Neo-Noir Thriller Watch: Body Double (1984)

this scene isn't in the movie, and I don't think that lady is, either

Watched:  09/29/2021

Format:  Amazon

Viewing:  First

Decade:  1980's

Director:  Brian DePalma

I have two memories of Body Double (1984) existing, although this was the first time I'd seen the film.

1.  This movie was always on the shelf at every video store and had a sorta naked lady on the cover, sporting at least slightly less clothes than a Sears underwear ad.  It's ubiquity was part of my growing recognition that grown-ups did go and see movies with skin in them that were about sexiness - and that did not equal "porn".  So, I guess this cover was part of my realization that genre included the "erotic thriller" alongside slasher flicks and Rated-R comedies.

2.  In high school I read American Psycho, which was not on the reading list.  I'm in no rush to return to the book, but the movie turns satire into straight up comedy.  I dunno.  The film felt defanged to me, but was probably the only way to get it made.  One sign of Bateman's... issues was that he belonged to a video club and would continually check out and return Body Double.  It's an ongoing concern in the book whether he has returned his tape and whether it's available.  

Like a lot of movies I felt were not going to be something I could rent as a kid, I sort of compartmentalized Body Double and just never saw it.  So, after Paul and I were talking about DePalma for reasons tied to a different film, I figured I'd take 6th grade me who'd seen this movie's cover so many times and finally just watch the thing.  

Elvira Watch: "Elvira - Mistress of the Dark" (1988) - part of "Elvira's 40th Anniversary Very Scary, Very Special Special"

Just in time for Halloween!

Watched:  09/28/2021

Format:  Shudder

Viewing:  Unknown

Decade:  1980's

Director:  James Signorelli

Well, it's now an annual thing that I watch Elvira: Mistress of the Dark (1988).  So, I won't belabor y'all with yet another pondering of the film. 

This year, Cassandra Peterson is marking 40 years in the dress as Elvira, originally a late-night horror hostess character that somehow has spun out into a cultural icon.  These days, Peterson does conventions, co-owns/ed a convention, does talk-shows, cooking shows, whatever it takes to pay the bills - including selling comics in which her character partakes in comedically spooky adventures (currently at Dynamite).  And! she's got fashion lines, shops and a bit of a merchandising empire.

She also just turned 70, and released a tell-all biography that is sitting on my coffee table.  Recently she's been a hit on talk shows making the rounds plugging the book as it contained the revelation she hasn't been single in 19 years (which I couldn't personally figure out) as she's partnered up with a lady friend.  It's all been very buzzy in a very positive way.  

In the middle of all this, and as Elvira is The Queen of Halloween, Shudder has released a 4-movie return to macabre greatness as Elvira does a stint once again as the hostess with the mostest.  

One of those films - Elvira: Mistress of the Dark.  So, yeah, it's a heavy serving of meta wrapped in a meta tortilla.   She's still every bit herself after a small stretch of time away from the divan (but not the internet), and so it's great to have her joining you for the movies.  

Honestly, I could never sort out why one of the streaming services didn't do this forever ago.  It just makes sense as a format.  And, if anything, Elvira is maybe more popular now with people willing to spend money on her than at any time in the past three decades.  She genuinely has generations of fans after 40 years.  I guess Shudder finally did the math on that.

Still, only four movies!  And who knows if Peterson will want to do it again.  She sounds very ready to not have to put on the outfit anymore, and I don't blame her.  So, maybe she'll go animated, try again to find a replacement, or figure something else out.  Whatever she wants to do, I'm good with it.

In the meantime, get the Shudder App.  There's a free week of trial, and you can probably blaze through her show in that time.  

Cameron Watch: The Abyss - Director's Cut (1989)

Watched:  08/28/2021

Format:  DVD I bought on ebay

Viewing:  Unknown

Decade:  1980's

Director:  James Cameron

I would have been about 14 when The Abyss (1989) hit, and it arrived as a sort of prestige sci-fi film.  I remember seeing it in a packed house on a Saturday within the first week or two it was out (with my pals), and it was a*very big deal*.  

It became a staple of our rotation, but one you had to make time for.  The thing was 2.5 hours long.  It felt smart and somewhat relevant.  A Cold War story and not so displaced from our own time and technology, an underwater oil platform made sense - especially as run by roughnecks and fairly blue-collar technical crew.  

Watch Party Watch: Annie (1982)

pretty sure that's Aileen Quinn's head photoshopped onto someone else's body

Watched:  08/14/2021

Format:  Amazon Watch Party

Viewing:  Unknown

Decade:  1980's

Director:  John Huston

Little Orphan Annie is a weird property that, frankly, I can't believe hasn't resurfaced in the past decade of "re-imaginings".  If you can have Archie Andrews battling supernatural forces, and... the same with Nancy Drew, it seems like a junior, globe-trotting adventurer with a dog and a potentially diverse cast seems like a pretty easy sell for a franchise.  

But for people to know that was what the strip was about would mean people read newspapers and therefore comic strips.  Instead, most of my generation knows the character from either the 1982 film Annie, or from one of the thousands of local theatre group productions of the musical upon which the movie is based (I've never seen it live).  

Watch Party Watch: Highlander (1986)

Watched:  07/23/2021

Format:  Amazon Prime Watch Party

Viewing:  Unknown

Decade:  1980's

Director: Russell Mulcahy

I hadn't watched The Highlander (1986) in years.  It was a movie I saw on VHS as a kid, loved it, and include it's mythology and catch-phrases as part of my Gen-X slang.  I mean, it did give us the phrase "there can be only one", which I think has leaked out into the popular consciousness, even if lots of folks don't know where the phrase came from.

But like The Beastmaster, The Highlander was part of the lingua franca of geek culture for Gen-X nerds.  It had a not-particularly charismatic lead, Connery chewing schenery, a woman throwing herself at the lead for absolutely no reason (and against all logic), swords, trenchcoats, a crazy-ass villain in the form of Clancy Brown as a mad Cossack, and a soundtrack by mid-80's Queen.

And sparks.  So many sparks.

Going in, I knew the movie wouldn't be what I remembered when I was 12, even if the movie was exactly what I remembered from when I was 12.  It's.... fine.  A little slim in the character department in favor of the plot and exposition departments.  And it's also a funny movie because it does feel like it should be the first installment in a series until you think about the plot and realize "nope, this is it."  Not that movie didn't generate three sequels and a TV show.  

I will never understand the idea behind casting Christopher Lambert as a Scotsman.  I will never understand casting Sean Connery as an Egyptian Spaniard.  And yet, I support both.  It's absurd.  And somehow just part of the fabric of the movie.  

I do like how the movie merges present with flashbacks to tell the story - this was not particularly common to sci-fi or fantasy at the time, and trying to imagine someone explaining all of this in realtime in the present would have been deadly.  Clancy Brown makes a hell of an impression as a badguy who has flipped his lid - maybe not new to cop thrillers by 1986, but new to fantasy.  And the bit with the girl MacCloud saved during WWII who is still with him is a brilliant little touch, even if she should have been introduced earlier and their relationship clarified.  I mean, there's a whole movie in that somewhere.

But it's also not something I think anyone should take particularly seriously.  Connery sets the right tone - this is crazy, and we should enjoy it.  The ending is telegraphed nonsense, but still fun.  

Now we'd be treated to someone's plans for a franchise, with massive world building and a wide array of characters.  Here, we get... four Immortals in the modern era?  And no women at that?  (So 1980's).  So I do appreciate that it's both semi-thoughtful, but smart enough to just tell the story and get out.  

Anyway. Highlander.  

Art House Watch: My Dinner With Andre (1981)

Watched:  07/22/2021

Format:  HBOmax

Viewing:  First

Decade:  1980's

Director:  Louis Malle

I would guess more Gen-X'ers know My Dinner With Andre (1981) by reputation than have actually seen the film, by a country mile.  Held up as the epitome of intellectualism in film by the time I hit film school in the mid-90's, I remember an art teacher in fifth grade (circa 1985) telling us about the movie, the same guy who also showed us Talking Heads videos, including what I think was Stop Making Sense.*  

As much of a reputation as the movie earned, it also became a sort of cultural shibboleth and punchline.   In the era of "Woody Allen is an intellectual genius" and last days of New York as the cultural epicenter for America (arguably shifting to LA by the late 1980's), the idea that a film would take on such heady topics as the nature of performance and theater, and, in fact, consciousness with a bent that's new-agey post-hippie "awareness" dressed up in tweed and fine dining was like pushing every button for the culture, especially in outposts outside of New York that longed to see themselves embroiled in such conversations.  Of course it played well to both the audience it portrayed and the audience of art-majors and film critics across the country.  That's not a dig - I'm just not surprised.

PODCAST: "Trancers" (1984) - A Sci-Fi Film Chat w/ SimonUK and Ryan

Watched:  06/25/2021

Format:  DVD (Full Moon)

Viewing:  First

Decade:  1980's

Director:  Charles Band

For more ways to listen!

SimonUK and Ryan are back (in time) to discuss a cult classic of 1980's horror sci-fi. It's time-travel, zombiefication, cults, iffy future governing structures and the promise of everyone in Los Angeles getting an ocean view. So join us as we do some detective work on not just the film, but that it survives with a cult audience all these years later!

 

The Signal Watch PodCast · 150: "Trancers" (1984) - a Sci-Fi podcast w/ SimonUK and Ryan

Music:

Trancers Opening - Trancers OST, Phil Davies & Mark Ryder

Confrontation on the Roof - Trancers OST, Phil Davies & Mark Ryder

Playlist:

The Signal Watch PodCast · SimonUK Cinema Series

SimonUK Watch: Dead Heat (1988)

Watched:  06/02/2021

Format:  DVD

Viewing:  First

Decade:  1980's

Director:   Mark Goldblatt

In 1987 or 1988, when this movie *should* have been aimed directly at me, I saw the trailer for Dead Heat (1988) and took a hard pass.  I never cared much for Joe Piscopo, and I can say I had no idea who Treat Williams was in 1988.  So, alive or dead, I didn't really care to see a buddy-cop comedy starring these two.

Mostly, I'd totally forgotten this movie existed until about two years ago when Simon suggested I watch it.  But I did remember it.  Joe Piscopo.  Cops.  One of them was dead.  Probably Piscopo.  

So, last night was the first time in a year or so Simon has been to our house for a movie night (hooray, vaccines!).  Si brought an assortment of films, but I decided finally watching this movie was a thing we should do.  

Look, Simon really, really likes this movie and was generous enough to share it with me.  And I will say this - it does have a bonkers final 20 minutes.  I liked the last 20 minutes.  

It is directed by the same guy who directed the 1989 Punisher movie that me and like 20 other people have ever seen.  But apparently he's an amazing editor.  Terminator 2 and other credits.  But, man, it just *feels* like a Corman movie as much or more than anything else that came out of New World Pictures in the late 80's.  

Anyway, Simon really likes this movie, and there's no reason for us to take a knock at it.

PODCAST: "RoboCop" (1987) - A Signal Watch Canon PodCast w/ JAL & Ryan

Watched:  05/24/2021

Format:  BluRay (Arrow)

Viewing:  Unknown

Decade:  1980's

Director:  Paul Verhoeven

For more ways to listen

Dead or alive, you're listening to this PodCast! JAL and Ryan stay out of trouble and talk a 1980's sci-fi action drama satire that's way the hell better than it should be. We look at the movie that may have had way more about to say about our present day back in 1987 than near any other sci-fi of the last 50 years. Join us as talk what we love about a movie about a guy we call "Robo".

The Signal Watch PodCast · 149: "RoboCop" (1987) - a Signal Watch Canon Episode w/ JAL & Ryan

Music: 

Drive Montage -  Basil Poledouris, RoboCop OST

RoboCop The Musical (Murphy, It's You) - Jon Kaplan & Al Kaplan, Jon & Al: The Legolambs Musicals

Signal Watch Canon:

The Signal Watch PodCast · The Signal Watch Canon

Regret Watch: Star Trek V - The Final Frontier (1989)

Watched:  05/29/2021

Format:  Amazon Prime

Viewing:  Second

Decade:  1980's

Director:  William Shatner

I always like me some Trek, but the last time I watched this movie was in 1989, and it was the last time I saw it for a reason.  

Star Trek V: The Final Frontier is a weird mess of a film, with no coherent plot or threat, or goal.  Coming off the Star Trek II - IV trilogy, which had run the gamut from revenge-driven space battle to whale wrangling comedy, coming up with what was next for our crew as they now had The Next Generation nipping at their heels was going to be a tall order. And, over and over again, the movie just fails to deliver as an adventure, a sci-fi premise, a philosophical exploration or a comedy.  

Horror Watch: Maniac Cop (1988)

Watched:  05/30/2021

Format:  Shudder

Viewing:  First

Decade:  1980's

Director:  William Lustig

Guys.  Guys.  Two guesses what this movie is about.

80's Cult Watch: Eating Raoul (1982)

Watched:  05/17/2021

Format:  TCM on DVR from forever ago

Viewing:  First

Decade:  1980's

Director:  Paul Bartel

Well, I loved this movie.  

Ridiculous, mean-spirited and a lot of fun - what else can you want from a 1980's pop black comedy made on the edge of the Hollywood studio system?  It's also a fascinating time capsule of the long-gone sub-cultures of the 1980's - the Boomer's own fascination with pop-nostalgia and the fetishization of everything from the 50's and early 60's in everything from media to decor to glassware.  

But also the fascination with the oddities of conformity often at odds with the excesses of the 70's and into the 1980's.  

Writer/ Director Paul Bartel plays one half of a husband and wife team - the other half played by former Warhol-girl Mary Woronov.  If I had to explain what the two are playing to a Millennial or Gen-Z'er, it'd be a little difficult to get the full context across, but they're weirdly like two drones from a 1950's sitcom in a sexless marriage sleeping in separate beds - and totally happy-ish.  If only they could raise the money they need for their restaurant.  

Unfortunately, Paul and Mary live in an apartment building that is also filled with swingers parties, which they see as perverse and beyond the pale - but where else could they move with so little money?

One night fate deals them a hand in the form of a swinger's party guest who Paul kills (somewhat nonchalantly) with a cast iron pan when the guest tries to force himself on Mary.  Pocketing the man's money and easily disposing of the body, and inspired by a dominatrix who was at the swinger's party they realize - hey, this could be a business.  And place an ad as a honeytrap so they can knock off "degenerates" and take their money.  Soon, the titular Raoul is involved and assisting in removing the bodies.

Anyway - it's all pretty nuts, and sold completely through Paul and Mary's even-keeled deadpan delivery.  Of course everyone along the way is, in contrast, not matching their energy and LA over-the-top, and it makes for phenomenal intentional camp. 

It's some seriously dark comedy, and the tone is not going to sit well with everyone.  There's also constant and unremarked upon threat of sexual assault to Mary.  And, of course, sociopathic murder every few minutes.  So, just be aware of what you're getting into.

The movie has cameos by Buck Henry, Edie McClurg and Ed Begley Jr.  But, it also stars Robert Beltran as Raoul before he'd go on to play Chakotay on Star Trek Voyager.  

btw - I was actually familiar with the Paul and Mary characters from their brief appearance in opening scenes from the Corman-produced goofy "horror" favorite, The Chopping Mall.  

80's Watch: Fletch (1985)

Watched:  05/11/2021

Format:  Amazon Streaming

Viewing:  unknown

Decade:  1980's

Director:  Michael Ritchie

I mean, it's Fletch (1985).  

I think eventually we're supposed to do this on the podcast, so I'll hold thoughts til then.

Watch Party Watch: The Apple (1980) - @#$% this movie

Watched:  05/07/2021

Format:  Amazon Watch Party

Viewing:  First (and last)

Decade:  1980's

Director:  Menahem Golan

Well, I've now seen The Apple (1980), the sci-fi, near-future dystopian musical religious and political allegory.  And while watching, this is roughly how I felt:

PODCAST: Amadeus (1984) - a Signal Watch Canon Episode w/ Alfredo and Ryan

Watched:  05/03/2021

Format:  Amazon Streaming

Viewing:  Unknown

Decade:  1980's

Director:  Milos Foman

For more ways to listen

Alfredo returns to discuss a movie that goes way back to make a household name a lot more understandable to us modern folk. It's a fabricated fantasia of a biopic about two guys with very different skill levels at their jobs, competition in the workplace, and what happens when you get notes on too many notes. Join Alfredo and Ryan as we take on a cinema classic, and get a little classical ourselves.

The Signal Watch PodCast · 147: "Amadeus" (1984) - a Signal Watch Canon episode w/ Alfredo and Ryan

Music:  

Written by WA Mozart, scored by Neville Mariner, performed by St. Martin in the Fields

Symphony No. 25 in G Minor. K. 183 & Requiem Confutatis

Rock me Amadeus - Falco, Falco 3

Signal Watch Canon:

The Signal Watch PodCast · The Signal Watch Canon

Watch Party Watch: Teen Witch (1989)

Watched:  04/30/2021

Format:  Amazon Watch Party

Viewing:  Second

Decade:  1980's

Director:  I don't care

We're wrapping up our Friday Night Watch Parties this coming week, and maybe that's all for the best.  For - I may never top Teen Witch (1989) as an offering.  It's all downhill from here.  

It's one thing when people make a movie and try and it doesn't live up to expectations.  It's another when you can tell someone was pushing out garbage to take advantage of a place in the market and literally seemed to not care how the movie turned out.  And that's being generous, because the alternative with Teen Witch is to accept that adults made this film and this was their moonshot, and then we have to wonder: do you know how movies work?

PODCAST: "Blade Runner" (1982) - a Signal Watch Canon episode w/ Ryan and SimonUK

Watched:  04/19/2021

Format:  BluRay - version - The Final Cut

Viewing:  Unknown

Decade:  1980's

Director:  Ridley Scott

For more ways to listen

More PodCast than PodCast, that's our motto! Ryan and SimonUK sit down and check our emotional response to this 1980's favorite of design and theme! There's nothing artificial about how we chase down one of the best of the sci-fi genre that defined an aesthetic, crossed genres, and asked the big questions.

The Signal Watch PodCast · 146: "Blade Runner" (1982) - a Signal Watch Canon episode w/ Ryan & SimonUK

Music:  

Blade Runner Main Theme - Vangelis, Blade Runner OST

Tears in Rain - Vangelis, Blade Runner OST

Signal Watch Canon:

The Signal Watch PodCast · The Signal Watch Canon

Hamilton Watch: Black Moon Rising (1986)

Watched:  04/23/2021

Format:  Amazon Prime

Viewing:  Second

Decade:  very, very 1980's

Director:  Harley Cokeliss

When you're a kid, you kinda like everything you see, and then - one day - you admit "that... maybe was sort of boring, or not what I wanted to watch".  The excitement of "movie" fades away, and you're admitting to yourself - even if the poster contained a cool car, a cool dude and a pretty lady, maybe that movie was not as good as the poster promised.  

I don't remember anything about Black Moon Rising (1986) from when I watched it on cable or VHS as a kid except that I didn't much care for it.  Well, I'd totally forgotten that the movie had any other known actors other than a pre-fame Tommy Lee Jones, but I was looking at it for a Friday night watch party and realized "oh, wow, this has Linda Hamilton!"  And I like me some Linda Hamilton.

Anyway - Linda Hamilton is probably one of two reasons to watch this movie.  She's doing her best in a movie that flatly doesn't deserve it.  She's wearing a crazy wig in the first scenes, so don't freak out when you see her in a doofy haircut.  The other reason is to see the kooky car they cast as The Black Moon.*

A deeply NOT street legal vehicle that looks designed to murder pedestrians and corner poorly, The Black Moon has turbo-boost, something we'd all seen on Knight Rider for years by the time this movie came out.  

Really, aside from Linda Hamilton's briefly glimpsed self, it feels a bit like a network TV movie.  

What's most alarming is that the titular car of the film is barely in the movie - you see more of Jackie Chan's supercar in Cannonball Run II.  And, as I mentioned, the movie doesn't do much with the car being "super".  In the same era as Blue Thunder, Air Wolf, Knight Rider, Street Hawk, etc...  putting a car out there as the central conceit better have *some* hook.  But, really, this movie is about the car getting boosted by Robert Vaughn's apparently wildly profitable car theft ring - a business so profitable I think they're suggesting he's building two skyscrapers in LA on the profits.  

Jones plays a thief in the employ of the US government who has stolen some data from Lee Ving of punk band Fear and, stumbling across the team bringing The Black Moon to LA to show it to investors, hides the data in the car...

You know what?  This movie isn't really worth a synopsis.  I can't recommend it.  It's slow as a heist movie, Jones isn't even great.  I read he was boozing a bit during this time, and that may be it.  Hamilton is fine, but she can't save this wreck.  

But, yeah:  Robert Vaughn, Linda Hamilton, Tommy Lee Jones, Bubba Smith, Lee Ving, Richard Jaeckel, William Sanderson, Keenan Wynn, a baby Nick Cassavetes...  it's kind of wild seeing all the folks go by.  The movie has a writing credit by John Carpenter, and advertised itself as "from the mind of", but it's telling that imdb trivia states he'd never seen it.

Oh well.  We can all still like Linda Hamilton.

*the wacky looking car is actually a fake version of the 1980 Wingho Concordia II, a real and unique car.

Maniac Watch: Maniac (1980)

Watched:  04/16/2021

Format:  Amazon Prime

Viewing:  First

Decade:  1980's

Director:  William Lustig

One of the interesting things about horror is that it can be used to give an actor a showcase who might not otherwise get one.  Joe Spinell is not a name with which a ton of people are familiar, although he had appeared in two Rocky films. I knew him from his star turn as the villain in Starcrash.  

Spinell was in a ton of stuff, but mostly not in leading roles, and mostly played a heavy.  Maybe not the greatest way to stretch one's acting resume.  But in 1980 he was part of the creative team that wrote and created Maniac, the movie of which he is the star (but let's agree it's weird to call him a protagonist, even if he is, kinda sorta).  He created an opportunity, and he really made the most of it.

JAL recommended the film, and I'd been putting it off, but it seemed like good counter-programming to The Beautician and the Beast.  Anyhoo... I get why JAL suggested it, and I did, in fact "like" it, which is a curious thing to say about a movie where a guy kills a whole bunch of people over 90 minutes.

I'm going to recommend the movie as a terrific/ whacko character study, a truly grisly horror movie (I did not watch with Jamie), and having a hell of an ending.  

Plus, it briefly co-stars Signal Watch fave, Caroline Munro!  Just sorta being Caroline Munro - but as a photographer!  

see!  There she is!  

Anyway - no spoilers.  But if you like the grittiness of, say, Basketcase, this movie is for you.

PODCAST: "Withnail and I" (1987) - a Signal Watch Canon episode w/ SimonUK and Ryan

Watched:  March 30, 2021

Format:  HBOmax

Viewing:  First

Decade:  1980's

Director:  Bruce Robinson

More ways to listen

We're discussing our personal canon when it comes to film - and what can two guys who talk endlessly at one another do better than discuss two guys who talk endlessly at one another? It's a British cult favorite, but not the best known movie here in the colonies - but maybe it should be? Join us for a sojourn in the country as we escape our normal routine!

The Signal Watch PodCast · 144: "Withnail And I" (1987) - A Signal Watch Canon episode w/ Simon and Ryan

Music:

Withnail's Theme - David Dundas and Rick Wentworth

All Along the Watchtower - Performed by Jimi Hendrix, Written by Bob Dylan

Signal Watch Canon:

The Signal Watch PodCast · The Signal Watch Canon