the origin story of a real life stripper turned writer turned pop figure,  Gypsy Rose Lee, who was a fixture in American culture from the 30's to the 60's

This TV movie was an adaptation of a Stephen Sondheim musical of the same name, which was originally on Broadway starting in the late 1950's and ran for some time.  The musical, in turn, was based on Lee's own memoirs, which had been a popular book.

Chabert Watch: Daddy Day Care (2003)

Watched:  06/11/2025

Format:  Prime

Viewing:  First

Director:  Steve Carr

Sometimes coming into a movie and seeing it has an extraordinarily low rating sets you up for success.  Daddy Day Care (2003) has a 39 on Metacritic* and a Critics score at RT of 27%.  

Honestly, I thought it was fine.  Not good, but fine.  

It knew what it was - an excuse for kids to be cute and throw in some wholesome jokes.  It was clearly intended to be a family movie, and so I can see how critics decided this was bad, hoping for the Eddie Murphy of the 80's and 90's.  And I don't automatically give Eddie Murphy a pass.  I think I declared Candy Cane Lane the worst movie of 2023.  But as a family movie based on its own merits, sure.  Daddy Day Care (2003) is.. fine.  (I also have seen so many awful movies of late, this feels like Casablanca by comparison)

The movie stars Murphy as a guy trying to run a health food team within a processed food company, who loses his job when his project "Veggie-O's Cereal" bombs.  Coming with him is his side-kick, Jeff Garlin.  They recruit their former mail-boy, Steve Zahn, to work with the kids.  Regina King plays Murphy's wife, who has just started working as an attorney.  Anjelica Huston plays the head of a school/ daycare that's run like an intense prep academy.  Lacey Chabert plays her assistant.  Jonathan Katz plays a City employee keeping tabs on the daycare.  Laura Kightlinger is in there.  Kevin Nealon.  Siobhan Fallon Hogan.  And a very small Elle Fanning is one of the kids.

1950's Watch: Designing Woman (1957)

Watched:  06/10/2025

Format:  Amazon

Viewing:  First

Director:  Vincente Minnelli

I was a bit wary of this film as I watched the trailer, but you never know.  

For example, I'd quite liked Woman of the Year, and I thought that was not going to land with me.  But I've been taking a mini-journey through the very limited media lifespan of Dolores Gray, who was mostly a Broadway and West End performer (she's American - she played Annie Oakley in London's Annie Get Your Gun).  She only has, like, five or six movies, total, and Designing Woman (1957) is one of them.  

The story is about a sports reporter (Gregory Peck) who meets a high-end fashion designer (Lauren Bacall) while in California, but it turns out they both live in New York.  After a whirlwind week and marriage, they return to the city and what was going on in their prior lives.  

Turns out a hard-drinking sports writer and a wealthy woman used to more of a salon sort of atmosphere with her pals are somewhat at odds.  It's a deeply heightened "men be like this", "women be like this" clashing of worlds.  

JLC Watch: Freaky Friday (2003)

Watched:  06/08/2025

Format:  Disney+

Viewing:  First

Director:  Mark Waters

If you weren't an adult in the 00's, it's hard to imagine how easily mainstream media managed to convince the public that completely random people were now the biggest star in the world and we all had to care about them.  This was a result of the fact that the internet had not yet discovered algorithms and was just force-feeding us content, so whether they were pushing someone on teens or the elderly, we all got the same stuff.  

America was in the middle of occupying Iraq, which had begun four months before the release of Freaky Friday (2003), and as a bit of a newshound at the time, I was often trying to find out wtf was happening.  But every time you tried to get online and look at the news, sites were saying "yeah, war in Iraq that could trigger 1000 years of war with the East, but... look at what Lindsay Lohan's mom said today!".  

I have no negative feelings about Lohan, especially as a teen.  She existed.  But I can't say the same for the de-evolution of news at the dawn of the clickbait era and selling us on the antics of certain celebrities.

Lohan is fine in this movie.  Cute, has a pack-a-day-habit voice pioneered by Jodie Foster and carried on to Emma Stone just a few years later, but...  In my book, Jamie Lee Curtis is putting on a comedy clinic.  Lohan's good!  But with JLC playing a surly teen, Lohan doesn't get to do anything as kooky as JLC.  And I am not sure she has the same presence as Foster in the original film, but those may just be fond memories from 1982 or so when I last watched the movie.

I found this version, though, really, really funny - once it gets started.  And it doesn't suffer from meandering in the manner of 70's-era Disney live-action flicks.  The first ten minutes or so are rough as we watch the leads snipe at each other and get all of the set-up in place - including the shitty younger brother.  But, immediately upon the body swap, the movie works.  I was lol'ing.

2025 audiences might shift uncomfortably about the trigger being a magic fortune cookie.  I'll just leave it at that.

My recollection is that the original movie is a bit more even-sided between the kid and mom not understanding each other, but this one really leans into Lohan's character taking it from all sides before the swap, which initially I found odd, but it does give the story plenty to work with as Mom-in-Kid's body navigates her daughter's day, (the unfair English teacher played by Tobolowsky is particularly a good bit).  And I did appreciate that the script's inclusion of a step-father coming into the picture (Mark Harmon) is played so well.

But...  for comedy... JLC mooning over a boy, frustrated with her punk brother..  it's all pretty solid work and she commits to the bit.  I wish they'd done more with the therapy session stuff, but what we got was good.

Tragically, the movie is also from the era of SoCal Pop-Punk being shoved down our throats, and it wasn't enjoyable at the time and has aged like a banana left out for two solid months.  Thus, I wish I enjoyed the rock band numbers more than I did.  But I didn't, minus JLC clearly really knowing how to play the bit her character plays in the film.  That was cool.

I didn't start this post off to drag Lohan - it was just a weird time for how talent was promoted (remember how we were bombarded with Paris Hilton and Nicole Ritchie for way too long?), and she had some hard years transitioning to being a grown-assed adult as a result.  But this movie was a key part in her rise to fame and Disney trying to cash in on her popularity.  And you kind of wonder what would have been if Hollywood weren't so full of toxic monsters.

Fortunately, Lohan and JLC are teaming up for a sequel this summer, so maybe she'll get a second shot.  She's been fine in her Netflix movies.

Chabert X-Mas Watch: Family For Christmas (2015)

Mirrorverse Man watches Lacey, while she stares you down

Watched:  06/08/2025

Format:  Hallmark

Viewing:  First

Director:  Amanda Tapping

Job: News reporter/ Housewife

Location of story:  San Francisco and Bay Area 'burbs

new skill:  being a mother

Man:  Tyron Leitso

Job of Man:  Advertising creative

Goes to/ Returns to:  Goes to alternate timeline

Event:  School Christmas Pageant (very overdecorated)

Food:  Mushrooms and what I think was Captain Crunch

In 2015, Lacey Chabert made four movies, three for Hallmark.  Two of those Hallmark movies were Christmas films.  In 2015, she is on her way to building her own legend.

The first Christmas movie selection for 2015 was A Christmas Melody, the Mariah Carey movie, which we previously covered.  

Our selection today was Family for Christmas (2015),  one of the movies in which Santa is not just a jolly old elf making toys - he's a chaos agent who uses his reality-warping powers to wreak havoc with an unsuspecting person, hoping he can make people hook up.  Santa in Hallmark-Land does not care about toys or children, he cares about making strangers decide to make it.  

Santa is a freak.

Previously, Santa gave Chabert "courage"/ "the inability to stop herself from escalating an already bad situation" in A Wish For Christmas.  This time, Santa finds a perfectly happy career gal/ news reporter (Chabert) who gets a friend request from her college sweetheart she dumped to become a successful reporter.  Meanwhile, she's being offered jobs in NYC, getting the most understanding breakup in Hallmark history, and stealing her assistant's ideas for stories.

Apparently Chabert ponders that Friend Request and what could have been with this ex-boyfriend SO HARD, her pondering becomes a Christmas Wish.  One she did not explicitly make, but Santa still says "yeah, but you really wanted to know".  

Chabert X-Mas Watch: The Christmas Waltz (2020)

no idea why dude looks like he's about to abduct Chabert

Watched:  06/07/2025

Format:  Hallmark

Viewing:  First full time through

Director/ Writer:  Michael Damian

Job: Attorney 

Location of story:  Manhattan

new skill:  Waltzing

Man:  Will Kemp

Job of Man:  Dance instructor

Goes to/ Returns to:  It's all in Manhattan

Event:  The Christmas Dance show

Food:  Wedding cake?  

The curious thing about the Will Kemp/ Chabert movies is that (a) Chabert is *not* a classically trained dancer, and (b) Kemp is, like, 9 inches taller than her.  So it's not a traditional ballroom couple.  But it does fulfill some vision of a graceful man taking the audience's stand-in in Chabert and making sure you CAN dance.  And isn't that what it's all about?

The Christmas Waltz (2020) is about power-lawyer Chabert figuring out her perfect life and Christmas wedding are not happening when her absolute shitheel of a fiancé decides to take a promotion and move to Boston less than four weeks before their wedding.  I mean...  honestly, guy.

Chabert has signed them up for dance lessons for their wedding dance, but winds up using the lessons for herself, remembering she loved to dance as a child and walked away from it to lead the perfect life her fiancé just poured gasoline on, and then tossed a match.  

Comedy Watch: Summer of 69 (2025)

Watched:  06/06/2025

Format:  Hulu

Viewing:  First

Director:  Jillian Bell

So, Hulu has sort of decided to corner the market on horny teen comedies and stoner comedies through the American High company.  

We have a six-degrees-of-separation connection here as someone we know worked on the film, and I wanted to check it out.

This is a "not aimed at me" movie, and that's cool.  I'm a 50-year-old dude, and not a young woman.  But I still found it pretty funny.   But, yeah, this is a movie that seems to be speaking to the awkwardness of being a teen girl - especially a "good girl" teen girl, something I am unlikely to ever be.  But it's not like everyone was speaking Romanian, so I basically got it.  

Chabert Not-Hallmark X-Mas Watch: A Holiday Heist (2011)

Watched:  06/06/2025

Format:  Prime

Viewing:  First

Director:  Christie Will Wolf

So, I thought A Holiday Heist (2011) was going to be a Hallmark movie, but it was not.  It was, instead, one of the weird, trash movies that get made every year in a filmmaking economy I do not understand.  It wasn't A Talking Cat!?! levels of not-giving-a-@#$%, but it was closer to that than it was theater-ready.  It made your typical Hallmark movie look like It's a Wonderful Life by comparison.  I do not know who this was for, where it was shown, who paid for it...  Usually when something is this trash it's called something like "The Dog Who Saved Christmas", but there's no dog in this movie.  They can't afford it.

The filming had to have occurred over, like, two weeks.  There's maybe five locations, and all of the money went to getting hired gun actors with some name recognition to show up, do some schtick, and mostly not be there longer than two or three days.

In this case, it's Vivica A. Fox as the mean Dean of the college and Chris Kattan as a wacky uncle who has nothing to do with anything.  

And... Lacey Chabert as the focal character.  As she does in so many movies, she plays the anchor of the plot.  She is the general-female-protagonist-with-an-artistic-bent, this time a college student skipping Christmas to work in an art gallery (Chabert herself would have been about 28 or 29 when this was filmed).  

Fuller Watch: Forty Guns (1957)

Watched:  06/01/2025

Format:  TCM forever ago, but on DVR

Viewing:  First

Director:  Sam Fuller

I'm gonna say - I've never disliked a Sam Fuller movie.  And, in fact, I like Sam Fuller movies when I watch them, and I probably need to watch more of them.

Forty Guns (1957) is a pastiche on the Wyatt Earp/ Tombstone mythos and OK Corral films, with Barry Sullivan playing the Wyatt Earp stand-in, Griff Bonnell.  The three Bonnell brothers ride into Tombstone to collect a lawman who has been robbing mail delivery.  But on their way in, they're passed by Stanwyck in all black on a white horse, and riding head of forty men - her Dragoons.  

Stanwyck's Jessica Drummond is the hard-as-nails boss of the territory, who has helped turn Arizona into something like civilization, but rules her territory with forty hired guns who ride far and wide doing her bidding while she puppet masters politicians, judges and the law.  

She has a maniacal brother, Brockie (John Ericson), who she covers for even as he causes her no small amount of trouble, this time by shooting an older lawman - who is going blind.

In some ways, this is a familiar version of the Earps and the Cowboys story from Tombstone - three brothers taking on an organized mob on the edge of civilization.  In others, it's a bit different as Griff and Jessica start to fall for each other, seeing in each other that they're the kind of people it took to build the West, but now the use for people like them is coming to a close.

Chabert Watch: Reach for Me (2008)

Watched:  05/29/2025

Format:  Amazon Prime

Viewing:  First

Director:  LeVar Burton

So.  Interesting, small, indie movie with some name talent.  I kept wondering how this was pulled off, and then the movie ended with "Directed by LeVar Burton" and the lightbulb went off.  Who doesn't love LeVar Burton?  And if you don't think he's great, we can't be friends.

And when I say name talent, I mean Chabert, of course.  But also Seymour Cassel, Alfre Woodard, Adrienne Barbeau, Larry Hankin, and Burton himself.  I am not familiar with actor Johnny Whitworth, one of the major leads, but he was good!

The movie is... odd.  It's about Alvin (Seymour Cassel), a patient in hospice who is facing his end.  He loses his roommate (Hankin) who he kind of got along with - but maybe not as well as he believed. Alvin's an old, sad and angry asshole, and a letch who grabs the butts of the volunteers.  He talks about sex like he's in a a dorm trying to impress wide-eyed Freshmen as a Sophomore.  

Chabert Watch: Ghosts of Girlfriends Past (2009)

Watched:  05/28/2025

Format:  Max

Viewing:  First

Director:  Mark Waters

When people ask "why did studios stop spending money on romcoms", I think it's fair to point to movies like this and say "well, this is what they were making, and people didn't like it."  Metacritic has this at a 34, which sounds correct.  

I had not seen this movie, and until I looked it up a week ago to watch it, I thought it was a movie in which Eva Longoria was a ghost hassling her boyfriend.  But that was Over Her Dead Body, which people also didn't like.

Ghosts of Girlfriends Past (2009) is a movie I may have known existed at one point, but...  in 2025, I just had no memory of it coming out.  I don't know if it met expectations or not, making about $100 million worldwide.  

Chabert Watch: Hello Sister, Goodbye Life (2006)

Watched:  05/27/2025

Format:  YouTube TV on demand

Viewing:  First

Director:  Steven Robman

This movie is about a young woman (Chabert, playing a college junior here) with a rocky relationship with her father, who has remarried and has a young daughter (Samantha Hanratty).  When her father and her step-mother die in a car accident, she learns that her father named her custodian of her half-sister.

While attending college, she moves into her father's house and tries to take care of a seven-year-old.  As it turns out, for a hard-partying college girl, this is a change of pace.

Wendie Malick plays Chabert's mother, a woman who also seems like a lot of fun, but who maybe was not a role model for structured parenting, and is more excited to have an adult-aged college daughter she can hang with than she was to raise a young child.

Doc Watch: Pee-Wee as Himself (2025)

Watched:  05/26/2025

Format:  Max

Viewing:  First

Director:  Matt Wolf

Watching Pee-Wee as Himself (2025) is a strange journey.  There was a lot I didn't know up until when he joined The Groundlings, and then there was what I did know -  including the two arrests.  But in the end, the film kind of unravels a bit in a way that seems almost inevitable - surely director Matt Wolf laying the trail to let us know this is coming.

Beyond that, the doc faces the same problem that I found with the recent Steve Martin documentary.  It's a lengthy film, it criss-crosses the years and draws connections, but the subject is so practiced at maintaining their inner-selves, and their privacy, that even at the end, you feel like you barely saw anything even after 3 hours.  

Jumbles of photos from a childhood are interesting, but don't tell a story.  Talking heads commenting on what they're already framing are useful, and provide color, but it feels very carefully managed - we're told it's carefully managed.  We keep seeing the collections, but there's no discussion of what's in there, or why (and as a collector, I know there's a story behind everything).  We see his parents, but they won't ever come out and discuss them beyond "his dad was macho and may not have liked Paul's lifestyle".  His mother is a non-entity.

Both Paul Reubens and Steve Martin, who agreed to let themselves be known via documentary, still want to control, and so we get a look through a very narrow lens, which is better than nothing, but it feels more questions are raised than are satisfied.  If you want to spend time with how Pee-Wee came to be - then we've got a great film for you.  If you want to know Paul Reubens, that may not really happen.