Sunday, July 16, 2017
It's impossible to measure the impact this man had on pop culture and culture in general. Legendary director and inventor of the modern zombie genre, George Romero, has passed.
We'll miss you, George.
Saturday, July 15, 2017
note: Preacher, both TV series and the comics series upon which the show is based, contain graphic violence, deeply mature themes, deeply immature themes, sexual frankness and deviation and no small amount of content of a religious nature which many-a-good folks would reasonably find offensive. You can read this post, watch the TV show, or read the comics, but you've been forewarned, you're on your own, and your mileage will vary.
Last year, Preacher came to television via AMC - arriving as a sort of high octane dramedy and a loose adaptation of the original comics which ran from 1995-2000 under DC's Vertigo imprint. The second season is now underway, but I only made it fifteen minutes into the first episode of this year's offering before saying "You know, I'm good. Let's not watch this."
You can do well with a superhero comics adaptation so long as you remain basically true to the intention of the authors, or - in the case of serial comics - find that core to the characters and concepts that have brought readers back, year after year, outlasting almost all other forms of long-time serial publications in the states.
Friday, July 7, 2017
So, I hadn't actually paid all that much attention to Spider-Man: Homecoming (2017) prior to showing up to see it in the theater Thursday night. Sure, I'd watched the trailer and was pleased they went with The Vulture for a villain.
At this point, I'm fine with just noting the release date of a Marvel movie, paying my money and showing up. Marvel hasn't always knocked it out of the park, but I'm generally guaranteed a pretty good time out at the movies, and some of the films have been spectacular, reminding me both why I love superheroes and a trip to the movies.
It wasn't too hard to figure out that this Spider-Man film would stick to the high-school years, abandon comic canon (all the Marvel movies have done that), but stick to the core of what makes the character work (also, all the Marvel moves have done that). After feeling let down by Sony's reboot of Spidey with The Amazing Spider-Man - so much so (gulp) I never watched the sequel - I was thrilled that Marvel and Sony saw the light (and potential for profit) enough to bridge differences and make it work.
I'm pleased to say I enjoyed myself as much as I did at Guardians of the Galaxy 2, and many other Marvel films of the past decade. And, while there are huge changes from the comics, Spider-Man: Homecoming reminded me why I ever liked Spider-Man, his world, and his niche in the Marvel Universe. And, that I am very much not alone in wanting to see Peter Parker swinging from a web and trying his hardest.
Tuesday, July 4, 2017
Saturday, June 10, 2017
This one hurts.
Adam West has passed at the age of 88.
Literally my earliest memories include watching Batman starring Adam West as Batman and Burt Ward as Robin. Steans-family lore states that my first words were "Batman" as I ran around our home with my security blanket around my neck.
The story is that I was toddler-ish and Jason was two years older, and my mom, The Karebear, had to make us dinner before my Dad got home from work (dude worked hard and late). In order to wrangle me, her ADD wunderkind, she figured out that I'd sit perfectly still for Batman, which happened to be on in syndication right when she needed to fire up the stove.
When the Michael Keaton-starring "serious" Batman was released, in 1989, when I was 14, the show came back on cable, and I totally got what they were up to. Somehow, inbetween, like many of my generation, there'd been some confusion about the show being a drama that was kind of stupid and something you grew out of. But, nope, the show had been winking to the older crowd all along.
Thursday, June 8, 2017
It's no secret I'm not a fan of the three prior entries in the shared DC filmic universe (which the kids are calling the DCEU, of DC Extended Universe, which makes no sense, but this train left the station without me).
If you want to extrapolate how much I was dreading the possibility of another weak entry from DC in the current superhero movie bonanza, you can check out my recent post on my love for Wonder Woman as a character and then, based on how I felt about Batman v Superman and Suicide Squad, try to figure out how another movie as weak as the prior DC films was going to settle with me.
Of course, as the cinematic debut of The Amazing Amazon (despite 75 years in print and a well-known commodity), Wonder Woman (2017) carried an unreasonable set of both expectations and penalties for movies far beyond this single picture. If it failed, who knew what this meant for Wonder Woman as a franchise, yes,* but, if it failed: what would happen to female-starring superhero movies in general?
With much of the same crew responsible for prior efforts involved in this venture, there was no reason to believe much had changed from the disappointing first three DC filmic installments. And, no, I couldn't trust the trailers. Man of Steel had a phenomenal trailer, and I actually went to see Suicide Squad in part because it had a different director than Snyder and had a fun trailer.
Whatever changed at DCEU's offices (Geoff Johns' rise to power, I'm guessing), I am ecstatic to say: Wonder Woman has made it to the big screen, and I was absolutely thrilled with the movie.
Saturday, June 3, 2017
Like most kids of my generation, I grew up with Wonder Woman as the default "superhero for girls". Sure, DC had a wide array of female characters, but a lot of "team" concepts aimed at boys included 1 or maybe 2 girls on the team no matter how big the roster got (see: GI Joe). And on Super Friends, Wonder Woman was the all-purpose female character who was not Jayna of The Wonder Twins of Wendy of Super Marv and Wendy (ahhh, the 70's).
|but at least they gave WW two villains from her rogues gallery|
Wednesday, May 10, 2017
We had a request from our Kansas City branch to get back into the Live-Tweet Business.
It's been a long time, and Stuart pitched one of one of the best movies ever produced by humankind.
The Movie: Escape From New York
Available streaming at: Netflix or for $2.99 at Amazon
Time: 9:00 PM Central
My handle: @melbotis
Our hashtag: #snakescape
If you've not seen this movie - it's directed by John Carpenter (Halloween, The Thing, They Live), in his 80's heyday, telling a tale of the dark future of 1997 (the movie was released in '81).
It stars Kurt Russell! Lee Van Cleef! Ernest "I'll be in anything" Borgnine! Donald Pleasence as the POTUS! Isaac Hayes as Post-Apocalyptic Isaac Hayes! Harry Dean Stanton! and Adrienne Barbeau (and all that that entails)! Tom Atkins (you'll totally recognize him from the 1980's)! And Frank Doubleday in my favorite performance of it's type, anywhere!!!!!
It's 1997, and the world is not going so well. The President's plane is infiltrated by terrorists, and POTUS must make good his escape en route to a peace conference and prevent the escalation of an international conflict. Unfortunately, POTUS' escape capsule lands him in the middle of New York City, which - in the context of the last 1970's was kind of a hellhole, and so by '81 it made some sorta-logical sense it would be walled off and turned into a maximum security penal colony.
Luckily for the US Government, they recently captured super-criminal Snake Plissken (who is NOT dead, thank you), so they send him in to retrieve our two-legged MacGuffin.
It. Is. Amazing.
Friday night! 9:00 Central! Be there!