Doc Watch: Lilith Fair - Building a Mystery (2025)

Watched:  09/28/2025

Format:  Hulu

Viewing:  First

Director:  Ally Pankiw

First - it's remarkable how messed up the music industry was in the 1990's that I realize I kind of disliked some of the music from the artists in Lilith Fair: Building a Mystery (2025) not because of the music, but because if a song was any good in the 1990's, you kind of couldn't escape it for months at a time.  I think half of why I got weird about music in college and decided "I'm gonna go listen to Cole Porter standards" was because if I heard Hootie and the Blowfish one more time, I was going to shove pencils through my ear drums.  On the whole, radio, Muzak and MTV had a real "you like ice cream?  Great.  We're force feeding you a gallon of mint chocolate chip every hour for the next two months" sort of vibe.

It did not help that I was working in a Camelot Records during the period when the artists who would become the headliners at Lilith Fair in the first years were releasing their music.  (So tired were we of Paula Cole's  "Where Have All the Cowboys Gone?" that, behind the counter we would whisper to each other in response to Cole's query, "Up my butt".  But almost 30 years later, that song is a-ok, Paula Cole.)  

The documentary of Lilith Fair: Building a Mystery charts the origins, rise, challenges to, and eventual final wrap-up of the initial go at Lilith Fair, and its place in culture in the 1990's.  It shows how the very suddenly popular Sarah McLachlan parlayed both her position and organization into recruiting other female artists and playing multiple summers of tours from the mid-90's to 1999.  Along the way, luminaries like Patti Smith, Bonnie Raitt, Erykah Badu, Emmylou Harris, Suzanne Vega and countless others joined McLachlan on the road to help change perceptions of how women fit into the music industry.  

And, it's impressive who was willing to show up and speak on camera about the festival.  All of the women listed above, minus Smith.  Jewel.  Joan Osborne.  Cole.  Natalie Merchant.  Liz Phair.  Sheryl Crow.  Indigo Girls.  And plenty more.  

35th Anniversary Re-Watch: Miller's Crossing (1990)

Watched:  09/27/2025

Format:  Criterion Disc

Viewing:  Unknown

Director:  Coen Bros.

In late summer 1990, I saw the trailer for Miller's Crossing (1990) at my local cinema in Spring, Texas.  I don't remember what movie I saw that day, but I remember seeing the lush, lyrical trailer for a movie that seemed to jump off the screen with its imagery, language and violence.  Coming off of my first high of mob movies with The Godfather around that time, as well as seeing the guys who had made Raising Arizona were behind the movie, I was ready to see the film on opening day.  

But the Coen Bros. were not yet famous, and Fox, which had distribution rights, didn't really push the movie.  I kept looking for it in show listings.  But it played downtown Houston, not out in the 'burbs, and I was still something like eight months away from my license.  And, so it was that I missed the film until it came out on VHS.  

New Parker Movie Trailer: Play Dirty

One of the only book series I've read in its entirety, and re-read multiple volumes, has been the Parker series of books by Richard Stark (aka: Donald Westlake).  I tend to think of Parker as a criminal project manager, and that works for me in my world.

A while back I'd read of the casting of Robert Downy Jr. for the role of Parker in the Shane Black helmed film, but that seems to have gone away with Avengers stuff back on RDJ's slate.  To my surprise, the role here is occupied by Mark Wahlberg.  I'm not anti-Wahlberg, but after spending 20-something books with Parker, I was of the opinion that RDJ could do it, but he wasn't my first choice.  Look, Parker is supposed to be a towering figure and RDJ Is like 5'9".  I am a bit baffled by the casting of Wahlberg, but no one asked me. We have a whole Dave Bautista out there.

There have been many adaptations of Parker books to film, and all of them make the mistake of wanting Parker to have... feelings.  He does have feelings, like anger, mild-irritation, general crankiness...   but he's not a joker or hugger.  He does not quip.  And that's hard for folks writing him or playing him, and why Lee Marvin's take in Point Blank was probably closest.  He's largely amoral, and will put a bullet in you if you cross him, even if he's known you for years as a colleague.  He *does* have unspoken feelings and maybe even what he considers friendships, if Butcher's Moon is any indication.  

So, long story long, the trailer doesn't reflect the novels.  

Nor is it, exactly, one of the books.  It seems to be melding elements from The Handle and another book or two. But it's its own thing, in the end.

But what I have heard twice now is that the movie is not the Ocean's 11-vibe that I'm getting from the video above.   In my humble opinion, the closest to the vibe of the books is probably Payback with Mel Gibson, or the aforementioned Point Blank.  

If I may... Amazon is doing the wrong thing here in general, and should just make 3 Parker movies per year for maybe 3 years, and just stick to the books, setting the movies in the era in which the novels were released.  Stop at The Rare Coin Score, I think.  Bring in Claire and then decide if it's worth continuing.

Claudia Cardinale Merges With The Infinite

Actress Claudia Cardinale has passed at the age of 87.

Cardinale, who hailed from Italy, appeared in a handful of American films.  She's most famous for 8 1/2 and one of my personal favorite films, Once Upon a Time In The West, where she plays Jill - a deeply complicated woman arriving on the frontier just as industrialization arrives on the front porch.

Here's one of my favorite sequences in cinema, featuring Cardinale (with an American voiceover, because Sergio Leone).

Trailer: Maggie Gyllenhaal's "The Bride"

Longtime readers will know that The Bride of Frankenstein is, full stop, one of my favorite movies.  And Frankenstein is such a favorite book, I think I'm starting a re-read soon.  

I'm not really much of a purist, as these things go.  The book is 200+ years old, and folks can do as they please.  What *does* bother me is when folks either have never seen Bride of Frankenstein or gravely, somehow, against all odds, misunderstood the movie.  In either case it's believing that the movie is not 100% about the folly of believing you can make someone love you.  (in this case, make someone to love you)  And so we get all the cutesy merch with Franky and The Bride as a cute couple, and...  well, I have to remind myself it's all in good fun.

So, I could care less if someone does *an entirely new story* that doesn't just bobble the 1935 movie.  Take those basics of the Frankenstein movies and/ or book and go bananas.  And, this looks bananas.  Good on director Gyllenhaal.  I'm in.  I could care less that we already had Poor Things and Creature Commandos recently.  Keep it coming.

Your guess what this will be is as good or better than mine.  

Super Re-Watch: Superman (2025)

just some punk-rock kid from Bakerline

Watched:  09/21/2025

Format:  HBOmax

Viewing:  Fourth

Director:  James Gunn

So, before I forget...  surely James Gunn was referencing The Simpsons' Radioactive Man in the first minutes of Superman (2025) when Number 4 says he'll have Superman "up and at them", right?  

Hallmark Christmas Movie Schedule 2025 Drops

Ms. Chabert, set to grace Christmas screens this Holiday season, seen here having pulled this man's finger

Well, Hallmark has released their schedule for the Christmas movies coming in 2025.  Despite the fact it's September and in the 90's where I live, over in Hallmark HQ, it might as well be time to rock around the Christmas tree.

Hallmark isn't completely ignoring the rest of the year.  They're currently showing movies with a fall theme on the channels (although it's not officially autumn until September 22nd).  And they're even getting spooky this year as Ms. Chabert and Hallmark stalwart Wes Brown will appear in the Halloween themed third chapter in the "Haul Out the Holly" saga.  

Meanwhile, Hallmark ornaments are coming in waves for 2025, with an official Lacey Chabert ornament coming in October.  (I am well aware of the Superman ornament, thanks).  

Here's the Hallmark checklist of new content:

Robert Redford Merges WIth The Infinite

Robert Redford, actor, producer, director, activist and all-around okay guy, has passed.

I'll say it:  I've never seen Redford deliver anything but a great performance, and I'm not sure I've ever genuinely disliked anything he's been in.  Of course, I've only seen a fraction of his filmography, but I'll stand by the idea.

In an industry full of people trying to dumb things down, Redford exploded during the 1960's and 70's where he took on challenging roles in complicated films, whether we're talking something like a clockwork political thriller like Three Days of the Condor or the exploration of the myth of the west in Jeremiah Johnson.  But his list of classic roles is as long as your arm.  Butch Cassidy and the Sundance Kid.  The Sting.  The Great Gatsby.  The Natural.  Etc... et al.  Heck, he played one of the best villains in a Marvel film.  Who knew?

He'd go on to direct critically acclaimed films, including Quiz Show (which is still stunningly good).  

Far from just a handsome actor to slot into parts, Redford carved out his own world within Hollywood, using his box office draw to get attention for numerous causes.  He helped found Sundance as a film festival and market for independent film (when that meant something) and he supported efforts to save Barton Springs here in Austin, Texas - where he swam as a kid.

Flat out, this site thinks Redford is cool AF, and salutes the man.  He'll be missed.

Nunsploitation Watch: To The Devil A Daughter (1976)

Watched:  09/15/2025

Format:  Criterion

Viewing:  First

Director:  Peter Sykes

It's hard not to see To The Devil a Daughter (1976) as existing due to Rosemary's Baby's wild success, a dash of 1970's-style Satanic Panic, and a dollop of Hammer's latter-era horror output like The Devil Rides Out (this is a Hammer co-production).  It's based on a novel by Dennis Wheatley from the 1950's, so good on the printed word leading the way here.

For reasons that kinda make sense if what I understand about Hammer's financial state in the 70's, a German company was involved in financing and production.  

The movie stars an American, Richard Widmark, who made his name in noir - especially with Kiss of Death, with which he's still widely associated - and then went on to participate in a wide-range of movies and roles.  Widmark plays a writer who has written a sensationalistic best-seller about Satanism, who is represented by former Bond-girl Honor Blackman, his pal in London,* and her boyfriend, David.

Nunsploitation Watch: Behind Convent Walls (1978)

Watched:  09/13/2025

Format:  Criterion

Viewing;  First

Director:  Walerian Borowczyk

Uhm.

So.

Yeah.

And.

Right.

So.

Behind Convent Walls (1978) is a lot more what I had in mind when the word "Nunsploitation" entered my vocabulary a few weeks ago.  For good or ill.

80's Art-Sploitation Film Watch: Ms.45 (1981)

Watched:  09/06/2025

Format:  Criterion

Viewing:  First

Director:  Abel Ferrara

Criterion Channel currently has a collection of "Nunsploitation" movies, and of their 7 offerings or so, I'd already seen three in my life (Haxan, Benedetta, The Devils) and I'd been meaning to catch Ms. 45 (1981) since seeing something about it a few years ago.  So here we are.  

And, yes, if I can watch 70+ Lacey Chabert movies, I can watch the remaining Nunsploitation movies.

Director Abel Ferrara was kind of a big deal when I was in film school, coming off of The Bad Lieutenant (worth seeing once, at least) and following up with The Addiction, with the Body Snatchers remake in between.  Unfortunately, I kinda stopped tracking indie film a while ago and lost sight of him, but he's been out there making movies all along.  He was not afraid of what was too much for an audience, and seemed not just to push margins but lived there.  

So this early film is a pretty good indicator of what he was capable of.  

TL;DR - Pop Culture Fade-Out: What Happens When No One Remembers Lassie?

Liz is also easily distracted by squirrels

A while back I read the book Rin Tin Tin: The Life and The Legend by Susan Orlean (recommended).  The book is a biography/ history of how one American soldier on the front lines of World War I found a stray dog, and how that dog became, literally, the biggest movie star in the world.  

There's a possibly apocryphal story that at the first Academy Awards they had to re-do nominations and/ or voting because Rin Tin Tin, a skinny German Shepherd, came up as "Best Actor" (everyone kinda thought the awards were a bit absurd at the time).  But what is true is that dog was also one of the biggest box office draws in Hollywood for a few years there before the movies learned how to talk.

While the original Rin Tin Tin passed and was buried in France, various other dogs took on the name and role, and through the 1950's, Rin Tin Tin was still a major pop culture fixture - a sort of family-friendly action star, now re-imagined for television as living on the frontier and starring in his own cavalry-themed Western.

Now...  I'm not sure even my peers could tell you what breed Rin Tin Tin was with any certainty.

35th Anniversary Watch: Pump Up the Volume (1990)

Watched:  09/01/2025

Format:  Criterion Channel

Viewing:  Unknown

Director:  Allan Moyle

Well.  It turns out I'm old.  

Pump Up the Volume (1990) was released August 22nd, 1990.  I'd intended to watch it for the anniversary a week and a half ago, and forgot.  So here we are.

It's funny - I watched 1955's Rebel Without a Cause in 1989, which was *less time* between release and viewing than when I saw Pump Up the Volume opening day in the theater in August of 1990 and today.  

Time is a slippery mistress.

I will never get over the fact this movie is named "Pump Up the Volume" which was the name of the wildly popular dance tune from 1987.  And, of course, 1989 brought us Technotronic's "Pump Up the Jam".  In this era, anything could be pumped up.  

A quick recap so you don't need to re-read my post from 2008 or listen to podcasts on the topic:

In 1990, my folks moved from North Austin to North Houston/ Spring/ Klein.  Within days of moving, I watched a movie about a similarly grumpy teen moved from, in his case, "the East Coast" to a Phoenix suburban analog.  The teen starts a pirate radio station where he performs crude and shocking bits - largely around masturbation - while also waxing philosophic about the state of the world, how the parents of Gen-X'ers (this is a movie about the last wave of Gen-X'ers) failed their own youth movement by "selling out", the world ain't what it should be/ used to be, and that conformity is bad.

If Gen-X sought anything, it was "authenticity", and when you live in the suburbs and can't drive, this means "I reject the notion that Bobby Brown is the best musician or our era, and girls should be allowed to have brown hair".  And this movie is about that.

But, also... if there is a movie that has caused a generation collective Space Jam Fallacy, it's Pump Up The Volume. 

Fish Watch: Jaws (1975)

Watched:  08/29/2025

Format:  Drafthouse

Viewing:  Unknown

Director:  Steve something

So, I already watched this movie once this summer, but The Drafthouse was showing Jaws (1975) in 4K with an intro by Spielberg in honor of the movie's 50th Anniversary, so Si and I went.  

I won't belabor discussing the movie itself, but the 4K presentation was fantastic on the big screen.  It's a true preservation job, not AI slop, somehow really sharpening the picture.  And, despite the fact I was well, well aware that the head of Ben Gardner was about to make an appearance, the music sting in the theater was so well placed, I *still* jumped.  

It's also still fun to watch a movie like that in a room with people who are seeing it for the first time.

Catch it in the theater!

JLC Watch: Freakier Friday (2025)

Watched:  08/27/2025

Format:  Alamo

Viewing:  First

Director:  Nisha Ganatra

We all know I went to see this because it stars JLC, and that's fine.  I'd also finally recently watched the 2003 version of Freaky Friday for the first time, liked it much more than expected, and - now that I have the Alamo Pass, popping off to go watch a movie is not such an ordeal.  In fact, I feel pretty incentivized to use the heck out of the pass.

I am not sure if I hadn't seen the 2003 movie, though, if I wouldn't have missed a lot or even been lost.  So, watch that first.  

Here in 2025, I think we finally kind of figured out how to do these late-entry sequels no one was asking for and make it worth it.  As evidence, I'll enter in Freakier Friday (2025) which manages to expand on the set-up of the general Freaky Friday concept, do new things with it, be very funny, and feel like it has some emotional resonance at the end that I'm not sure any of the prior entries, or most body swap movies in general, tend to earn.  

Happy Birthday, Lois Lane

According to Superman lore, today is the birthday of Lois Lane, star reporter of The Daily Planet, former girlfriend, and now wife of Superman/ Clark Kent/ Kal-El.  And all-around troublemaker/ kick-ass character.  

It's no secret we're big fans of Lois here at The Signal Watch.  She burst into comics on the sixth page of Action Comics #1, then going on a date with Clark where she was immediately kidnapped by a mobster - leading to her first meeting with The Man of Steel.

She's been a part of Superman's adventures since that moment, and continues to appear alongside him in his adventures in comics, radio, books, television, movies, video games and more. 

This year has been dense with great takes on Lois, in the movies, TV and comics.

Terence Stamp Merges With The Infinite

Actor Terence Stamp has passed at the age of 87.

This site obviously was aware of Stamp first and foremost from the first two 1970's Superman films wherein he played General Zod, Superman's foe and the would-be conqueror of first Krypton and then Earth.

He was, of course, accomplished and popular In England well before those films.  With smoldering good looks and a natural talent, he was in with a wave of British talent that crossed over the pond and back again over the decades.  

If you want to see a phenomenal movie, check out The Limey.  But he was in everything, from comedies like Bowfinger and Priscilla, Queen of the Desert to to actioners like Young Guns.  

Raise a glass, and, for today, it's okay to kneel for Zod.

I'm very sorry to see him go, but he left a rich legacy.  

G Watch: Shin Godzilla (2016)

Watched:  08/16/2025

Format:  Amazon

Viewing:  Third, I think

Director:  Shinji Higuchi, Hideaki Anno

Shin Godzilla (2016) is currently enjoying a theatrical re-release because, I guess, why not?  Godzilla Minus One was supposed to be in theaters for a week, and wound up playing for months and making crazy bank compared to original estimates, and then landed a much deserved Academy Award.  

Yes, Shin Godzilla is also in the process of being released on 4K disc, and, look, kids....  there's something your favorite blogger would sure like to open on Christmas morning.  

I will never not tell this story, so here goes:  PaulT, Jamie and myself went to a mid-day screening of Shin Godzilla at the old Alamo Ritz, I think in January of 2017.  We were excited, the place was almost sold out in the middle of the day...  it was a whole scene.  Then the movie started and a piercing tone hit the theater.

This tone.   1kHz test tone.  

They paused the movie and the manager came out and said "has anyone seen this before?"  A few hands went up.  "Is this supposed to be happening?"  No.  "Ok!"  So she disappeared.  We hung out for a while.

Apparently the distributor had sent out their digital copies with 1k tone and there was nothing the Drafthouse could do. So I think we got out money back and went to Shakespeare's nextdoor for a beer.

Anyway - I've seen the movie since.  But not since seeing Godzilla Minus One.  Or spending COVID lockdown watching every single live-action Godzilla movie.  

First - this one isn't for the kids.  It's a movie that happens to have a Godzilla in it as a stand-in for any disaster, but in this case, it was pretty specifically the Fukushima nuclear accident that hit Japan in 2011.  I think Shin Godzilla is a genuinely really, really good movie when it comes to the challenge of bureaucracy and systems built to ensure safety by way of democratic processes, something I'm pretty familiar with after spending a lifetime in state-funded higher education,  State government and, recently, local government.  That a single decision must pass through up to five levels and reach a "final decider" to do the obvious, and that person is hopelessly compromised by politics, optics and party machinery has real world consequences.  

Comedy Watch: The Naked Gun (2025)

Watched:  08/13/2025

Format:  Drafthouse

Viewing:  First

Director:  Akiva Schaffer

If you're wondering if The Naked Gun (2025) lives up to the original film, it's really, really close.  It's, of course, trying to recapture that same vibe, and mostly hits the mark while also absolutely having moments that will have you saying "well, that's clearly Akiva Schaffer".  And I mean that in the best way.

I won't actually do a dive on this because it's a joke every 30 second comedy, exists to be that, and does so.  There are great gags that I'll be laughing about tomorrow, and sequences that made me fold over in my chair laughing.  You'll know what they are.

And everyone is funny.  Neeson I've seen be hysterical before, so this was not a shock, but he nails the Police Squad brand of humor..  Pam Anderson has great comedy chops and I hope this pair gets a sequel to do more.  Paul Walter Houser shows up as Ed, and I'm becoming a fan.  CCH Pounder even gets to send-up very specific police chief tropes and it's just hysterical having it come from her.

If I have a recommendation, find the person in the theater who is going to laugh like a maniac and sit near them.  I was fortunate to have "deep belly laugh" guy behind me, and it helped to be in a theater and join that guy in knowing it's okay to laugh like that in a theater.

The Space Jam Fallacy: Is The Movie You Like From Your Childhood Actually... Bad?

For a few years, we ran a podcast based on this here internet web log.  During that time, I made an observation and had to find a phrase to describe it.  We called it:  The Space Jam Fallacy.

The Space Jam Fallacy is the misguided belief that an artifact, such as a movie, is of quality because it was a favored piece of media first consumed during one's formative years.  However, the movie is technically, narratively, and critically, actually, bad.    

As a person who is now fifty, I've now seen the power of The Space Jam Fallacy in full bloom with Gen-X, then Millennials, and, these days, with Gen-Z.  

Why am I picking on Space Jam, the mid-90's mix of animation and live-action movie about Bugs Bunny and actual basketball superstar Michael Jordan taking on a crew of space aliens seen over by an alien voiced by Dan DeVito in a for-all-the-marbles game of basketball?  Because it is the first movie I was well aware of/ saw at the time of release only to see a younger generation declare it must-see-viewing, when I knew the thing to be, in fact, terrible.

For context: