Windsor Pirate Watch: Hurricane Island (1951)

Watched:  08/25/2026

Format:  TCM on DVR

Viewing:  First

Director:  Lew Landers

So, it's entirely possible that the end of Indiana Jones and the Last Crusade was somewhat inspired by this B-movie.  I'm not saying it is, directly, or there aren't substantial differences, but....

I'm also not sure watching a movie just because it has Marie Windsor in it is wrong, but..!  This one is also a pirate movie, and, in theory, is based on one or two real historical figures.  Well, it has Ponce de Leon, which is kind of exciting.

Theoretically, this is about Ponce de Leon's search for the Fountain of Youth.  But in this movie, it's about a wounded Ponce outsourcing his adventuring to a husky Captain Montalvo (John Hall) who de facto leads the expedition into the island of Florida (it's like 1513, and I don't think they know dick all about the actual Florida coastline yet).  

The King of Spain has put pressure on Ponce to settle the island, but by some odd coincidence, people already live there, and as history rhymes, the people in Florida hate the idea of foreigners moving in.  In this case, attacking the Spaniards, who shoot back.  

Because the producers knew a simple trick when they saw one, the plot requires our hero to bring along a slew of women who will be married to the male settlers rather than choosing jail, allowing the movie to just randomly have 15-20 young women just floating around in the background.  

Oh, and Windsor is a pirate queen!  Were there pirates in the Caribbean in 1513?  Not exactly yet - the piracy you're thinking of would really get going 100 years later.  Columbus had just sailed the ocean blue in 1492, so this was all relatively new.  I assume Windsor's character is based on Anne Bonny, but not so much.  She's mostly just Marie Windsor with fabulous blonde hair I assume is a wig, but it looks spectacular. 

The natives are played by white people in wigs and some generic war paint.  It's something else.  They're led by a lady chieftan who is incredibly well made up for someone you assume does not have Avon calling.  Her name is Ohkala, which tells me someone drove through a town my grandparents once lived in, Ocala.  

Eventually the "good" Natives lead Ponce and friends, including a now tamed Windsor, to the actual Fountain of Youth. Ponce, who is carried on his back, is given a familiar looking golden chalice full of magical waters which restores him.  When violence breaks out, pirates and rogue natives jumping the party, the fountain crumbles into the earth and a storm drives them away.  And, oh, look... our Ohkala ages swiftly before out eyes.

I'm just saying.  This movie series was originally a pastiche of old serials and a Heston movie no one has ever watched.  Who knows?

This movie had Marie Windsor, who would make a great pirate queen, but did nothing with her in the set-up other than have her fall for the doofus hero.  And if you my feelings on Against All Flags, that's a miss.  

Honestly, this movie is ideal riff material in a whole lot of ways.

Dolly Parton Merges With The Infinite

The great Dolly Parton, musician, storyteller, philanthropist, entrepreneur, amusement park mogul, and one of the best of us, has passed at the age of 80.

If you've never heard it, I highly recommend the podcast Dolly Parton's America from RadioLab on NPR.

I grew up in the 1980's when Dolly - through radio play, TV and her hit movies Best Little Whorehouse in Texas and 9-to-5 - became a household name.  In short, I cannot remember a world before I knew who she was.  I even saw her in November of 1985 .sitting in the rafters of the Erwin Center, in a co-headlining tour with Kenny Rogers (Sawyer Brown was supporting). 

As I became a teen, country music was *the enemy* for a good patch, as I think a lot of us shut it down who live below the Mason-Dixon line as we build our little lines between us and them.  So it was not until after college that I finally clicked to who Dolly was as a musician.  It came, really, with the release of Little Sparrow - pretty late for me as it was her 38th album.  I believe I bought Emmylou Harris's Red Dirt Girl the same landmark day (unaware of the Trio effort with Linda Ronstadt until Nathan C showed me the way a few years back).

Friday Watch: Fantastic Four - First Steps (2025)

Watched:  08/21/2026

Format:  Disney+

Viewing:  Fourth?

Director:  Matt Shakman

First - I am no longer discussing Marvel movies as *movies*.  It's ludicrous to do so.  No one has tried and achieved everything Marvel Studios has done, and to pretend any of what is happening in any single movie is not part of a greater whole is untruthful.  If your problem is that a Marvel movie is tied to other Marvel movies and TV shows, the door is that way. 

We already talked about this movie twice before when I saw it in the theater (twice) and then when my dad came over to keep an eye on me after I had a big screw put in my foot (on purpose) and was recuperating/ hopped-up on goofballs.

But with Doomsday coming, I'd been thinking about the movie a great deal.  After all, Victor was conspicuously absent in this Fantastic Four movie, but it sure seemed to point to where things are going as the FF are all over one of the trailers.

HEAVY SPOILERS AND POINTLESS SPECULATION BELOW

Happy Birthday, Kim Cattrall

Happy Birthday to League fave Kim Cattrall.

Whether she's having Big Trouble in Little China, Sex in the City, taking a Split Second, or heading off for Star Trek 6's Undiscovered Country, we're a fan.

I'm not sure what she's up to at the moment, but we hope she's having a good time.

In the words of Crow T. Robot:

Marxist Watch: The Cocoanuts (1929)

Watched:  08/19/2026

Format:  TCM on DVR hosted by Eddie Muller

Viewing:  First

Director:  Robert Florey and Joseph Stantley

Apparently the first-ish Marx Bros. movie, The Cocoanuts (1929) is also an early talkie.  So, yeah, someone said "we're adding sound!" and someone said "What people need is to keep up with Groucho and then have Harpo say nothing.  Ever."

The movie is more interesting than laugh out loud funny - but it sure feels like a draft of what was to come and what would work for the Marx Bros. for years to come.  Playing scrappy underdogs not above some lightly criminal doings, but with hearts of gold, the Marx Bros. are dropped into a scenario where Groucho plays someone who has fallen backwards into legitimacy, while Chico and Zeppo show up on the scene to see what they can shake loose, moneywise, from a collection of wealthy people.

DC Animated Watch: DC's League of Super-Pets (2022)

Watched:  08/19/2026

Format:  Disc 4K

Viewing:  Second

Director:  Jared Stern

One of the oddest of casualties of a certain point in time was DC's League of Super-Pets (2022).  

Started before COVID and then, mind-bogglingly, released during COVID as a kids' movie - it seemingly tanked at the box office.  Fun note:  it made $80 million more than Supergirl.

My memory was - people found the advertising very confusing, and the notion of Superman having a *dog* seemed preposterous to the uninitiated.  One wonders how a kid's movie about Krypto would fare now.  

DC's "Lanterns" Episode 1

I used to love Green Lantern comics.  I came to Green Lantern by reading Emerald Dawn and then Emerald Dawn II.*  But GL and it's cast were a lot, and so I was an inconsistent reader for years.  I eventually fell into the monthly habit, and was there for the last of Kyle's run as the only Lantern, the return of Hal Jordan, elevation of John Stewart and eventually Geoff Johns' expansion of the Lantern spectrum.

A few things killed Green Lantern for me. Repetition of the same story concepts.  No real notion of how to write stories that fulfilled the promise of space cops.  Stuff like that.

Unstuck Watch: Slaughterhouse-Five (1972)

Watched:  06/16/2026

Format:  TCM - first ever showing on the network

Viewing:  First

Director:  George Roy Hill

It's been many years since I read Slaughterhouse-Five, or the Children's Crusade: a Duty Dance with Death. So long ago that all I can say for certain is that it was post-2000 and probably before this blog was founded.  I was just old enough reading it to know my WWII history and a bit embarrassed I'd not read it earlier in life.

But Vonnegut is, hopefully, something that works for you no matter your age.

As it's been a while since I read the book, I won't spend energy comparing and contrasting.  Instead, I'll just suggest watching the movie Slaughterhouse-Five (1972) sometime if you've already read the novel.  If jumping straight to the movie, it also can't hurt to pre-load your knowledge of the last year of World War II in Europe, to get what audiences in 1972 would have likely known just through cultural osmosis.  Things like "oh... Dresden" may not mean as much to some folks here in 2026 and all that you would know is coming.

I won't get into whether what Billy experiences is real or not.  Y'all can make your own decisions and I don't think the answer is that easy.

Ghost Watch: The Ghost and Mrs. Muir (1947)

Watched: 08/16/2026

Format:  TCM on DVR (Alicia Malone hosting)

Viewing:  First

Director:  Joseph L. Mankiewicz

Considered a bona fide classic, I knew the basics of The Ghost and Mrs. Muir (1947), but had never managed to get around to the film.  I had no predictions going in - just knew it was a romantic comedy about a widow who moves into a house haunted by the ghost of a former sea captain played by Rex Harrison.

I'm not sure how *funny* this movie is.  It's *charming* and there's humor, but it's more of what Alicia Malone, hosting with TCM, rightfully included into the now very popular genre of Supernatural Romance.  

Gene Tierney plays a widow (Mrs. Lucy Muir) and mother to a young Natalie Wood.  She has some income from her husband's holdings in a gold mine, and so chooses to leave her in-law's house in London to move to the sea-side and live a new life - pushing against turn-of-the-century decorum.  

Happy Birthday, Julie Newmar

Today is the birthday of screen star Julie Newmar, who has just a ridiculous filmography, but has been nerd-famous for decades as one of the women in the Catwoman costume on TV's Batman.  

see!

Newmar is a dancer and actor, and stands at a startling 5'11", which probably kept her from many roles over the years as she'd tower over most of Hollywood's leading men.  For this 6'5" blogger, we think this is just fine.

She appeared in Star Trek, Seven Brides for Seven Brothers, Call Me Madam, and plenty of others.  We've been looking for a DVD of the 1959 version of Lil' Abner for a while to see her take on Stupefyin' Jones.  You know, for film history research.

Today, she turns 93!  I hope she's having a good one.

 

Mental Health Watch: Bedlam (1946)

Watched:  08/14/2026

Format:  TCM on DVR

Viewing:  First

Director:  Mark Robson

Well, this is *weird*.  Somehow, unintentionally, I watched two movies by the same director in the same day, the other being Valley of the Dolls.  Mark Robson everybody.  Apparently he made Patty Duke cry a lot.  I wonder if he made Boris Karloff run away weeping.

This is an historical drama with large dollops of political commentary and a dash of the horror film - we do have Boris Karloff in the movie, after all.

The movie is essentially about a young woman, Nell (Anna Lee), who is the protegee of the porcine Lord Mortimer.  Mortimer is a rich idiot living well in the world of 1770's-ish England.  He sees himself as a generous fellow, and one of the things he does is employ Sims (Boris Karloff) to manage a lunatic asylum, which has a different name, but is commonly called Bedlam.  

"Bedlam?" you say.  "Doesn't that mean chaos... or... crazy...?"  Yes.  And guess where we got that word, humans of 2026?  Yeah, the English language is a wild ride and I am sure this will make some well-meaning people very cross, indeed.

Anyway, two things happen.  1.  Nell considers herself a stone-hearted jerk immune to the suffering of others, surely a useful tool in an era where people were in rags begging for scraps as you rolled by in your gold plated wagon pulled by local urchins.   She visits Bedlam, which the rich do for their personal amusement.  Back in these days we called the mentally ill "idiots" and "fools" and it was all a good time. However, Nell is horrified.  Shit is bad in the badly run lunatic asylum.   2. She meets a Quaker who was also there to take work as a mason.  He says "I can tell you're secretly a good person", which she denies.

However, Nell *is* a good person with a conscience.  She seeks to use her favor with Lord Mortimer to improve the lot of the inmates, but Sims convinces Mortimer this will be costly and if he spends the money, he'll lose favor in the Royal Court (of King George.  Boo.  Go, America!).  

Sims contrives to have Nell put in the asylum.  

There is *a lot* going on here which, 20 years ago, would have seemed like a hyperbolic echo of the misguided ways of the past, and now just feels like "oh, yeah, totally".  Rich people?  Who can't see other people as human?  Almost impossible to imagine.

It's a good movie!  Well acted, hits all the right beats, tells the story in 80 minutes, in-and-out.  This sort of movie is my bag, baby.  And Karloff's fate is some prime "Val Lewton was here" stuff.  

  

60's Watch: Valley of the Dolls (1967)

Watched:  08/14/2026

Format: TCM

Viewing:  First

Director:  Mark Robson

This movie was not for me.  I did not enjoy it.

I imagine in 1967 this was quite a thing, and I can understand the cultural moment and the reason why people cared.  Young women engaging with foul language, occasional partial nudity and frank depictions of sexual relationships.  It's the earliest I can remember a studio movie being this blunt about sex, drugs and Hollywood.  

Like much of the 1960's, it feels weirdly naive and you can't shake the feeling you're just watching a lot of dumb people making bad decisions.  And that can be a movie.  And, indeed, it was.

The movie follows three women.  Patty Duke plays a girl who gets discovered, becomes a star of screen and stage, and gets hooked on pills - which she calls "dolls".  Sharon Tate plays a woman who is hot but untalented, and who marries a guy and has to put up first with his sister/ manager, and then his chronic condition.  And then Barbara Parkins plays a good New England girl who becomes a secretary, then just seems to hang around her former agent as his girlfriend.  

The movie is mostly about why taking a bunch of pills is a bad idea, why letting an older guy use you is a bad idea, and why porn as a career is maybe not ideal.   

I didn't like a single character nor care what happened to them.  That's not true - Susan Hayward uses her middle-aged-crankiness to good effect as an aging actor who hates Patty Duke.

It just feels like a very long soap opera, but was probably revelatory at the time.

I *think* that what I wanted to see was the quasi-sequel, Beyond the Valley of the Dolls, which famously is written by Roger Ebert and directed by Russ Meyers and sounds like a fever dream that took the brown acid. 

This movie was so tedious, it took me four viewings to finish it.  But finish it I did.  Why?  I kept thinking something good would happen.  And it didn't.  

I was mostly bored to tears.

I just wish Patty Duke's cousin had also been in this movie.

Epic Watch: The Odyssey (2026)

Watched:  08/09/2026

Format:  Regal Westgate

Viewing:  First

Director:  Christopher Nolan

Well.  I'm the last person you know to finally see The Odyssey (2026).  All I can say is: You Oughta-See It!

Fortunately, you can't really spoil The Odyssey unless you haven't attended high school in a number of western countries.  (An hour after I typed this sentence, Jamie, unprompted, offered up she doesn't think she read it, but she still knew all the story beats, but wasn't sure why.  I assure you, I have not been, like, babe.. babe...  and then Odysseus?  He disguised his guys like sheep to get out of that cave!) 

I'll keep it short, because enough has been said about the movie.  

Yes, I liked it a great deal.  I haven't read any version of The Odyssey in 35 years, but it hit the beats I remembered.  So, check.

Catch-Up Watch: The Menu (2022)

Watched:  08/08/2026

Format:  Library DVD

Viewing:  First

Director:  Mark Mylod

While watching The Menu (2022), I kept thinking - this is a movie that wants to be a "fuck the rich" movie, but doesn't seem to want to actually say what the problem is.  

For all it's aspirations, the movie only occasionally rises above any other flick where people are held hostage with increasing horrors inflicted upon them.  It has lofty goals as a social commentary, of making poetic commentary about food and nourishment and art - And you've likely seen better.  It's stylish and sets itself up as comment upon the exploitation and pretentions of the elite, but then has nothing to say about it beyond a college freshman ranting in their dorm room.  Nor does it turn the lens back on those inflicting the damage - the cult-like crew of Ralph Fiennes' kitchen who have happily gone along with the plan that drives the movie, who had to know what they were signing up for if they wanted to work in Michelin star restaurants. 

Gangster Watch: The Public Enemy (1931)

Watched:  08/07/2026

Format:  TCM on DVR

Viewing:  First, as it turns out

Director:  William A. Wellman

I was positive I'd seen The Public Enemy (1931) either in film school or a few years after.  For your purposes - I had never seen this movie, and I am genuinely surprised by this fact.  I do like a genre deep dive and this is a classic.

On reflection, I am positive I've seen Little Caesar (I remember the "is this the end of Rico?" bit), but far less so that I've seen Scarface.  But I will likely give those a spin soon as those movies, along with The Public Enemy, were the breakout crime movies that basically locked in gangster pictures as part of the talkie-era.

The movie is Pre-Code, and I'm sure if I looked it up, sure seems like it would have helped drive the creation of the Code.  There's some straight up sexual allusions in the movie, violence that surpasses what would come later, and despite the book-ends on the film assuring the audience that "this is bad!  We're not glamorizing these people!" it's absolutely at least making a life of crime seem exciting while it lasts.

Coen Bros. Western Watch: True Grit (2010)

Watched:  08/06/2026

Format:  BluRay

Viewing:  Second

Director:  Coen Bros.

Shortly after watching Supergirl, which was based on a comic that was clearly an homage to the novel and/or movies of True Grit, I decided to listen to the audiobook to better remember details and ponder the differences.  After, I suggested to Jamie that she read through my paperback.  The book is short, and Jamie reads about a book a week, I think.

And, lo, it came to pass that Jamie asked to re-watch the 2010 movie of True Grit, which I had not seen since the theater.  Fortunately, I'd picked up the BluRay on the cheap at some point in recent years.  

The Coens' work has often been homage.  Miller's Crossing is Dashiell Hammett.  Big Lebowski is Raymond Chandler stoned to the gills.  A Serious Man is the book of Job.  O Brother, Where Art Thou? is The Odyssey.  But they have done straight adaptations, like The Lady Killers.

True Grit (2010) is most famous as a John Wayne film, but is a book by Charles Portis.  In 2010, this version was well-received, I believe.  I recall seeing it and liking it quite a bit, and was impressed with this young girl, Hailee Steinfeld, who played Mattie Ross, and recall I hoped she'd get more work.  (spoilers:  she did.)

Music Watch: American Pop (1981)

Watched:  08/05/2026

Format:  TCM on DVR

Viewing:  First

Director:  Ralph Bakshi

Jesus.  Wish I'd seen this 30 years ago.  

Oddly, this movie was on TCM because it was a selection by actress Pamela Adlon, who was guest-hosting this film and Fame.  I don't know much about Adlon, but I think we could hang based on her description of her movie watching. 

A sweeping, multi-generational story starting with a turn-of-the-century Russian shtetl to the 1970's stages of American rock arenas, American Pop (1981) is a singular work of art.  I'm kind of pissed at whomever told me in the 1990's that I didn't need to see it.

Anyone with a love of 20th century American history, particularly pop culture (see the tag line for this blog) should give American Pop a spin.  It's a movie told in montage - but with mixed media, illustrated montage, combining cell animation derived from rotoscoped character work, stylized paintings, stock film footage, and more.  

Music Watch: 24 Hour Party People (2002)

Watched:  08/03/2026

Format:  Criterion

Viewing:  First

Director:  Michael Winterbottom

Somehow in the past two weeks, I was in a group chat (in theory about Texas football) where the folks were discussing 24 Hour Party People (2002), which I'd never seen.  Then, an artist I follow on socials was discussing it this last week. When I saw it was recently added to Criterion, I decided now was the time.

A while ago I took to watching some documentaries on YouTube (of varying professional quality) about bands I like, or liked once upon a time.  And it became clear that while I am aware of bands and some of their music, I sure don't know much about what it's like to come up in the British music scene.  You get a real feel for how small England really is sometimes with how the music scene there is treated like a popularity contest with winners and losers and how much bleed over there is between fan bases.  

24 Hour Party People covers the rise of the Manchester music scene, from the mid-70's to the early 90's.  I vaguely remember it coming out but in 2002, I was a busy bee.  And, frankly, a small film about a music scene I wasn't that into wasn't the biggest draw.

Spidey Watch: Spider-Man Brand New Day (2026)

Watched:  08/02/2026

Format:  Regal Cinema

Viewing:  First

Director:  Destin Daniel Cretton

Look, I'm respecting that the movie-advertising is asking that we not discuss this movie publicly on social media, so I'm doing what I can here.

HERE THERE BE SPOILERS

Canon Watch: Addams Family Values (1993)

Watched:  07/31/2026

Format:  YouTube

Viewing:  Unknown

Director:  Barry Sonnenfeld

Absolutely one of my favorite comedies.  And, why, 30 years later people still talk about Wednesday Addams.  

Still, a movie where everyone is bringing something special.  

No real reason to say much about the movie today, so I won't.  But just give it a whirl and spot a pre-fame Tony Shaloub as a sailor in a bar, a Broadway famous Christine Baranski - just before she appeared in Cybill and was launched to media fame, as well as Nathan Lane as the desk sergeant, before Lion King made him a thing.  

It's unbelievable Raul Julia passed a year later.

Jamie reminds me we did a podcast on Addams Family.  

Monster Watch: The Black Scorpion (1957)

Watched:  07/31/2026

Format:  TCM on DVR

Viewing:  First

Director:  Edward Ludwig

Y'all...  You're gonna be something less than shocked when I tell you that maybe a 1957 movie about kaiju-sized scorpions rampaging through Mexico is maybe not Oscar material.  But I will say it is entertaining as hell.  

The story is basically lifting Them!, which had just been a big success.   But in this case, the volcanos that erupt throughout Mexico this time crack open the earth.*  A pair of geologists, one handsome Mexican guy (Carlos Rivas) and one lantern jawed American (Richard Denning) race to the location to scout it out.  En route they come across a police car that's been wrecked - like inexplicably shredded - food still cooking and an abandoned baby.  They also find the police officer who is dead, his eyes wide open, and leaning against a wall.

With no idea what's going on, they head to the town with the baby, and everyone is in a panic.  Cowboys are coming in from the local ranches reporting the cattle are turning up dead.  Shit is bad, yo.

Spoilers:  there are giant scorpions running around who escaped their underground layer and seem to want mammal flesh.  

TV Watch: Ride or Die

Ride or Die was advertised as a light romp with the wacky idea that a housewife discovers her best friend is actually an assassin.  Twenty years ago, this has Sandra Bullock in it, and is a 100 minute movie with non-stop jokes that makes its money back with re-runs on TBS.  And, I'd argue, in the ads Amazon put out that was more or less what was sold.  And, fair.  The premise seems a bit of dark comedy.  Enjoy.

But the show pretty swiftly makes it clear - forget the ads.  This show has more in common with action-dramas of the past fifteen years than it does with late 00's-era comedies.  Sure, it has great comedic bits, but imagine my surprise as the comedy was pushed further and further to the edges, the inescapable result of 9 hour-long episodes based in a world of assassins, mob money and betrayals.  

It's not exactly The Spy Who Came in From the Cold, but it isn't trying to be.  Nor is it trying to be The Bourne Identity, John Wick or "a ballet of violence" for violence's sake.  When violence does break out, it's not just goofy fun.  People get very hurt and/or killed.

Neo-Noir Watch: Tequila Sunrise (1988)

Watched:  07/27/2026

Format:  TCM on DVR

Viewing:  First

Director:  Robert Towne

Tequila Sunrise (1988) was, to me, the sort of movie parents would go see whilst leaving the kids at home in those heady days of "they have fishsticks and can work the oven."  The film was advertised to adults, rated-R, and didn't look like a cop movie where our hero shot the place up and made jokes.  So my interest was muted.  Also, I don't remember having HBO when this likely aired and so I missed that window as well.

As a neo-noir, Tequila Sunrise feels positively old-school, like it should star Victor Mature and Richard Conte as opposite sides of the law who were boyhood pals and now find themselves at odds.  

Wait, that's Cry of the City.  Terrific film.

Happy Birthday, Hannah Waddingham

Today, July 28, marks the birthday of star of stage and screen, Hannah Waddingham.  

This year has been pretty good for Ms. Waddingham.  

She has starred in what appears to be a successful series for Amazon Prime, Ride or Die (our post on it will arrive after we've finished the series).  Threads tells me many people did not know of her before, and... welcome to where I've been living since, like, 2021.  

She's got a new season of Ted Lasso set to drop in August and a fanbase primed and ready.  Her Fox show, Krapopolis continues on (I catch it once in a blue moon).  And she's been announced as starring in one movie with Guy Pearce and a separate movie, promisingly titled Jason Statham Stole My Bike, with the eponymous action star.  

And, she's lent her voice to an animated project by Sir Paul McCartney - coming soon.  

Not bad.

Social media tells me she keeps popping up places like Wimbledon and at F1, and that seems like a pretty good way to live one's downtime.  I believe she's also found a suitor who she can stand next to in heels, and that's got to be a bonus.

Happy Birthday, Hannah Waddingham!

Island Watch: Eden (2025) / The Galapagos Affair - Satan Came to Eden (2013)

Eden (2025)

Watched:  07/25/2026

Format:  Library Disc

Viewing:  First

Director:   Ron Howard

This is a movie about living in a place that's pretty good, but the place suddenly gets overrun by people who read an article saying the place was cool.  Because the people who moved there, wrongly believing themselves cool (and therefore heirs to the cool place), bring their suckiness to the place - the transitive powers of their suckiness, large numbers and insistence on changing the nature of what made the place cool to begin with, make that place which was once cool now suck.  

Eventually the place sucks so much, helped along with the participation of government stooges hoping for money and glamour, things in the place become straight up bleak.  

In short, this is the story of Austin, Texas.

When Eden (2025) was released, reviews were kind of all over the place, but I was curious.  I don't tend to think of Howard as a director who does grittier movies about sordid topics like sex and violence.  The movie had a fascinating cast - Jude Law, Vanessa Kirby, Ana de Armas, Daniel Bruhl, Sydney Sweeney...  A movie requiring minimal FX, and where shit gets very real as people scrape for survival in what is now an infamously inhospitable living.  And turn on each other.

Neo-Noir Watch: Sea of Love (1989)

Watched:  07/24/2026

Format:  TCM on DVR

Viewing:  First

Director:  Harold Becker

Sea of Love (1989) is very much what I think of when it comes to the notion of Neo-Noir.  Well, this and grittier stuff like To Live and Die in L.A.  

This movie is just before we moved into the 90's and neo-noir = erotic thriller for a lot of movies.  And I'd argue this movie probably put the notion of the erotic thriller into the skulls of some creators.  

This is a cop-finding-a-killer movie, and that initially had me not terribly excited.  But I'd always heard good things, and this movie has tons of talent in it that I dig, not least of which is Ellen Barkin.   And I'll be honest - as big as Barkin is, I'm shocked she wasn't everywhere after this movie.  

But, yeah, the movie stars Al Pacino as the cop hunting down our killer, John Goodman playing probably a full 15 years older than he was at the time (his adult daughter is getting married, and I think Goodman is 37 if he's a day in this movie).  Michael Rooker is in a bit part.  William Hickey shows up for a scene.  Richard Jenkins plays a detective who is now married to Pacino's ex-wife.  Christine Estabrook, one of those "that lady!" actors, appears.  And a pre-fame Samuel L. Jackson appears in an opening sequence.

Happy Birthday, Lynda Carter

Today is the 75th birthday of Signal Watch patron saint Lynda Carter.  Big milestone!

I'm not sure what Carter has been up to this year.  Hopefully she's off having a grand time somewhere.

Ms. Carter isn't just an actor, advocate and sometimes-superhero.  She's also a singer and performer.

Here she is a few decades back with our friends, The Muppets:

He-Watch: Masters of the Universe (2026)

Watched:  07/23/2026

Format:  Amazon Prime

Viewing:  First

Director:  Travis Knight

Well.  

That was sure a He-Man movie.  

I'm not particularly a fan of He-Man and the Masters of the Universe, the cartoon nor the toy line.  In fact, when this movie was pitched, I wrote a whole long post about how weird I thought it was that a movie studio went all in on what I thought was probably a far niche-ier market for this movie than they were probably aware, and I wasn't particularly looking to spend my paycheck on watching the movie in theaters.

But as the movie approached, I thought "well, maybe I'll take the niece and nephew", but neither of them showed the slightest interest - and they'd seen the trailer.  Something came up around the release date, and I thought "well, I'll go in like two weeks".  But the reviews hit and were unkind, the audience stayed away in droves, and the movie was gone.  And I was back to Plan A, which was to watch it streaming.

Meanwhile, my social media was ablaze with the "it's actually really good" assurances, and "all of you will say 'why didn't anyone tell me to see it in the theater?'"  

Modern Western Watch: The Lusty Men (1952)

Watched:  07/21/2026

Format:  TCM on DVR

Viewing:  First

Director:  Nicholas Ray

The term "lusty" has not always meant "horned up".  The dictionary definition just means "healthy" and "vigorous".  Or, "Hearty", or, even "enthusiastic, rousing".  

So, while Susan Hayward paired with Robert Mitchum may lead one to believe we're heading for "lust-ful" men, and we are, I think they just meant "these cowboys are hale and hearty".

After all, this is a movie about a young, married man (Arthur Kennedy) deciding to join the rodeo circuit in order to make money enough to buy a ranch and settle down.  As it turns out, he wants to buy the boyhood home of veteran rodeo rider Jeff McCloud (Robert Mitchum).  The new rodeo-man's wife, Susan Hayward, is reasonably concerned about this decision.  After all, rodeo riders tend to get mauled by bulls, thrown from horses to grave injury, and more...  It's not what she signed up for.  

Kaylee Hottle Merges With the Infinite

Hottle at the Godzilla x Kong premiere in 2024

This is a tough one.

Actor Kaylee Hottle, who I knew from two of the Legendary Godzilla/ Kong movies, has passed.  She was only 18.  Because she was so young, I know readers will be curious - she sustained injuries in a car accident.

Hottle played Jia, who was a main character in both Godzilla/ Kong movies,  and Kong's connection to the human world.  As a young actor, she was terrific.  I have no doubt she would have gone on to do great things.

This is deeply sad and unfair to her family.  Our deepest sympathies.

Late Edit:  I didn't know Hottle was from a town just south of Austin and a student at Austin's Texas School for the Deaf.  This just keeps getting sadder.

Arthouse Watch: The World to Come (2020)

Watched:  07/19/2026

Format:  Library disc

Viewing:  First

Director:  Mona Fastvold

I really liked Vanessa Kirby in last summer's Fantastic Four, and was aware she had a career a bit like Rebecca Hall.  Be foxy in things  After getting noticed in smaller stuff, do a mix of some big, silly crowd pleasers (Hall is in two King Kong movies and an Iron Man) while still doing smaller art films and some prestige pictures.  Do all the things.    

I happened to find two Kirby movies right off the bat via Austin Public Library, and so I've borrowed this movie, The World to Come (2020) and the Ron Howard flick, Eden.  

The World to Come was not exactly a critical darling, but pretty close!  It clocked in at a 73 on Metacritic.  And I'm not surprised that, especially in the political climate of 2020 - the year of the movie's release - it did well.  It got a lot of international attention.  It's a period piece about forbidden same-sex love, and it is very sad, and that is absolute critic bait.

Sci-Fi Horror Watch: The Quatermass Xperiment (1955)

Watched:  07/18/2026

Format:  TCM with John Carpenter and Alicia Malone

Viewing:  First

Director:  Val Guest

SimonUK kept suggesting The Quatermass Xperiment (1955) to me during the podcast era, and I can see why.  I think mostly in England, but also among sci-fi and horror-heads in the US, the Quatermass media - of which there's more than you'd think - is considered foundational or classic.  Thus, it may have inspired things like Doctor Who (which I confess I never got into) and there's no small amount of John Carpenter's early work in this movie.  

And, in fact, I watched it because Carpenter is hosting two days of movies on TCM with Alicia Malone. 

I'd also argue - Stan and Jack may have lifted the origin of the Fantastic Four from this movie in a small way.  And if you know Jack, he was constantly reworking what he saw on the street, in movies and in culture right into his comics, so it wouldn't shock me.

Noir Watch: Angel Face (1952)

Watched:  07/16/2026

Format:  TCM Noir Alley

Viewing:  Third?  Fourth?

Director:  Otto Preminger

I was a bit surprised I'd already written this movie up twice before, but here's the first (fifteen years ago almost exactly!) and here's the second (about eight years ago).    

Y'all, I have been doing this *a while*.  And, yet, no one has intervened.  None of you are to be trusted with my welfare.

Still love this movie.  It's all arcs and curves heading for the very particular, noir-perfect, ending. 

I'm still a huge fan of Mitchum in everything, and this is no exception - here playing the cat who thinks he can thread the needle, having his rich girl and his marriage-material, too (and it's likely this wasn't the first "other girl" she's put up with).  He's just cool enough to make you think he's got the angles sorted, but he never really does.  

Noir Musical Watch: Blues In The Night (1941)

Watched:  07/15/2026

Format:  TCM Noir Alley

Viewing:  First

Director:  Anatole Litvak

So, this movie is super strange, and maybe in a good way, because it really swings for the fences.  I am not sure it goes yard (it doesn't) but it's at least an interesting sac fly.  

It's a mix of the "let's put on a show!" spirit of the movie musical and takes a turn down an alley into what would come to be known as noir.  As the two collide, Blues in the Night (1941) can make for some strange viewing.  

A group of guys tossed in jail for the moment decide to form a band - they want to play "the blues".  They are not Black.  But in the next cell are Black guys, who are singing the Blues.  By 2026 standards, this will be the best performance you will see all movie.

Out of jail they head to New Orleans to pick up a trumpet player and his spunky wife, Priscilla Lane.  Travelling by box car (and seemingly unbothered by what seems to be this "band" thing going terribly) they meet Norman Lloyd on the lam - he directs them to his club outside of New York City.

Dave Kendall Merges With The Infinite

As a kid stuck in the suburban sprawl of Austin and then Houston/ Spring, Texas, where music tastes skewed in such a fashion that AC/DC was literally playing on a radio station somewhere 24 hours-a-day, Whitney Houston was playing endlessly in mall sound systems and my classmates positively wet themselves for Garth Brooks - finding the music I liked was a part-time job.*

MTV had not yet pivoted to dumb game shows and reality TV, but during normal waking hours, you were more likely to see them play Warrant's "Cherry Pie" on a loop more often than anything I cared about.  And then one Sunday night, I caught 120 Minutes, hosted by a guy who seemed like a true believer when it came to the kinds of music I was already kind of liking by 1989.  

Dave Kendall's run on 120 Minutes - a show he conceived and produced - and which he would go on to host, lasted from 1989 - 1992.  If you ask a lot of people, they won't recall 120 Minutes prior to Kendall, and will barely remember the show continued after he handed hosting duties off to Matt Pinfield.  Once I was headed for college in 1993, I really didn't pay much attention, and then had no cable for a few years to even notice he was gone.

Sam Neill Merges With The Infinite

Actor Sam Neill has passed at 78.

Neill was most famous for his role in Jurassic Park as Dr. Alan Grant, who made his way across the island with two kids in tow.  I honestly think that role changed my opinion of what you needed for an "action hero".  

I was also a fan of his work in Wim Wenders' Until the End of the World and Carpenter's In the Mouth of Madness and plenty of others.  Just this year I watched Possession.

He was also active on social media showing his farm, Two Paddocks, and maintained a clever, funny presence for years.

As big a movie as Jurassic Park is - and the subsequent sequels in which I think he appeared in two - Neil will be remembered for a good, long time.  And rightfully so.

Happy Birthday, Mikaela Hoover

Hey!  It's a second Super Birthday today!  

Happy Birthday to Mikaela Hoover!  She played Cat Grant in our most recent Superman film.  You will remember her in that movie with blonde hair and glasses.  She absolutely nailed the character in a few scenes, so... hats off!

Hoover also played Floor the Rabbit in Guardians of the Galaxy, Vol. 3.  

May Ms. Hoover have a terrific b-day and a fabulous trip around the sun.

Melodrama Watch: Written on the Wind (1956)

Watched:  07/11/2026

Format:  Criterion

Viewing:  First

Director:  Douglas Sirk

I've been pretty plain that - while I rarely think a Sirk movie is aimed at me - I think he's a good director and makes some interesting films.  He was considered the master of a certain kind of melodramatic "woman's film", and I don't generally mean the term melodrama in the derogatory sense.  They're simply dramas contained to the character's lives, focusing on the emotions they experience.  Rarely do the conflicts that drive the stories have consequence outside of the sphere of the main characters. 

But Written on the Wind (1956) is both the most melodramatic of his films I've seen in the way we mean the term these days.  It is big feelings playing out in a way that feels like an alternate pilot for TV's Dallas as much as anything.  

It is also the horniest of Sirk's movies I've seen thus far - a movie entirely about sex that cannot say the word "sex" and instead relies on cloaked language and imagery as subtle as a 95 mph fastball to the noggin.  For example:  when a certain character is in flagrante delicto at a motel room, in the foreground of the frame, an oil pump is hard at work.  

WWI Watch: Hell's Angels (1930)

Watched:  07/11/2026

Format:  TCM

Viewing:  First

Director:  Howard Hughes

Even back in film school I remember hearing or reading that Howard Hughes' production of Hell's Angels (1930) had been kind of out of control.  It took years to make as Hughes was, ahem, a tad OCD and then The Jazz Singer happened during the already lengthy shoot,  sound suddenly available during the middle of production.  Of course, Hughes wanted in on that.  

So - they had to fire one of their leads who had a serious Swedish accent and replace her with Jean Harlow, effectively locking Harlow in as sort of the first blonde bombshell.  I also was aware a few people died making the movie - and having watched this thing, I can see how that could have occurred.

What I did not know is that Hell's Angels is actually a very watchable movie and was not really what I was expecting.  

The plot sounds fairly simple on paper - a pair of brothers at Oxford, one a rule-follower and romantic, the other a bit more of a rake and nihilist - find that WWI has broken out.  One brother volunteers for the Royal Flying Corps, and the other is voluntold he's in the RFC.  Meanwhile, their German pal Karl is drafted into the Zeppelin corps.  

Happy Birthday, Rachel Brosnahan

Happy birthday to Rachel Brosnahan, our current Lois Lane, upon whom we can all agree is a pretty good idea.

We've been so lucky with our string of Lois Lanes over the past twenty years, and I love what Brosnahan did with the role, making it her own.  

Here's hoping she has a great year ahead of her.

Capra Watch: You Can't Take It With You (1938)

Watched:  07/11/2026

Format:  Library DVD

Viewing:  2nd or 3rd

Director:  Frank Capra

Back in high school, this 6'4" jock/nerd quit playing on the school's JV basketball team, feeling his career in organized sports was, in fact, kind of un-fun and pointless.  And without getting into a long story, I quit the team mid-season to go audition for a play.  I wound up as an understudy, and the next fall, was in two plays.  

The second play was You Can't Take It With You, by Moss Hart and George S. Kaufman.  I am sure the performances were mediocre and our staging bad.  But it did mean I was very familiar with the play at one point in my life.  I've also seen video-recorded versions since, one starring Jason Robards.  It is, in fact, a really good show when I am not in it.

The play must have been a huge hit when it was staged in 1936 as it was almost immediately turned into a film.  In 1938, You Can't Take It With You would go on to become an Oscar-winning film, directed by Frank Capra (you know, the guy behind It's a Wonderful Life).  It received 7 nominations and won 2, for Best Picture and Best Director.  

The film is not exactly a direct translation of the play.  As it's a movie, they have different locales and scenes, and different roles are emphasized and others reduced.  The couple at the center of the play are really a plot point to force two very different families to spend time together - one a conservative, New York old-money family, and one a wacky set of eccentrics chasing their bliss.  In the film, the young romantic couple are elevated to the main characters - played by a very young Jimmy Stewart and Jean Arthur.  

It's a comedy of clashing ideals - summed up with the belief of the Sycamore family that there's no reason to spend a life toiling for money and fame if you can't take it with you, natch.

Lionel Barrymore plays "Grandpa", the heart of the show.  Ann Miller was, like, 14 when she lied about her age and was signed to RKO who lent her to Columbia  where she, now 15, played a 20-something married woman who spends the movie mostly on-point.  Yes, she seems older than her real age.  "That Guy"actor Dub Taylor plays her goofy husband who plays the xylophone and likes to use a printing press.  The whole cast is solid, but those are the players I'm most familiar.

I think what I'd say is that the movie definitely feels like it's had Frank Capra's hands all over it.  While the themes don't fundamentally change, the stakes are much higher, the notion of the needs of the many trumping the needs of the few is woven throughout, and as the Depression is wearing on, social commentary is added in.  The Kirby's are bankers, and much is made about the mindset of the wealthy, and while history doesn't repeat itself, a lot of what we're hearing again these days sure rhymes with the words out of Kirby's mouth.

And it's kind of remarkable how few movies can or are willing to be just go ahead and say the quiet part out loud about the wealthy and the imbalance and the impact on everyone else.  This isn't really a concern at all in the play, by the way - it's more a comedy of manners.

Anyway - I enjoyed the movie a great deal.  It could stand a remake today.

For the record - I played the small part of the Dad, "Paul Sycamore", in the play, didn't have many lines, and was supposed to set off fireworks live on stage, but the lighting guys were assholes and missed their cue and I couldn't see the wick in the dark.  We had words after that show.