TLDR Super Watch: Supergirl (2026)

Watched:  06/25/2026

Format:  Regal

Viewing:  First

Director:  Craig Gillespie

It is probably worth noting that while a great IP to slap on thermoses and t-shirts, Supergirl is maybe the least consistently written mainstream character in comics.  So there is no "right way" to write Kara Zor-El.

I've read my fair share of comic books starring Supergirl over the past few decades.  I've read Silver-Age, Bronze and Copper-Era stories.  I read 90's-00's Not-Kara Supergirl by Peter David.  And was one of people who was flipping out when they brought Kara back in the mid-00's.  Aside from giving New 52 Supergirl a pass, I have pretty complete runs of pretty much everything since the 2005 reboot.  I heartily recommend the current series by Sophie Campbell as one of the best comics I've read in a while.  I own a copy of Action Comics 252.  

I've seen the 1980's Supergirl movie at least three times - including on VHS as a kid.  I watched the entire run of the CW TV show.  Am familiar with various incarnations in live action and animation.  (I have an affection for almost all of those takes.)

I am not a Supergirl PhD, but I feel pretty well oriented.  So, there's my bona fides.

G Comics: Godzilla vs. Texas

Finally got around to actually reading IDW's Godzilla vs. America: Godzilla vs. Texas one-shot.  

Was I pleased?  You know I was.  

If I recently complained about a lack of local specificity in media where the story unfolds in Texas, I will not be repeating that here.  In fact, the bigger problem for this comic is that Texas is gigantic, and the stories themselves are pretty location-specific.  Even chronologically specific.  And Texas is too big for one slim comic.

Superman Movie - Catching Up On "Man of Tomorrow"

Today, James Gunn, Director and Writer of the next Superman film - Man of Tomorrow - released this still of Nicholas Hoult in some very familiar looking armor.  

This unleashed hordes of people who think they're clever and have never picked up a Superman comic, never watched a Justice League cartoon, walked down a toy aisle, etc... to flap their arms and ask if Gunn was ripping off any of the man franchises in which people show up in power armor, especially the video game I have never played, Halo.   

Look, dumb dumbs, this armor first showed up in a comic in 1983.  It's been adapted and changed by artist after artist since then - to the point where a few details remain common, but the general idea is that Lex, like Tony Stark, is constantly fiddling.  And, by the way, not one of you blinked about all the armored guys in the *last* Superman movie, so what are we even doing?

Comic Doc Watch: Selling Superman (2024)

Watched: 05/12/2026

Format:  Amazon Prime

Viewing:  First

Director:  Adam Schomer

I imagine this doc will land one way with non-comics folk, and a completely different way with comics folk - or other serious collectors (and their immediate loved ones). 

For the record, I own a *lot* of comic books, and a *lot* of Superman stuff.  So, yes, I am in the camp of "collectors".*

I do *not* own any of those mythical comics you hear about.  This "blogging non-stop for free" gig does not pay what you'd think.  I have never even seen most of the epically priced comics you're think of in person, except in museums or behind thick glass.

This doc is about a guy somewhere near my age who recently lost his father, and inherited that father's absolutely massive comic collection.  

The father clearly was brilliant, neurodivergent, and an absolutely obsessive collector, filling his multi-bedroom home with comics, covering the windows so people couldn't see in, and forbidding his wife and kids from telling anyone what was in the house - not that they knew what he really owned.  And what he had was - from a collection standpoint - probably unlike anything else on the planet that isn't part of a major business like Mile High Comics.  

Friday Superhero Watch: Superman (2025)

Watched:  05/01/2026

Format:  HBOmax

Viewing:  Sixth

Director:  James Gunn

With zero prompting from me, on Friday night Jamie put on Superman (2025) as our evening's viewing.

I married well.

This is my sixth viewing in a year, which is too many, to be honest.  One starts to look at the seams rather than the quilt, seeing how the thing is put together, and that's not all bad if you want to start really dissecting a movie, but for staying in the intended flow, it can give you time to think about things other than the story presented.  

After this viewing, I still think Superman does so many things very well that were necessary for reframing the character in the public consciousness.  But it is an odd movie because the metatext of the reframing becomes what the story is *about*.  We're reframing Superman after Superman Returns and the Snyder universe films.  While also setting up the fundamental argument of Luthor versus the argument for Superman.*

Eschewing the direct origin story, Superman has to do the heavy lifting and table-setting for what's to come with the DC Studios Universe.  

Gerry Conway Merges With The Infinite

It's hard to measure what any one creator gives to comics, but since the original wave of creators in the 30's and 40's, and since Stan, Jack and Ditko did their thing - there have been some major players.  And top among these is Gerry Conway.

Conway is responsible for some of the most important storylines and characters in comics.  The man was wildly prolific - having started at age 19 writing at Marvel and just going wild.  

Here's a list of characters he co-created:  From Wikipedia

Here's some of my favorites:

• Power Girl
• Firestorm
• Punisher
• Jason Todd
• Vixen
• Atomic Skull
• Star Sapphire

Can you imagine?

And, among his many important contributions, he wrote "The Night Gwen Stacy Died", one of the most important stories in Marvel Comics history.  The guy had chops.

I assumed Conway was in his mid-80's, having no idea he was a teenager when he started his career.  Gone way too soon.  

DC's K.O. Event was, in fact, very dumb

illustration by Aaron Humby

DC line-wide events are very, very seldom any good.  And even if the main titles are worth reading, the ancillary pile-on is almost never worth the effort or cost.  At best the events have a decent starting point, but usually by the time you hit the end it's a confused mess of abstractions yelling at each other and forcing some new editorial mandate, and this was the long way around to get to, say, "now Superman *doesn't* wear shorts over his tights".  

The last big event I recall feeling particularly worth it or well written and which had a spectacular ending that DC absolutely flubbed, was probably Infinite Crisis or maybe, just maybe, just the Morrison issues of Final Crisis.  And I attribute my enthusiasm for those projects now to my general enthusiasm for comics writ-large at the time.  I don't know how they'd actually hold up.

Superman Day is April 18th

Saturday April 18th is Superman Day!

I'll be honest and say "I do not really think this is for me".  Because at League HQ, every day is Superman Day.  Something Jamie just has to live with.  

Superman Day is a promotion for people with an interest in Superman where DC and Warner Bros make available some neat things like comics, t-shirts and more.  

You can find those things at your Local Comic Shoppe.  Or hit up the DC Shop.  

With Supergirl coming to theaters this summer, of course it's a promotion not just for Super comics - the day is also a promo for the forthcoming movie.  

Look, I love me some Superman - and I hope you figure out how to enjoy the day.  But I also am kind of aware it's not exactly a holiday.  It would be nice if DC figured out how to do something aside from just sell some things with an extra stamp on the cover.  

Mostly it feels like they're saying "buy a thing" while they alert 99% of the world nothing special is happening for them locally.  Amazing this is the best WB can do.  Even a plastic Superman ring for the kids would be something.

90's Superhero Watch: The Rocketeer (1991)

Watched:  04/01/2026

Format:  Disney+

Viewing:  Unknown

Director:  Joe Johnston

I can't put my finger on why, but I just felt like watching a movie where someone blew up a bunch of Nazis trying to operate on American soil.  

So, I saw The Rocketeer in the theater back in 1991.  Even 16-year-old me was thrilled it was going to have airplanes and a guy from a comic book and pre-1960's styling.  And it was going to have that girl from Labyrinth!  

Watching it now is a completely different experience but no less joyful.  Back then I didn't get all the references and nods which the movie crams in left and right, using the movie almost as an excuse to reward Hollywood nostalgia nuts.

However, I recall being very *aware* of The Rocketeer as a comic property before the movie came out because comic fan mags and catalogs featured Dave Stevens' Bettie Page inspired art that was used to promote the property.  However, I couldn't find the actual comics.  And, a bit like some pics of P'Gell from The Spirit, it gave me some very wrong ideas about what the comic book was when I finally read it.  

Supergirl (2026) Trailer is Up

Heyyyy!!!  The second Supergirl trailer is up.

You can watch the trailer from YouTube here:

Here's that Teaser Trailer from earlier:

I mean, so far, so good.  It's a very particular take, and very far from her first appearance in 1959.  Which, you know, is fun...  but would never work in a million years as a movie now.  The closest we'll get to that is Helen Slater, and then some of what Melissa Benoist brought to the screen.

I don't mind the traumatized refugee take - it absolutely makes sense.   And, frankly, the comic they're using as the bones for this movie is a gorgeous, memorable story (Supergirl: Woman of Tomorrow).  

So far, I like Milly Alcock.  The look and feel all feels spot on.  So, sure!  Looks like a blast.

Do I have qualms?  No, man.  I don't.  I am not here to outsmart a trailer that looks perfectly nifty.  At this point in my life I just say "is this for me?"  And I think this is.  Sometimes I'm right, sometimes I'm wrong.

Sam Kieth Merges With the Infinite

We're sad to report that comic artist and story-teller Sam Kieth has passed.  

Kieth was the original artist on The Sandman, one of the greats of post Watchmen comics - basically originating the look and feel of the series before the comic strategically changed artists each storyline.

He moved on to join the Image explosion of the early 90's, launching The Maxx - a series that's been sadly mostly forgotten but was one of the best artist/writer creations of the era, deconstructing superheroes and their environment while telling a complex story about, essentially, what we'd now call mental illness on the fringes of society.

To give the kids an idea of how different things were in the 1990's, MTV turned it into a cartoon using Kieth's actual artwork and dialog.

Kieth has done work the past two decades, though not at the same rate or with the same acclaim as his 90's output.  But it was always a pleasure to see what he'd take on.  

In an era where what "good" comic art was being redefined on a weekly basis - The Maxx was hitting the stands alongside Liefeld, Jim Lee, Alex Ross and others who refused to work in a house style - he managed to bring a kind of soul to comics that much of the hyper-masculine and sexualized artists of the era favored, imbuing characters with quirks and personality via cartooning and allowing characters to - ironically - feel more real than photocopies of humans with different pockets on their uniforms.

But, also, man, Sam.  I'm sorry to hear about the legal issues around The Maxx.  That seems grossly unfair.  

Frank Miller's "The Dark Knight Returns" Turns 40

If you weren't in middle school by 1986 or 1987, I don't care what you think about Frank Miller's four-issue series, The Dark Knight Returns.  Sorry, young reader!     

There was context to when the comic came out, an understanding of what was changing in media and culture and comics, and if you grew up on comics in the wake of Dark Knight Returns, it's like trying to tell people Revolver isn't a breakthrough album after all, or that Citizen Kane doesn't matter (which the internet is always more than happy to do, and seem quite foolish in the process).

I don't do this often - generally I'm a "hey, like what you like, but here's my opinion" guy.  But sometimes The Kids(tm) are just wrong, and I don't think you had to be there at the time - you can just have a reasonable knowledge of recent history, comics history and have read a book somewhere along the line.  And so, in this case, when I have seen 10,000 bad takes by bad take-havers, here is mine.

Mainstream superhero comics have some key years.*  

Sal Buscema Merges With the Infinite

Sal Buscema was just one of those names I learned to recognize as one of the greats when I got into comics.  

The truth is, artists come, and artists go.  Most don't last.  Comics is a tough business.  And Sal had the extra challenge of being the sibling of one of the most prolific, beloved artists in comics, John Buscema.  But he became as well known and made his own mark - becoming one of the most beloved artists at the House of Ideas and doing some work for DC.

Honestly, I kind of think Sal Buscema's style bridges the gap between the classic Marvel style and Marvel's more modern look as it passed through the 70's to the 90's.  

Sal passed last week at the age of 89.  

Happy Birthday, Krypto

Today marks the 71st anniversary of the first appearance of Krypto the Superdog in Adventure Comics 210.  

Krypto appeared 17 years or so after Superman first appeared and 10 years after we'd been introduced to Superboy - tales of Superman when he was a boy.  In short, Superman had been around, had a radio show and had been on television for three years by the time Krypto appeared in a Superboy story.

Until Krypto appeared, four years before Supergirl, Superboy had been really the only survivor of Krypton.  This space-faring dog was Superboy's first real, direct connection to not just his home planet, but his actual parents and home.

While Krypto was shown to be an untrained pest (shades of 2025's Superman movie), he was also a fellow, last Kryptonian.  

His story in this comic was that he was the El family dog who had been sent by Jor-El in a test rocket that got knocked off course and lost in space until the events of this issue, Superboy arriving on Earth and becoming a teen in the interim.

Avengers Doomsday and the All New Return of Hatin' on Superheroes

 

What a time it's been for Marvel of late.  

I think people forget about the crazy early years of Marvel when they were essentially an indie studio who leveraged studios for distribution.  Marvel was acquired by Disney in 2009, AFTER the release of the first two films.  Superhero films taking off was not a foregone conclusion, it was a thing that made sense as FX could now kind of do anything, and the generation of 1980's comics readers made their way into positions of influence where they could roll back the anti-comics hysteria of the 1950's and 1960's and show what comics had been up to since Katy Keene was a big seller.

So credit where it's due, no one forced superheroes on the public, the public was ready for them.

And, look, we all know something got off-base with Marvel after Endgame.  But many things have changed both at Marvel and in the world.

Recently I was rewatching part of The Marvels on cable - and I can see why it didn't take.  *I* liked the movie, but it required homework.  One had to watch and recall Ms. Marvel, know a side character from WandaVision, and be all in on Captain Marvel (which I was or am).  And as a stand-alone movie it never felt entirely like they'd worked out the actual stakes of the movie, the personality of the villain.  Instead, they focused on the character interaction and that story, which was a worthy story, certainly.  But there was so much going on between Skrulls, singing water planets, Hala melting down, Ms. Marvel's family, Nick Fury in space, etc...

Extrapolate that across the line, and it's maybe just too much and not enough at the same time.  

Happy Hanukkah with Ben Grimm

It's been a rough week (already, and it's not even Wednesday).  After the events in Australia this weekend, we wanted to share some additional holiday joy and light.  And what more Signal Watch way to do that than with a little Ben Grimm?

I don't know how many people saw Fantastic Four: First Steps and found out that Ben Grimm is Jewish, but he sure is.  It's a rare nod to the faith shared by a whole lot of the guys who founded comics and superheroes in America.  And for those who know their Marvel and FF lore, Ben was often seen as a stand-in for one of my personal heroes Jack Kirby (aka:  Jacob Kurtzberg), who was very much a Jewish kid from the Lower East Side of Manhattan (thanks for the correction, Rex!).  

In the comics, Ben is known to throw a pretty good Hanukkah party.  

Anyway, no, I'm not Jewish by birth or practice, but we've been focusing so much on Christmas this season, felt it was time to bring up the eight crazy nights in celebration.

DC Studios: Supergirl Trailer Arrives

The movie isn't arriving until late June of 2026, but we have our first trailer for the upcoming movie, Supergirl.  

For comics readers, we're going to recognize this is a loose adaptation of Supergirl: Woman of Tomorrow by Tom King and Bilquis Evely.  It's a pastiche on revisionist westerns, especially True Grit.  So she comes by the duster thematically and honestly.

Yes, this is a different Supergirl than Helen Slater or Melissa Benoist.  And I shock myself to say this - but that's okay.  I adore Silver Age Supergirl, and Bronze Age Supergirl, but Supergirl, with her story, was in need of a serious overhaul, which I think she got locked in via comics scribe Sterling Gates several years ago now.  

The basic idea is - she's not Superman.  He was an infant foundling, she was a survivor of a catastrophe she saw first hand.  She is walking trauma.  Ma and Pa taught Clark to be kind and love everyone, Kara learned the world will literally explode beneath you.  Anyone who thought Superman was a bit too sunshine-y now has their flip side of the coin.

Milly Alcock seems a solid choice for this Kara from her appearance to her spirit, and I think The Youths will like Alcock and her Kara Zor-El.  I've seen nothing that makes me anything less enthused about her as the choice.

Here's that trailer:

DC Studios Universe Watch: Peacemaker Season 2

I'm pretty sure we didn't talk much about Peacemaker Season 1 around here.  Which is too bad, I quite liked it.  

Peacemaker Season 2 just finished on HBOmax.  And, man, are the reactions online weird.  

And, look, I want to be a kind person, but sometimes it's really clear that

• once a show moves beyond a certain number of episodes/ duration, and therefore snowballs in complexity, some viewers don't know how to watch a movie or TV show without being spoonfed what is happening
• in 2025, people are still actively worrying about their fan theories and judging a show based on whether or not the show matches the story they told themselves.  Why would you watch a show so predictable you know exactly where it's going?
• a lot of folks think that if something is character driven, nothing has happened, which just blows my gourd
• a lot of people who consider themselves experts on "the comics" don't seem to actually know anything about the comics.  And I say this as someone who knows nothing about Peacemaker other than that he's a Charlton character with a very oddball helmet.

Super Re-Watch: Superman (2025)

just some punk-rock kid from Bakerline

Watched:  09/21/2025

Format:  HBOmax

Viewing:  Fourth

Director:  James Gunn

So, before I forget...  surely James Gunn was referencing The Simpsons' Radioactive Man in the first minutes of Superman (2025) when Number 4 says he'll have Superman "up and at them", right?  

Happy Birthday, King Kirby

Today marks the birth date of Jack Kirby, the mind and pencil that brought us many of our modern myths and legends.  

We're big Jack Kirby fans here at The Signal Watch, and wish to salute him.

Let's take a look at some of his "I'm Jack Kirby, dammit" art that started with the pop-art movement, moved into psychedelia, and just kept on going til he hung up his pencil.