Tuesday, May 1, 2018
Format: Alamo Drafthouse Slaughter Lane
Warning - this write-up will have spoilers. Do not read this post until you've seen Avengers: Infinity War (2018).
Sunday, March 4, 2018
Hey, it's an all-new podcast!
AmyC and I got together and talked Black Panther. Join us as we chat on the movie and cultural force! Sort of Guest Starring Scooter, the very nice kitty.
Folks are generally really enjoying this movie, as did we, and that's uncharted territory here at the Signal Watch Podcast.
Tuesday, February 27, 2018
Watched: 02/15/2018 and 02/25/2018
Format: Alamo Slaughter Lane/ Alamo Village
Viewing: First/ Second
I'm supposed to schedule with AmyC to do a podcast on this film. I need to get that done. In the meantime...
Writing about Black Panther (2018) is, perhaps, not terribly useful at this point. The movie is a legitimate phenomenon in box office and in cultural conversation. Both of these things are yet another sign among many of the past few years that we're undergoing some tectonic shifts in Hollywood, unlearning the rules of the industry when it comes to what audiences actually do want. As of this writing, Black Panther had raked in $700 million worldwide, and, if my sold out 7:00 on a Sunday show was any indication, shows no signs of stopping.
As a white dude who is as much of a white dude as you're like to meet, I get the basic contours of what this film has meant to a Black audience, in America and abroad, but I won't pretend to have been more than an observer.* By this late date, it's possible or likely you've seen photos of people who've "dressed" for the movie, watched video of kids attending crowd-funded screenings... and more than likely you've read one or five of the dozens and dozens of think pieces circulating. So I don't know what new I can add, and I'll try not to belabor those points.
Wednesday, November 29, 2017
Monday, October 16, 2017
This is the most excited I've been for a Marvel movie (beforehand) since Guardians of the Galaxy. Everything about this surpasses what were my biggest hopes for a Black Panther movie.
Sunday, August 27, 2017
You're going to see the names Jack Kirby and Jacob Kurtzberg a lot today. Jack Kirby is the pen-name of the greatest comic artist and creator to grace this orb we call planet Earth.
Here, on the centennial of his birth (August 28th, 1917), it's possible to suggest that Jack Kirby may be one of the most important artistic and literary figures of the past 100 years. The recognition came late, decades after his passing, and, still, his name is hardly a household word. But the creations he unleashed upon popular culture from the 1940's to the 1990's would either be taken up directly by the public (at long last), becoming part of the parlance, or influence generations who could never produce that same spark of imagination, but built either directly or indirectly upon what he had done before.
There are Kirby bio sketches out there a-plenty (but no definitive monograph that I'm aware of), a magazine dedicated to the study and fan-splosion around his work, and Mark Evanier - who apprenticed under him - has become the living memory of his professional life while his grandchildren have taken up the cause of preserving the memory of the man. Now there's a virtual museum (which deserves a physical location), and a charity it's worth considering giving to sometime. And a slew of collections and books celebrating Kirby's influence and work.
Kirby was not first in when comics became a way for kids from the rougher neighborhoods of New York picked up a pencil or ink brush to start bringing in bread, but he was there really early. He was a workman who put everything he had into the work, comic by comic, year by year, becoming better and better. As they tell you in art-school, master the rules before you start breaking them - and that's what he did, finding his own unique style, his own way of creating action and drama, and eventually shattering what it meant to create a comics page.
Taking from mythology, from science-fiction, from films, from his colleagues and the bottomless well within, Kirby created whole universes, pockets within those universes, and held the lens to each character, bringing the internal life of gods, men and monsters to life.