A semi-teary farewell to "Batman: Brave and the Bold"

So this post is going to be kind of weird.

And probably pretty whiny.

Batman: Brave and the Bold only aired for a handful of seasons, and I'd argue that the first season was spent largely trying to find the right footing and tone.  Scripts were still coming in that first year that seemed a bit like team-up episodes written for Batman: The Animated Series, and one episode (I believe a Christmas episode) featured the death of the Waynes as a flashbacky plotpoint.

It just felt... weird juxtaposed against robot Santas and other DC Comics madcap shenanigans.  But the second season it seemed like we'd come over the top of the hill, and the show did nothing but pick up speed and do loop-de-loops right up until the wacky end.  The basic gist of the show was a riff on the Bronze Age-era of Brave and the Bold comics, a DC team-up book mostly featuring Batman and another figure from the DCU (Superman did the same in DC Comics Presents).  The creative team found the right balance of hilarious OUTRAGEOUSness for the adults and mixed it up with gleeful mayhem and action, and managed to introduce an astounding amount of the DCU to an unsuspecting audience.

It featured episodes done entirely as a musical (with a singing Black Canary), sit-com episodes, winking-4th-wall-breaking episodes with Batmite, brought Silver Age Superman in all his glory to TV (really for the first time), featured a Justice League v. Legion of Doom baseball game, and mined every corner of the DCU, right up to a Creature Commandos adventure this season.

Mostly, for the past two years, its really been my favorite show on TV.

Bil Keane, Family Circus Creator, Follows Dotted Trail into the Infinite

Today it was announced that Bil Keane, creator of the long running and enormously popular Family Circus comic strip, had passed at age 89.  Keane's strip appears in over 1500 papers and has been in publication for over 50 years.

As a somewhat shallow jerk with no children of his own, like literally dozens of other Americans, I quit enjoying daily newspaper strip The Family Circus's whimsical take on the gosh-darn cute things kids say and do some time back.  But circa 1984, I was all about The Family Circus.  Mostly because I'd found a huge treasury album on deep discount at Bookstop, but its also a fairly consistent (perhaps too consistent) strip, and sometimes it was sweet and amusing enough and inoffensive, in the way you might find yourself partially smiling at a rerun of Everybody Loves Raymond when its on in the waiting room of Jiffy Lube and you're stuck there for 45 minutes.*

Les Daniels Merges with the Infinite

I saw some noise on Twitter and am sad to confirm that Les Daniels, writer and comics historian, had passed.

I've read a few books by Les Daniels, now several years ago.  Daniels wrote the books that I still refer to for historical context on DC's Trinity (I pulled the Superman book off the shelf just last month for some fact checking).  I've always understood that he preceded current historians like Hajdu or Gerard Jones, and its certainly not the place where one earns glory in comics.

Likely Daniels' greatest exposure came in the creation of the DC Masterpiece box sets that came out a few years ago that you could pick up at Barnes & Noble or Borders.   Those things were actually pretty amazing, and if you're a comics fan, you missed out if you didn't grab them.  

Mostly, I appreciated Daniels' approach as an historian, not really shying away from some of the goofier or odder sides of the development of characters.  It was from him that I first read about Wonder Woman's origins derived from William Moulton Marston and Marston's particular proclivities.  Its not an approach 95% of the folks currently writing about comics seem to get (or want to get), that these characters we love do not spring whole cloth from the imagination, but from the forces of the time, the forces of personality of creators and the environment and culture that formed the minds of those creators.  

In the end, I don't have much to add about Daniels, other than that he opened my eyes to the sweeping history within the publication of superheroes, and I suspect that he helped build my fascination with Superman, Batman and Wonder Woman as more than characters on a page, but as icons of western culture in their own right.

Steve Jobs Merges with Infinite - Makes Shinier and More User Friendly

A lot of ink will get spilled over the passing of Steve Jobs over the next 72 hours.  And it'll all be deserved.

The man was as near an Edison as we were likely to see in our lifetimes, the personality and face which didn't necessarily do the heavy lifting back at the lab, but whose clear vision and ability to reach people where they lived made it possible for Jobs to push technology in bold and daring new directions, and ask the competition to keep up.  Like Edison, I'm sure Jobs had his Teslas, but I don't have any interest today in dwelling on the man's foibles or issues.

What I can remember is standing in a strip mall store with my parents and brother and then bringing home an Apple IIe that changed our household and within a couple of years, the classroom full of Apples in middle school.  And then the first Macs with the flying toasters.  But let's not kid ourselves.  It was the sleek Macs that came after the candy colored iMacs, those wildly powerful things in white and black casings.  Then the Scandanavian design of Mac product circa 2001.

The iPod suddenly made those piles of cheap discsman players you were constantly battling with utterly obsolete when it landed, and then Apple changed the media distribution model from the scummy BS of Napster to the legal and oh-so-Apple world of iTunes.  The iPhone stretching out your capabilities beyond the tri-corder and communicators of Star Trek with their sleek faces, and "Jesus, how did they do that?" interfaces and designs that you couldn't believe, and as if they knew how your mind sifted through information better than you, yourself.

Mr. Peppermint Merges with the Infinite

I saw online that local Dallas kids' TV icon, Mr. Peppermint, has passed.

Mr. Peppermint was actually Mr. Jerry Haynes. And while he played the jovial, puppet be-friended Mr. Peppermint on TV, he was also the father of Gibby Haynes, frontman for The Butthole Surfers. A fact I have never really been able to wrap my head around.

When I was about 4 years old we moved from Michigan to Dallas, and its important to note a couple of things (a) we spent a lot of time in fantasy la-la land as kids, going to puppet shows, plays, movies, etc... and the KareBear was all about the magical land of make believe. I assume it kept us very quiet, and (b) I have only vague memories of Mr. Peppermint, but all of them are colored with candy-coated awesomeness.

Younger readers may not remember that local TV stations used to have a kid's club host, usually on the UHF channel. Sort of like how they would also have a late-night host. These sort of spun out into ideas that got picked up nationally like Bozo the Clown for morning programming and Elvira for late-night programming. On the morning shows, they'd host cartoons, maybe have a live audience that would play games, etc... *

But, honestly, I don't remember much about what was actually on Mr. Peppermint's show, Peppermint Place. I was 6 years old when we moved away.

I do recall it made a huge impact on me that my Ma, The KareBear, took us to see Mr. Peppermint when he did a show at the mall.  I had only seen one celebrity before, and that was some random guy dressed up as Darth Vader signing 8"x10" glossies at the JC Penny.  But Mr. Peppermint came out and talked to his puppets and he had the suit and cane and everything.

Part of why I've gone on and on about this is that:  well into college, I secretly really wanted to be a Kid's TV Show Host.  I'm totally not kidding.  I didn't yet have a character in mind, but I liked the Mr. Peppermint model of just being a genial guy in a colorful suit with puppets.  At the time, Austin just had this kind of loud lady named Kelly who would intro the cartoons, but she clearly didn't give a damn about Animaniacs or Batman.  And I figured if I could get the right angle, I would make the cartoon block way, way more fun.

And then, about 1995, they quit having a kids' club host, and that was that.

I think I grew up with ideas about how things worked that were sort of stuck circa 1955, especially when it came to what made for good TV.  Other kids were watching The Cosby Show and I was watching Mr. Ed re-runs and Leave it to Beaver.  And I'm not unconvinced that a friendly guy on TV talking to kids isn't a better model than the hyper-kinetic mess that makes up most kids' programming these days.

Anyway, here's to Mr. Peppermint, Gibby's dad, and friends to kids in the greater DFW area for generations.

* I remember conversations in middle school about how Bozo's "Grand Prize Game" was f'ing IMPOSSIBLE - where you through ping pong balls into buckets as far away as ten feet.

Some "Friday Night Lights" links as we shut down the stadium one last time

On social media I saw a few links up about the end of Friday Night Lights.  Some from PaulT, some from elsewhere.  Some good stuff.  I thought I'd share. 

An Oral History of Friday Night Lights
Austin's Omar G says a quick good-bye
Generation FNL
Another movie?

Comics Legend and Great Gene Colan Merges with the Infinite

Artist Gene Colan did so much exceptional work over so many years, its hard to believe it was one guy.  He was also always much beloved within the industry.

I won't spend too much time eulogizing, but I will point you to this post pulling together thoughts from those working in comics, and this one from the AV Club which discusses Gene's career.

When I think of Gene, I think Marvel, which is funny because I know he did stuff all over the place.  But he's in there with Buscema, Romita, etc..  one of the people who created modern comics. 

We'll miss you, Mr. Colan. 

Here's a link to Mr. Colan's official site.

Jackie Cooper (Superman: The Movie's Perry White) Merges with The Infinite

The Signal Watch, League of Melbotis and all affiliated organizations wish godspeed to Mr. Jackie Cooper. Various sites are reporting his passing.

Don't call him "Chief"

 Over four Superman movies, Mr. Cooper played Editor-in-Chief of The Daily Planet, Perry White. Like the rest of the cast, Mr. Cooper defined the role for a generation, and left his indelible mark on the character.  Most certainly the comics of the 1980's and beyond looked to him for inspiration.

Of course, like Mr. Ford and others in the cast, Jackie Cooper had a storied career in Hollywood, starting in Our Gang shorts and starred in the Oscar-nominated film Skippy. You can read a more detailed bio here.

Mr. Cooper will be missed.

Elizabeth Taylor Merges with the Infinite

Kids of my generation likely think of Elizabeth Taylor as the kooky lady from the White Diamonds commercials and a friend to Michael Jackson. Or, possibly, they know of her doomed romance with Richard Burton and her starring role in Cleopatra.

I suppose folks younger than myself really don't know much about her at all.

Frankly, I haven't seen a whole lot of Ms. Taylor's work (not even Lassie Come Home), but I'd hate to not mention the passing of a screen icon, entertainment royalty and a really good looking dame.

Seems like a good week to finally watch Giant.

Michael Gough, the Alfred of 4 Batman movies, Merges with the Bat-Infinite

JimD has alerted me to the passing of Michael Gough, the British Thespian who played Wayne family butler Alfred Pennyworth in four Batman movies, beginning with Tim Burton's Batman and concluding with (sigh) Batman and Robin. 

Gough was the first actor to bring to life the dry wit regarding his boss's nocturnal activities with which Alfred had become infused in the comics in the 1970's and which became a staple of the character post-Dark Knight Returns.  He also was responsible for conveying the flipside to that relationship as Bruce's unacknowledged father figure (see the dinner sequence in Burton's Batman). 

Unfortunately, his last outing as Alfred included the "Alfred's dying, bring in Alicia Silverstone" decision which was one of many choices made by WB that knee-capped the franchise.  But it wasn't a crazy choice.  As the only actor to appear in all movies of that Bat-era, audiences were emotionally invested in the character, and what can a brother do about Alicia Silverstone's baby-voiced non-acting when his job is to lay there comfortably in silk pajamas?

We salute Gough and he will be well remembered here at LeagueHQ.

Jane Russell Merges with the Infinite

It appears that film icon Jane Russell has passed at age 89. 

Russell is most famous for her roles in The Outlaw and Gentlemen Prefer Blondes (I have only seen the latter).  Curiously, I only added The Outlaw to my Netflix queue on Saturday night while watching a different movie and wondering why I'd never seen The Outlaw, a movie that had censors and moral watchdog groups bleeding out of their eyes.

apparently being this much woman in 1943 was too much for some people

Russell's performance in Gentlemen Prefer Blondes is every bit as good as that of Monroe, in my book.  Check her out in "Ain't There Anyone Here for Love?"

Godspeed, Ms. Russell.

One more post about Dwayne McDuffie

I was surprised by how down I got when hearing about the untimely passing of Dwayne McDuffie.

As I said, I haven't read all that much of McDuffie's work, but I did like what I did read (I wish he could have gone on forever once they handed him Firestorm).  And somehow many of us who were fans of the Justice League Unlimited TV show knew that McDuffie's hand with the show as writer, producer, etc... I wasn't really into superhero comics during the period when the Milestone titles hit the shelf the first time, but I absolutely remember looking at the books on the shelf when they debuted and thinking "well, obviously.  Good."

McDuffie's passing as Static gets his own title within the DCU proper is, in some ways, a painful reminder that DC once again took too much time, even after acquiring the Milestone characters, to deal with valuable properties that gave the DCU a more diverse representation and, of course, were actually pretty good ideas.  He should have been here to see DC make something of the promise of Milestone.

Its also a tragedy that All Star Superman was released on Tuesday, with McDuffie passing before seeing it released.  While only Morrison could have written the original series, those of use who follow these things knew McDuffie may have been the only person who could have brought the series to the moving picture and done it justice.

But, man...  Its been a couple of weeks, hasn't it?

Between Egypt, Libya, Bahrain, Yemen and whichever other places flaring up...  things are getting a little creepy working for the State of Texas and we're kind of watching the yahoos in the Capitol and hoping providence leads to solutions rather than posturing...  add in Wisconsin, the tragedy in Christchurch....  it all just feels like a lot.  And only the passing of a writer I like (heck, a writer I respect) maybe that's on a scale I can understand.

Just one more thing, you know?

There are now posts out there about how we need to respect creators now and let creators know we love them now.  Fair enough.  I agree.   The internet, this site included, too often goes for the low-hanging fruit and spends its time finding ways to complain about creators (loudly). 

What I'm kind of curious to know:  is this what it takes for the major publishers to realize what they squandered?  Or, more likely, what could have been had DC spent more time looking to McDuffie for answers instead of insisting on whatever editorial mandates came from top down in just the last few years?  Is this a discussion happening at all in the industry?

Weren't fans initially happy to hear about characters like Static making their way to the DCU from Milestone's walled-off world?  Weren't we all a little giddy when we heard the same Dwayne McDuffie who steered the JLU ship to greatness was coming to DC to write JLA?  And even inbetween all the mucking about with the JLA, weren't those issues still something pretty impressive, with a bold and exciting new cast sliding into place?  And what would have happened had they simply treated McDuffie with the same gravitas afforded other writers, and, frankly, often far lesser talents?

Maybe the comic money didn't matter to McDuffie.  After all, I have to assume the work on shows like Ben-10 and others had to have been a decent living wage.  But who can doubt that he loved those characters, and wouldn't have wanted to do right by them on the page?

Obviously I have no idea what DC's policies were toward McDuffie, character management during Batman RIP, New Krypton, etc...  but I can also guess, given how things shook out.

What makes me wonder is:  how is that good editorial policy?  How does it help to paint a writer and creator like McDuffie into a corner?  And who at DC or Marvel (or any company with a shared universe) is dealing with that situation even now?   And who knows what could have been...

Its an odd way to commemorate a writer, by wondering what else could have been, or perhaps that's exactly the point when someone goes too early.  But I don't think it should go unnoticed by DC that its not just an artifact of social media - your audience is universally mourning the loss of someone they liked, they admired and who told stories they loved and would have told more. 

Its not a secret that something seems a bit broken at Marvel and DC these days in how they've worked with creators and who they've chosen to work with.  I just wish it were not the unfortunate passing of someone who should have had decades ahead of him to shed light on how the creators that make the stories are appreciated by the people who read them, and when they've earned that trust that its the job of editorial not to direct but to steward and support.

Dwayne McDuffie RIP

I am completely shocked and cannot believe the reports, but it seems that television and comics writer Dwayne McDuffie has passed.

Details are sketchy, but reports are appearing in comics media that McDuffie has died the same week that his animated adaptation of All Star Superman was hitting wide release on home video. 

Since I learned of his past and current work in the mid00's, I've felt that McDuffie was an extraordinary talent.  He was only middle-aged, at best, and I was unaware of any health issues McDuffie may have suffered. 

he was the creator of the Milestone imprint and a key contributor to that universe, his most famous creation likely was Static (aka:  Static Shock).  I absolutely loved his work on the superlative Justice League Unlimited, his run on JLA when editorial wasn't mucking about, and other bits of his work.

I am very deeply saddened to hear this news. 

Joanne Siegel, original Lois Lane model and wife of Jerry Siegel, Passes

I'm sad to share the news that Joanne Siegel, one of the few living people with connections to the first days of Superman, has passed. Ms. Siegel was the original model for Superman's originating artist, Joe Shuster, when he was designing Lois Lane. Years later, she would marry Superman's first writer, Jerry Siegel.

Joe Shuster would pass, leaving only one heir, who subsequently passed. Ms. Siegel and her daughter were the sole heirs to Jerry Siegel.

In recent years, Ms. Siegel was famous both for appearing at events commemorating the creation of Superman and for participating in a law suit against Warner Bros., who now own the rights to the Superman character (more or less. Siegel won back some rights in recent years).

Ms. Siegel's efforts both prior to and subsequent to the passing of Jerry Siegel have ensured that the names Siegel and Shuster will always be associated with The Man of Steel.

Ms. Siegel was 93.

Tura Satana Merges with the Infinite

Ah, man.  According to Roger Ebert, Tura Satana, star of Russ Meyer's Faster, Pussycat! Kill! Kill! has passed.  Satana was apparently every bit the hot headed hellion as her character in the movie, but she's famous mostly for two big things:

she will be missed

A)  Her outsized attitude
B)  Her unwillingness to compromise

I don't know if you've ever seen Faster, Pussycat!, but its the crazy pulp books of the time brought to life on a budget and a vision.  A very particular vision we can all thank Russ Meyers for bringing to world.

And just as the dime store novels it emulates, Faster, Pussycat! is actually more interesting than you'd think, for any number of reasons that go well beyond the story and brazen storytelling.  I've only seen it once, but I can only imagine that when this movie hit the silver screen, it must have been pretty damn interesting.  Not least because of the contributions of Ms. Satana.

Ms. Satana has already found her place in the pantheon of women more famous than their roles or any single work they did, becoming a sort of icon appreciated by both men and women.  She's not entirely unlike Betty Page, Louise Brooks and others in this regard.

We'll miss you, Ms. Satana.

Susannah York Passes

Actress Susannah York has passed at the age of 72.  While York had a distinguished career, Signal Watch points to her in her brief but excellent portrayal of Lara, birth mother of Superman, in Superman: The Movie and the theatrical release of Superman II.

Godspeed to Ms. York.

RIP: Irvin Kershner Merges with the Infinite

iO9 reports that Irvin Kershner, Lucas mentor and director of The Empire Strikes Back (the best of all Star Wars-related media) has passed in LA. He was 87.

here.

RIP: Leslie Nielsen Merges with the Infinite

The New York Times is reporting that movie legend (in my book, anyway, and I will fight you if you say otherwise), Leslie Nielsen, has passed at the age of 84.

It's true what they say: Cops and women don't mix. It's like eating a spoonful of Drano; sure, it'll clean you out, but it'll leave you hollow inside.

It's not much of an anecdote, but the first movie to ever literally make me fall out of my chair laughing was The Naked Gun.  I don't even remember exactly what scene took the cake, but I remember being in middle school at the Arbor Cinema and Lt. Frank Drebin was the funniest thing I'd ever seen (it was likely the scene where Drebin breaks into Ricardo Montalban's penthouse). 

Anyway, what I truly remember is finding myself having doubled over and the slid right out of my chair.  Always interesting when you find out a figure of speech has a basis to it.  But that's exactly the kind of movie it is (when you're 13), and that's the kind of effect Nielsen's delivery had on me.

The great thing about Nielsen was that he seemed like the straight man, but whether as Drebin, Dracula or Dr. Rumack, he got the best dialog and he delivered it with aplomb.

Frank: It's the same old story. Boy finds girl, boy loses girl, girl finds boy, boy forgets girl, boy remembers girl, girls dies in a tragic blimp accident over the Orange Bowl on New Year's Day.

Jane: Goodyear?

Frank: No, the worst.

The Arbor Cinema has since been replaced by a Cheesecake Factory, and the third Naked Gun movie was, frankly, not great, but a generation of people grew up believing you need to be able to deliver ridiculous dialog with a completely straight face and tough guy demeanor.

And somewhere along the line, some kids might decide they'd rather be a Frank Drebin than a Magnum PI or whatever.  I'm just saying.



I am, also, of course, a huge fan of the movie Airplane! (and its sequel), and even as a pretty small kid thought "that doctor guy is awesome".  Nielsen played Dr. Rumack, who somehow either had the best lines or the best timing in the movie.  Who else could sell "and don't call me 'Shirley'"?



In college I finally ventured to the Paramount one balmy summer evening to see Forbidden Planet.  After having had grown up with Nielsen as a comedic actor, I was suprised to find him as the leading male star of the science fiction classic.  Every day when I pass down my stairwell, I pass under the movie poster from Forbidden Planet and Nielsen's name. 



One highlight of living in the greater Phoenix area was that I believe Nielsen appeared on local safety commercials.  I have no idea why Leslie Nielsen and Alice Cooper were teaming up to appear in these ads, but it was always a treat to see the guy show up on TV, clearly enjoying goofing around in the name of safer driving.

I am, of course, very sad to know that Nielsen has passed, but he left a terrific bunch of movies and TV shows behind (if you've never seen Police Squad!, the show that started the Naked Gun series, I highly recommend). 

Let's bid a great actor adieu.  Surely, he will be missed.

So long, June Cleaver... we're going to miss you

I failed to note this weekend's passing of Ms. Barbara Billingsley, most famous for her portrayal of June Cleaver in TV's Leave it to Beaver and later in The New Leave it to Beaver.  All in all, Billingsley played the iconic TV mom for more than ten years.

You may also remember her as the "jive translator" from Airplane! (one of the finest moments in cinema, if you ask me, thanks), and the voice of "Nanny" on Muppet Babies.

This fake family sure is swell

Sure, you can have an ironic appreciation for Leave it to Beaver, and June Cleaver has become both punching bag and icon in American culture as we've seen women's roles change over the years, but the reason we used June Cleaver as a touchstone was because if you had a TV growing up from the 50's to the 90's, its likely you found yourself watching Leave it to Beaver upon occasion.  Straight up, before there were 200 channels on the dial, who didn't watch this show, at least out of boredom?

Growing up I preferred Leave it to Beaver over Brady Bunch and found June Cleaver far less creepy (and less lazy) than Carol Brady.  Plus, you know, as a chubby kid constantly baffled by the world who had an older brother who liked to dispense suspect advice and a dad who also could be found reading the paper in the living room and who was prone to give a little lecture when you fudged up, it wasn't a stretch to see the connection.  Was the KareBear like June Cleaver?  Not so much.  She was angling for a "Maria from The Sound of Music" thing.  But she got stuck with two sons who were not playing ball.

Sure, I think reruns of this show have given a good chunk of America a pretty false idea of "an America we need to get back to".  The 50's were actually a pretty rough time for a lot of Americans.  But it does hold up an ideal of a fairly functional American family, even if the structure is outdated in a post-Betty Friedan era.

But you can't fault Barbara Billingsley for being one of the best TV moms out there.  Especially as she wasn't afraid to throw Ward in front of the bus when it came to the tasks of lecturing and setting The Beaver straight when he's once again killed a neighborhood hobo.  I assume June was downstairs having a cocktail and listening to jazz.

Tom Bosley Merges with the Infinite

Tom "Howard Cunningham" Bosley, he of the long running series Happy Days, has passed at the age of 83. 

You can read more about it here.

Godspeed, Mr. C