Ida Noir Watch: Woman in Hiding (1950)

Watched:  02/03/2024

Format:  TCM Noir Alley

Viewing:  Second

Director:  Michael Gordon

Selection:  Me.  

This one popped up on TCM's Noir Alley, and my memory was enjoying the film, so I gave it a spin.  Also, it had been a minute since I'd watched anything with Ida Lupino in it, and that seemed wrong.  

Anyway, I stand by the review from three years ago.  And my assertion that Ida Lupino is a good idea.

Carl Weathers Merges With The Infinite

Here's what I think about when I think about Carl Weathers:

Sometimes you just like someone's vibe.  And then literally everything you learn about that person over a lifetime just reinforces or surpasses your early first impression.

I didn't see a Rocky movie til Rocky IV, and my introduction to Carl Weathers was seeing the great Apollo Creed fall in the ring.  He was, in my opinion, more likable and charming than our protagonist, enough so that seeing him die on screen in the first act was jarring.  Mission accomplished, movie.  You motivated Rocky and you got us to care, relying on Weathers' performance - and that was before I saw the other three Rocky movies, in which he's clearly, absolutely the star boxer the movies need.  

But of course Carl Weathers was also in action movies and generally around.  A few years later I was enjoying him in Predator and other movies.  I missed Action Jackson at the time, but caught it in recent years (it's not great, but he is).  

And then someone realized: you can put this guy in comedy.  People love this guy, and he's got a sense of humor.  And, so he started showing up in Happy Gilmore and Arrested Development.  I also was surprised to see him pop up in Friday Foster (I, too, enjoy a Pam Grier actioner).

What I'd missed was the whole Carl Weathers backstory of New Orleans kid who got a sports scholarship in high school and then college, and went pro as a football player - quitting to get into the movies.  And successfully doing so.  

But he was also behind the camera - and directed some of my favorite episodes of what I think is already a well-made show, The Mandalorian, in which he also starred in what may be my favorite role of his - Greef Karga, the shady businessman who finds a calling as a local leader (and has a vain streak you can't help but like).  I own at least two Greef Karga action figures, I admit.

Through that work was how I learned that Weathers had been busy behind the camera for a while, directing some TV, including some action programs.  Which - totally made sense.  I could see him dipping in and wanting to expand what he was doing and trying.

On a personal note, back when I was on twitter, I exchanged a tweet or two with Weathers, and the fact I'm still giddy about it should tell you where he ranked with me.  

I'm absolutely rattled at the sudden news of his passing, and wish his loved ones well.  I hope my impression of the man was correct, because he seemed like one of the good ones.    

Minus Color Watch: Godzilla Minus One Minus Color (2023/ 2024)

Watched:  02/01/2024

Format:  Alamo

Viewing:  Third

Director: Takashi Yamazaki  

Selection:  Joint - Jamie & me

So, yes.  Third time is the charm for a re-watch of Godzilla Minus One (2023), which we wrote about when we saw it the first time and the second time, and then as part of my end of the year review.  

The version I saw was black and white (or, color desaturated to a monochrome, with plenty of tricks to make sure it works) in theaters for just a week, capping off the end of what was a surprisingly successful run.  On a reported $15 million budget, the movie has made over $105 million, and that's before digital and home video sales (will I buy some ridiculous deluxe version?  Why, most certainly).

After seeing it in Imax and in standard format, I figured: let's do this.  Plus, I saw one of the first shows in Austin, and now one of the last as I saw it both opening and closing night.

Is the "minus color" a goofy stunt?  Does it make sense to release a movie in black and white that was shot for color?  I don't know.  But based on the period setting, that Minus One feels like a 2023 echo to the 1954 original, and as a reflection of the 70 year history of Big G, I was willing to give it a whirl.  

G Watch: Godzilla v. Biollante (1989)

Watched:  01/30/2024

Format:  DVD

Viewing:  First

Director:  Kazuki Ōmori

Selection:  Me

For the most part, it's not that hard in our modern era to get your hands on most Godzilla movies.  In fact, you can find most of the Showa Era on Max and I've noted the Millennium era movies might be popping up on Hulu.  Plus, there's now that streaming Godzilla Channel on Pluto.  I have a pretty good run of the movies on disc on various formats, so I am good as long as those discs don't let their electrons scramble or something.  And, I've seen almost all of the Godzilla movies (one day I'll finish All Monsters Attack).

But Godzilla vs. Biollante (1989), in any format, eluded me for a long time.  It was out there on disc, but not through standard retailers.  You more or less had to go through eBay if you wanted to get a copy, and even those were pretty expensive as it hasn't been re-released in a decade.  And it never seems to show up on cable or streaming outlets.  It seems the distribution rights are weird on this one film for reasons I don't quite get, but it was originally put out by Miramax in the US, which is probably part of the problem.  

But, yeah, I found a disc cheap as I could, but still more than I wanted to pay, and finally just pulled the trigger.

Classic Comedy Watch: Operation Petticoat (1959)

Watched:  01/27/2024

Format: Prime

Viewing:  First

Director:  Blake Edwards

Selection:  Me, by rec

So, a colleague had recommended this one, and forewarned me that it is a product of it's time, and I could not agree more.  

This is a movie with an odd framing device - a US Navy Admiral returning to the submarine he skippered during the war on the morning the boat is set to head to the boneyard.  He sits down and reads his Captain's log from cover to cover in his former bunk.

By 1959 two things were apparently true:  

1) the US was ready to do light, sexy comedies about the war, including starting out with making Pearl Harbor a wacky incident that happened

2) the role of women in film - especially light comedies - had changed a lot, with the "can do" spirit of women in the war or even noir

There is not room in this post to discuss the rapid swing of women in pictures of the 1950's from tough-women-on-the-homefront to "don't let those daffy women near machinery.  That's for MEN." that I assume reflects the culture of the time.  But it's kind of a thing, and for as fast as it happened, it took a lot longer to eke our way back out.  

This movie is the Admiral's (Cary Grant) recollections of the submarine crew's post Pearl Harbor response, lifting the boat and getting it semi-seaworthy again thanks to shenanigans on the part of a new Lieutenant (Tony Curtis), a streetwise fast talker who has joined the navy for the uniform and social ladder climbing opportunities.

It's got a hint of Sgt. Bilko (which pre-dates the film) as some of the best gags are about Tony Curtis finding the materials needed.  Good stuff. 

But the main feature of the film is when the sub stops off at an island and finds they have to evacuate 6 female nurses.  Who are, of course, mostly stacked.  And then it's a lot of "boys will be boys" and "women don't belong on a boat!" humor that you either are going to have to get settled in with or you're going to want to choke a boat load of US servicemen.  

The humor is a brand of post-screwball wackiness that would continue to expand into the 1960's and be killed off by 1970s film while being embraced by 1970's TV, in its way.  And some bits are really good.  I did want to tell the editor to please leave Cary Grant alone and let him have his moments after something wacky happened, because that's where you get the laugh doubled down (see Grant in Bringing Up Baby).  There's not even exactly double-entendres but in an era that was sanitizing comedy, this must have felt pretty racy (you see a girdle and a bra!).  

Fun bit of casting - look for Marion "Mrs. Cunningham" Ross as one of the nurses.  And, fun fact:  there was a 1977 TV show that basically remade the movie starring John Astin in the Cary Grant role and had a very young Jamie Lee Curtis as one of the nurses.  I have absolutely no idea how this premise was carried off for two seasons of network TV.  

Anyway, it's a fascinating time capsule talking to the generation who was in the war now that they bought suburban houses as much as it's a comedy you can still put on and get most of the jokes.  

G-Watch: Godzilla versus Mechagodzilla (1974)

Watched:  01/26/2024

Format:  Max

Viewing:  Second-ish

Director:  Jun Fukuda

Selection:  moi

Look, this week at work was a rough one, and next week is looking to be more of same.  I am tired.  And so, after watching another episode of the phenomenal fifth season of Fargo,* I put on Godzilla vs. Mechagodzilla (1974).  

This movie is remarkably silly, makes no sense in parts, forgets its a monster movie for long stretches, and does nothing to develop or differentiate any of the characters, seemingly adding them as the movie goes along to help fill plot holes.

The real showcase is, of course, Godzilla versus a giant robot version of himself that space aliens for a black hole(?) have built in order to take over the Earth.  Or, at least, whatever part of Earth is near the robot.  Initially, it's disguised as Godzilla, but to what end?  I cannot say.  Because they almost immediately remove the facade, and it seems like a robot is just as much a problem as the real Godzilla in how it's being deployed - by rampaging.  

However, we're also dealing with a prophetic vision seen by a young woman priestess/ heir to a once great dynasty on Okinawa.  There's a prophesy to go along with it regarding two monsters joining forces to fight a great threat, but it seems odd the ancients knew Mechagodzilla was coming?  There's nothing magic about a giant robot, except the love we should all feel for Mechagodzilla.

Anyway, this movie's main, non giant kaiju feature is a villain in a shiny jumpsuit who keeps smoking cigars.  I love this guy.  He really enjoys his work.

The one caveat is that this is around when Toho thought they needed to add blood.  So things get weird when MechaG really messed up Anguirus (he's fiiiiine) and then G himself (also: fine).  Also:  melting alien faces.

It's a fun pic, and while I don't think there's big life lessons to be learned, and it's confusing sorting out who all of these people are from time to time, this first appearance by MechaG is pretty stellar.  Where else will you find a 20-story robot that shoots rainbows out of its eyes?

*Juno Temple and Jennifer Jason Leigh busily confirming they're somheow even better than you thought, and Richa Moorjani putting in a bid for "damn, put her in more stuff" in a fine breakdown of myth and Fargo's patented exploration of good and evil 

High School Movie Watch: Bottoms (2023)

Watched:  01/19/2024

Format:  Prime

Viewing:  First

Director:  Emma Seligman

Selection:  Me

Pal AmyC had rec'd this one broadly to facebook over the summer, and I'd been curious.  And since, I'd heard in drips and drabs that this movie was really funny, but I didn't know anything about it other than "it's a high school comedy, but not like that".  And, honestly, I'm gonna pause you here and say:

go in cold on this one, because if you know anything ahead of time, you're doing yourself a disservice.  Just go check it out

I'll also throw in:  I want to re-watch this almost immediately, because (a) it was really solid, and (b) I know I missed about 1/4th of the jokes because there's weird little visual things all over the place and throw-away lines left and right that are hysterical.  

So, what is it?

Goji Watch: Godzilla against Mechagodzilla (2002)

Watched:  01/18/2023

Format:  BluRay

Viewing:  Second

Director:  Masaaki Tezuka

Selection:  definitely me

Mostly, I watched this movie because, for Christmas, my brother gave me a MechaGodzilla which has been staring at me all day, every day, from below my work monitor since Jan. 2.

also, his lil' friend Gad gave me, and the Super 7 Shogun G

Anyway, somehow, inexplicably, I'd had MechaGodzilla on the brain of late.  

At the start of the COVID lockdown, Jamie and I settled into watching Godzilla movies on a regular basis.  We blasted through them in no particular order, and with minimal context.  Back in May of 2020, we checked out Godzilla against Mechagodzilla (2002).  My memory, without re-reading the post first, was that we'd liked it a lot.  And, upon a revisit, that was still true.

There's an oddly mournful tone to the movie.  As part of the Millennium series, it ignored the prior films except Gojira from 1954, an events that had taken place decades prior and was remembered well in Japan, especially as Mothra and other films were in continuity - the Japanese privately feeling that perhaps Japan was cursed.  

Our focal characters are a member of the military who is being held responsible for the deaths of multiple people during a Godzilla's first re-appearance in 45 years despite the fact she is actually not responsible anymore than she's responsible for Godzilla at all - oh, and she's a friendless orphan.  The other two are a widowed scientist and his charming, precocious daughter who lugs around a houseplant she thinks carries her mother's spirit.  

90's Watch: Quiz Show (1994)

Watched:  01/15/2024

Format:  Amazon

Viewing:  Second

Director:  Robert Redford

Selection:  Jamie

It's been 30 years since Quiz Show (1994) was released, and probably 29 since I've last seen it.  I'm now much older than Ralph Fiennes and Rob Morrow as our leads, and in the intervening years, the real Charles Von Doren, Richard Goodwin and Herb Stemple have passed (oddly with little in the way of news or media mention).

Sometimes watching younger film reviewers on YouTube or reading the film discussion of younger film enthusiasts, it's interesting to note the tilt to genre pictures of prior eras, and it's easy to forget that genre was largely in the margins thirty years ago.  At the time, something like Quiz Show was happily released by Disney when they had multiple outlets for producing movies for general and adult audiences - this one released through Hollywood Pictures (see also Touchstone and whatever their deal was with Miramax).  And we had name directors doing prestige pictures that were a thing to go see.

Goji Watch: Destroy All Monsters (1968)

Watched:  01/14/2024

Format:  MAX

Viewing:  Second

Director:  

Ishirô Honda and 

Jun Fukuda

Selection:  Me, sort of

This one is a lot of fun.

It takes place in the near-ish future, when (a) the world is mostly at peace and (b) all of the monsters have been caught and put on "Monster Island" where they live out their days, lightly fighting and unable to escape their idyllic ocean-view home.

The goal of the movie is to get as many monsters on screen as possible, and that they do.

l-r:  Gorosaurus, Mothra (larvae), Rodan, Kumonga (spider), Anguirus, Minilla, King Ghidorah, Godzilla, Varan?, Manda (snake), Baragon 

Aliens realize this makes Earth a great target, do some mind-control on the monsters and get them to rampage across Earth so they can have it.  

There's a story about the Earthers fighting the aliens, because humans have to do something in this movie.

The aliens are young ladies wearing silver, sparkly pajamas, which makes them seem like not-a-threat, but they are!

Eventually the monsters bust free and the aliens send in (who else?) King Ghidorah, who is a proper dick until the monsters dog pile him.

It is a mostly silly movie, and if there's subtext, I think I ignored it.  But it's lightyears more watchable than the following movie All Monsters Attack.

Dug was Here Selections: The Skydivers (1963), Hillbillys in a Haunted House (1967), Pumaman (1980)

Watched between:  01/12 - 10/14/2024

Format:  MST3K on YouTube

Viewing:  First on All (I think)

Director:  No

Selection:  Consensus - us, MST3K live feed

My father-in-law had some outpatient surgery and, thus, Dug, my brother-in-law, was here for a couple of weeks.  He capped off his visit with a stay with us.  Dug is the foremost MST3K/ Rifftrax fan in my life - and while I've been a fan since I was 14, he's the guy who remembers stuff about episodes from the show that I haven't seen since high school.

I won't be writing these movies up, but I can say I finally ticked Hillbillys in a Haunted House (1967) off my list, which had been there since discovering Joi Lansing about 20 years ago via The Adventures of Superman.  But I also knew, for 20 years, this was going to be a rough ride.  The movie is a weird, all-star bash, including Lon Chaney, Basil Rathbone, John Carradine and a bunch of Nashville musicians, for whom it was intended to be a showcase.

you get two big guesses as to why Joi Lansing was included

There's also some yellow-peril as there's a spy story going on, also a gorilla and ghosts.  

this movie has everything

The Skydivers (1963) is a movie made by sky divers about sky divers, and it's like they knew one day MST3K would exist, and would need content.

The Pumaman (1980) is an Italian produced, British-shot movie about a superhero with alien-gifted powers of a puma.  Like flying, and walking through walls.  It makes no sense, and has Donald Pleasance as the villain, wearing a sort of leatherette jumpsuit.  Cannot recommend enough.

Anyway, a good time was had by all.  

  

Mystery Watch: Maggie Moore[s] (2023)

Watched:  01/12/2023

Format:  Amazon

Viewing:  First

Director:  John Slattery

Selection:  Consensus selection - me, Jamie, Dug

I was curious about Maggie Moore[s] (2003) when I saw the trailer in mid 2023.  Sure, it looked like it had a decent comedy set-up and I like a good crime movie, but it also had John Hamm, Nick Mohammed and Tina Fey.   And I figured they wouldn't jump at a bad script and they're three folks I like in general.  Throw in John Slattery giving it a go behind the camera and I put it on the list of things to see.

Unavoidably, one has to ponder how this movie really wants to be Fargo.  Which would be less of a deal - Fargo was 25+ years ago - if we weren't on Season 5 of Noah Hawley's Fargo show on FX.   We have inept criminals who got into crimes because of their incompetence in life, and a stone-cold killer amongst them.  There's a morally centered cop with a less competent colleague, and the promise this is based on real-life events.

But, yeah, beyond that, it does deliver on the promise of the casting and folks generally being a good group with whom to spend time. 

Indy Watch: Indiana Jones and the Dial of Destiny (2023)

Watched:  01/102/2024

Format:  Disney+

Viewing:  First

Director:  James Mangold

Selection:  Jamie

I was aware that the critical consensus and box office on Indiana Jones and the Dial of Destiny (2023) was not good.  Neither of those things are much a deterrent for me for watching or enjoying a movie (see the many Godzilla posts on this site), but it did catch me by surprise when it happened.  After the fan-lambasting and luke-warm critical reception of the last time Ford revisited the character in Indiana Jones and the Crystal Skull, I figured if Disney was going to go back to the well and offer another movie (after that one at least had the decency to give us a particularly happy ending for Indy), they'd be working to make sure that this one was well worth the return for cast and fans alike.

At the top, this wasn't what I would have hoped for in a big-screen return of Indy.  If you liked it, and many people did, just a heads up.  But, as always, I am not here to tell you what to like or not to like, just how I took in the movie.

The thing I was not expecting out of an Indiana Jones film was to feel bored.  And at well over two hours...  that's a lot of looking at my watch.

There was a big opportunity here for Disney, owners of the Lucasfilm output, as Crystal Skull was widely disliked and a new finale to the series could revive the franchise somehow, maybe get some life/ money out of the franchise yet.  But, the window is closing on the value of that license with Ford now a guy in his 80's and the horrific realization that - just like Star Wars - there was going to be a response somewhere between "meh" and "you ruined my childhood" with a recast of the role.  

All they could really do was hope to test the waters on a new action hero to carry the torch, and the obvious choice was (checks notes) Fleabag's Phoebe Waller-Bridge.  And maybe they could keep Ford around for another picture or two to cement the hand-off.   

I don't know if that was the plan, but, man, the movie really leaned into wanting you to find Waller-Bridge's character an equal (or better!) to Indiana Jones.   The ten year plan can't be "count on a guy in his 80's to still jump around in 2032".

But that's speculation.  Looking at Dial of Destiny, the movie didn't work for me in a few fundamental ways:

G Watch: Godzilla 2000 - Millennium (1999) - but, really, a quick history of how I decided to like Godzilla again

Watched:  01/08/2024

Format:  Hulu

Viewing:  4th?  5th?

Director:  Takao Okawara

Selection:  All me, baby

I had to check, but somehow I've not written this one up, but I know I watched it during that circa 2020-era where I was dealing with the COVID lockdown by just watching an endless stream of Godzilla films.  

So, this movie is the key to my Godzillaissance.   

As a kid, I was a Godzilla fan via a few channels.  There was an American produced Godzilla cartoon that ran for a year or three.  I have some flickers of memories of watching Godzilla movies on TV with Steanso during long summer days.  We also had two key Godzilla toys.  My toy was the Shogun Warriors Godzilla, which I absolutely adored.  Steanso, however, had this amazing playset with Godzilla, a non-canon monster, a city backdrop and army vehicles, which I remember us setting up and having a good 'ol time playing with.  

But this was also the era of Star Wars, Tron and other fun, shiny stuff, and so Godzilla fell by the wayside.

Also, Godzilla was weirdly hard to come by.  Unless you were home to catch a movie on UHF, badly dubbed movies weren't something most channels wanted to run.  And you weren't going to get much in the theater.  

In fact, when Godzilla Returns/ Godzilla 1985 was released, I *wanted* to see it, but it came and went so fast, it wasn't until my 11th birthday party that I used my "I can rent whatever I want" pass to rent the movie.  What I don't remember is Godzilla films from Toho on the shelf.  I just have zero memory of Blockbuster carrying the movies, or the Mom & Pop places before Blockbuster.  That may have been an artifact of sorting out US distribution or me being distracted by trying to unlock the mystery of what was happening in those Sybil Danning movies on the shelf.  But given that I would rent stuff like Robot Jox without blinking, given the option, it seems like I would have picked up a Godzilla movie or two.

Noir Watch: Pickup (1951)

Watched:  01/07/2024

Format:  TCM

Viewing:  First

Director:  Hugo Haas

Selection:  Me by way of Noir Alley

As happens a lot at the start of the year, I was fired up to break the Christmas movie cycle and watch some non-Christmas-type stuff.  I've also been missing noir films, from the original period as well as everything up to today, and wanted to get back on that train.  Luckily, Noir Alley was on TCM Saturday and Sunday, so I set the DVR to record a movie I'd not yet seen.  

It's easy to say Pickup (1951) is a riff on The Postman Always Rings Twice.  And there's definitely some truth to that, but so are a number of movies from the era.  What I found interesting was that there's enough different here that it pivots the whole concept.  While we still have the remote home/ workplace, the older husband, the sexy wife and the yearning employee, this is less the story of the troubled, star-crossed lovers in over their heads, and more the story of "Hunky", the older husband.  And, it's worth saying at the outset, Beverly Michaels' Betty is not the sympathetic figure Lana Turner cut as Cora.  

Mystery Watch: A Haunting In Venice (2023)

Watched:  01/06/2024

Format:  Hulu

Viewing:  First

Director:  Kenneth Branagh

Selection:  Me

At first, a third Poirot movie directed by and starring Kenneth Branagh was something I looked at with perhaps a bit of a jaundiced eye.  I'd enjoyed Murder on the Orient Express well enough, but Death on the Nile felt a bit self-indulgent and just didn't manage to ever keep me terribly engaged.  But, this installment had at two members of the cast who were a sell (Michelle Yeoh and Tina Fey) and that was enough to get me to not dismiss the movie.

A Haunting in Venice (2023) received stunningly little promotion (Jamie reminds me that this was released during the strike, but even for that, seemed it barely got a whisper) and was dropped in the busy horror Halloween season, where I think it was immediately lost in the shuffle.  While I understand the thinking - the movie takes place on Halloween night and is about a seance and ghosts - the trailers didn't really make *anything* particularly clear or compelling.  And Poirot, a character folks know from PBS spots, is not famous as a ghost chaser or breaker.  So one could assume before even starting the movie that this detective, who is the consummate deductive genius, would be disproving ghosts and ghouls, and it all felt a bit ill-conceived as a Halloween flick.*

The title itself seems an attempt to tie the movie into the "A Haunting" series of films and trick the youths into watching it, and while there are worse fates, it's kind of odd.  But it also loses the tie to the actual novel, moves it to Venice from England, and can make you wonder what tax incentives Italy was offering for filming there?  Or if this was a "postcard picture" for all involved.  And, btw, from a quick glance, this story is about 65% new, using only the raw materials of the novel, Hallowe'en Party.

But, I'd heard from Simon that the movie was pretty solid, and then two more folks (hi Mike and Laura) watched it within a day of each other and said that, yes, it was worth a watch.  And, with the promise of Michelle Yeoh, we found it on Hulu.

Cindy Morgan Has Merged With The Infinite

Actress Cindy Morgan has passed.  

Morgan is remembered at The Signal Watch primarily for her roles in Caddyshack and Tron, where she played Dr. Lora Bradley/ Yori.  

New Years Watch: Royal New Year's Eve (2017)

Watched:  01/05/2023

Format:  Amazon

Viewing:  First

Director:  Monika Mitchell

Select:  Amazon Watch Party group decision

We had folks kind of scattered around Friday evening when K asked if we were doing a watch party, and so we quickly threw together a movie selection with Jamie's family.  So, this was our first watch party that was attended by my father-in-law, who absolutely got what we're up to and joined in.  

Turns out, there are, in fact, Hallmark New Year's movies, and Royal New Year's Eve (2017) is absolutely one of them.  

The movie takes place in the days just prior to Christmas and til midnight on NYE, as a general assistant/ secretary/ gopher at a New York-based fashion magazine meets the prince from a small, apparently very wealthy European country, who is having Christmas and New Year's in New York for some reason, staying in a mansion with his intended - but not official - fiancée (Hayley Sales).  

The set-up is absolute madness.  The magazine Our Hero works for is hosting an NYE party for the Prince (ok, fair enough) - and it's a charity fundraiser.  But there's also the expectation that the Prince (Mad Men's Sam Page) will propose at midnight to his lady friend, as that's some sort of royal tradition?  But somehow no one has really talked about this behind the scenes yet, despite the fact this proposal would be very public?  And historic for the unnamed country?  

The Signal Watch Presents: Top Movies of 2023

editor's note:

• For our "Television in 2023" discussion
• For our "Movies by the Numbers" discussion

It's always hard to structure this particular post.  

It's not like you should care about what I liked or didn't like, and certainly the people who made these movies shouldn't care.  And, in fact, some of them are probably dead, and I don't need ghosts holding a grudge if I dump on their movie.

So, let's do what we did last year and start with the disappointments and then get to the good stuff.  

Now, I don't talk about every movie I saw.  We're not going to talk about how It's a Wonderful Life is a fantastic movie, for example.  We're limiting this to stuff we saw for the first time this year.

Full caveats:  This is just my personal opinion on what I managed to watch in 2023.  It's also very true that I didn't see that many new releases this year, including many popular favorites.  I discuss what I meant to see, but didn't yet get to see, in this post.  

On with the show.

Did Not Like

2023: Movies By the Numbers

editor's note:

• For our "Television in 2023" discussion
• For our "Top Movies of 2023" chat

2023 was not a year in which I watched a lot of movies.  Well, maybe more than some people, but definitely less than other people.  And so it goes.  

Inspired by pal NathanC, I've been not just blogging movies, but now I do a whole list thing every year, and you can see everything I watched in a single spreadsheet.  

In 2023, I watched 172 movies.