Wednesday, February 15, 2023

Raquel Welch Merges With The Infinite



Raquel Welch, star of screen and stage, has passed.

Let's be candid.  In sixth grade, my science teacher took a rare break from biology, electricity and all the other things we studied that year and showed us Fantastic Voyage, because it's actually a really cool way to discuss the human body and what we knew about it at the time of filming.  And, of course, the movie co-starred Raquel Welch who seared herself into my budding consciousness as a wildly attractive woman of great intelligence, which is just the killer formula for making a lifelong fan of a kid.

I recall reading an interview where Welch mostly thought of herself as a working actor trying to make a living as a single mom when she found stardom, and while she was fighting blood cells with lasers, or fighting dinosaurs, she was thinking about making sure her kids had shoes.  That certainly skewed my perspective on her as a performer.

Fortunately, Welch went on to fame and fortune, only really retiring about five or six years ago.  IMDB credits her with 73 roles, a producer on 2 projects and a writer on 1.  She had more or less walked away from the spotlight since and hadn't conducted interviews in a few years.

A few years ago, I had opportunity to review a newly released BluRay of One Million Years B.C., and found it absolutely terrific.  And I feel I did a fair job of giving Welch her due in a movie with no spoken lines.

Because Welch never lost her beauty or glamour, I suppose I didn't realize she was aging like the rest of humanity.  I'm very sorry to hear she's gone on.


Tuesday, February 14, 2023

PodCast 232: "Cutthroat Island" (1995) - A Movie of Doom w/ SimonUK and Ryan



Watched:  02/05/2023
Format:  Amazon
Viewing:  Second
Decade:  1990's
Director:  Renny Harlin




Yarrr! Shiver me timbers! 'Tis the 1995 movie that made us voluntarily seek Davey Jones' locker. We walk the plank of 90's spectacle filmmaking to reconsider a movie that no one boarded, and it still sank to the ocean floor despite extravagant sets, seemingly real boats, giant cannons, a monkey and the always watchable Geena Davis. ...and yet...


SoundCloud 


YouTube


Music:
Cutthroat Island Main Theme - John Debney 


MOVIES OF DOOM!

Happy Birthday, Danai Gurira



Happy Birthday to Danai Gurira!  


Happy Valentine's Day from Us at The Signal Watch

May you have a super day of romance 






Monday, February 13, 2023

Watch Party Watch: Birdemic III - Sea Eagle (2022)




Watched:  02/10/2023
Format:  Amazon Watch Party
Viewing:  First
Director:  James Nguyen

You can't really write about a Birdemic movie as a movie.  You could, I guess.  But what's the point?

A Birdemic film is an experience.  It's there to make you ask an infinite number of questions like: why?  So many "why's?".  So many "what's?".  And "how's?"

Jamie, Steanso and I attended what was one of the very earliest public screenings of the original Birdemic,  It was during a period where I wasn't blogging, so there isn't a record, I guess.  But I do have a record of seeing the sequel.  

Friday, February 10, 2023

Friday Watch Party: Birdemic 3 - Sea Eagle




Look, we all know what this means.  But we're doing it anyway.

I can promise you nothing but confusion, tears, rage, and some low-grade long-term trauma.  But I think it's important we do this.  Everything up to this point has been a training for this moment, really.  Now is when we prove our mettle.

Day:  Friday 02/10
Time:  8:30 Central/ 6:30 Pacific
Service:  Amazon
Cost:  $4

(link live 10 minutes prior to show)


Happy Birthday, Laura Dern

 


Today is Laura Dern's birthday.  Everyone take a beat to mentally celebrate Laura Dern.

90's Watch: Don't Tell Mom The Babysitter's Dead (1991)




Watched:  02/09/2023
Format:  HBOmax
Viewing:  First
Director:  Stephen Herek

Sometimes a movie goes off the rails so fast and so hard, feels cynically produced on top of that, that it's hard not to just get mad, fold your arms and complain til the credits roll.  For the past 32 years, I'd successfully not seen Don't Tell Mom the Babysitter's Dead (1991), which came out when I was 16 and was working through my Gen-X feelings of rejecting things I felt were marketed at me - but specifically at a very dumb version of me the people selling me stuff mostly took to be an idiot.

In 1991, Don't Tell Mom the Babysitter's Dead was *heavily* sold at teen audiences with ads on MTV and elsewhere running seemingly non-stop.  Certainly I saw  trailers before other movies.  And you always knew:  if the movie looks like this, and they're advertising it this hard, it's because it sucks and they need to get people in before word spreads.  

There was a long tail of 1980's-style comedy into the 1990's, enough so that it probably deserves its own niche, but this movie feels like a 1987 release more than something that would hit at the same time as Home Alone

The pitch is this:  

Thursday, February 9, 2023

Period Noir Watch: Hangover Square (1945)




Watched:  02/08/2023
Format:  TCM
Viewing:  First
Director:  John Brahm

Really dug this film.  What could have been a hokey set-up is carried off without a hitch, all pistons firing on this one.  From performances of a great cast, to a score that's woven in and far more than incidental, there's astounding camera work and lighting, amazing sets, etc...  and a story that has nuance, but a clear through-line.

Honestly, I prioritized the film because it starred Linda Darnell and Laird Cregar, who I appreciate for every different reasons.  But even with the strong assemblage of parts, the film felt like it 

Laird Cregar and Linda Darnell get cozy in a cab

 
The basic story is: 

Musical Watch: Seven Brides for Seven Brothers (1954)

the movie that posits: women love being abducted and held against their will



Watched:  02/07/2022
Format:  HBOmax
Viewing:  First (and possibly last)
Director:  Stanley Donen

Holy cats, y'all.

I...  I don't even know where to start.  There's so, so many angles to this thing, so I'll try and capture my thoughts as best I can.  

I want to be very clear - Until this film, I (perhaps wrongly) believed I'm *pretty good* at contextualizing the cultural differences between our social norms and mores and those of yesteryear.  I may even be able to do period-piece stuff made in prior decades, trying to grok what the people of 1954 found charming about frontier life.  

In general, I can see a film and say "yes, I understand that there were ways that we viewed gender/ race/ manners/ religion/ etc..  that no longer reflect how we'd likely feel now" and I can go on with my life.

But.  Y'all.  I am adrift.  

My take-away is that the current interest in this film by classic film buffs is rubber-necking, ironic appreciation, or just outright hate-watching.  Or not!  Classic film buffs are an unruly bunch.  In its release year, this movie was very successful, financially and critically.  So I don't know anything about mankind anymore.

I've now seen the movie, and will only watch it again if it's my opportunity to bring the madness to the people.  

Some thoughts: