Thursday, January 30, 2020
Format: Noir Alley on TCM on DVR
The Hayes Era produced some interesting bedfellows between Hollywood and public officials. Esepcially as we headed into the HUAC years and Hollywood watched as colleagues were dragged out in front of cameras or placed in rooms to testify, naming names. An odd side-effect was the over-compensation and big hug some movies gave law enforcement in some movies as they attempted to illustrate the complicated scenarios the officials were on about.
Monday, January 27, 2020
PODCAST: "Captain America: Civil War" (2016) - Avengers Chronological Countdown 13 w/ Jamie and Ryan
We get to the dark middle chapter of the Avengers Chronological Countdown as Cap and Tony cannot agree on some paperwork, Bucky says a farewell to arms, a "Cats" understudy becomes a hero and Aunt May is suddenly way more interesting. It's "Captain America: Civil War"! and Jamie and Ryan are going to talk about it!
Captain America: Civil War, Main Theme - Henry Jackman, Captain America: Civil War OST
Complete Chronological Countdown:
Thursday, January 23, 2020
So there's a new line of DC toys sculpted by McFarlane Toys. I was pretty excited to see them offered, and just got the Animated Series figure. So, who cares about this? (a quick polling of my house says zero Jamie's and Scout's are interested). Stuart! So I sent him a picture, and a few minutes later, the responses started rolling in.
Wednesday, January 22, 2020
Format: Noir Alley on TCM on DVR
A movie full of interesting ideas and what I'd give a solid B- for execution, The Big Night (1951) follows a sweet kid as he spends a long night trying to get back at the man who humiliated and beat his father in front of a crowd of people.
On his 16th birthday and believing himself to be entering the world of manhood, Georgie LaMain returns home to his father's Bar & Grill where he's met with a small, sad party made up by the tavern dwellers. Moments after the candles are blown out on his cake - with little explanation - local sports writer Al Judge enters the place and orders Georgie's father from behind the bar and to remover his shirt. He then beats him mercilessly with a cane and takes his leave.
Tuesday, January 21, 2020
SimonUK and Ryan ponder the atrocities of WWI via the 2019 critical darling and single-shot technical exercise, "1917". As accolades pile up, our two heroes must traverse a conversation across enemy lines and ponder what a war movie means and looks like in 2020.
1917 - Thomas Newman, 1917 OST
Monday, January 20, 2020
Sunday, January 19, 2020
Saturday, January 18, 2020
Format: Criterion BluRay
It was a miracle I even got out of this five hour movie alive.
Way, way back in the 1990's, I saw this movie the first time - I believe - between my junior and senior year of high school. My vague memory of the film was that it was known for two things - it was a movie directed by the same guy who did Wings of Desire (which I'd never seen), and for the soundtrack full of musicians both huge and indie (back when that meant something in particular). Ads appeared in Spin and/ or Rolling Stone for the OST, which read as a mixtape from a pal with particular but good taste (Now That's What I Call College Rock vol. 1!).
Friday, January 17, 2020
Ahoy! We sail into the NSFW new year with a tale of unlikely adventure and horror as a very 1980-era Michael Caine heads to the Bermuda Triangle to look into some missing boats only to find: a secret civilization of PIRATES. And not fun, yo-ho-ho pirates, but, like, crazy inbred weirdo pirates. It's a whole scene, man.
Island Magic - Ennio Morricone, The Island OST
A few months ago, I had purchased a BluRay collection of films, all shot by noir-famous cinematographer John Alton.* I'd had great intentions, but never made it into the disc. For whatever reason, I finally did crack open the case and put in the BluRay and I get what the hubbub is about.
This was my first viewing of Raw Deal (1948), a fairly staple noir film, but one that I'd just not made time for before - which is a shame, because I liked a lot of the movie, and would probably use it to illustrate some classic noir tropes and definitely as a teaching tool for the epitome of noir cinematography from the height of the movement.