Back In Time Watch: Back To The Future Part II (1989)

Watched:  05/30/2025

Format:  Amazon

Viewing:  Unknown

Director:  Robert Zemeckis

I have a very strange relationship less with Back To The Future and the two sequels - maybe more strange than I maybe should have for three movies I don't really care about.  I think those movies are perfectly adequate 1980's movies that were kind of an entertaining carnival ride at the time, but that was it.  Over the years, like so much of Gen-X's media from our formative years, the Back To The Future movies have been elevated and elevated in the zeitgeist until, now, they're considered a major cultural touchstone.  Which, to me, is like "what if The Wraith or Baby: Secret of the Lost Legend were the movie that generated a cottage industry for a studio, inspired rides, a West End musical, and endless devotion?"  

Like, the movie was something I enjoyed, sorta, at the time, but it wasn't my jam.

First, as a kid I found Michael J. Fox as much fun as nails on a chalkboard.  It wasn't until Spin City that I found him remotely tolerable.  And in retrospect, that was probably that Connie Britton was such a distraction I didn't notice Fox as much.  I do not wish to speak ill of Fox, but his general Michael J. Fox-ness was a major factor in my reaction to all of his movies.  Sorry, dude.

I felt like, even at the time, "oh, here's more of that Boomer nostalgia about the 1950's and 60's" which was all over at the time.  I mean, 1986 gave us Peggy Sue Got Married, and the previous years had been giving us Happy Days, Grease, Sha-na-na...   As a kid who liked sci-fi, it felt like a waste of the potential for the concept, and only later did I appreciate that time travel was just the excuse to soak in this funny premise of a kid meeting his parents at the same age.  And hear music from 97.7 - all the oldies, all the time.  

The humor in the first one struck me as dumb.  The bit about "I am Darth Vader from the Planet Vulcan" just felt... lame to me. 

Chabert Watch: Reach for Me (2008)

Watched:  05/29/2025

Format:  Amazon Prime

Viewing:  First

Director:  LeVar Burton

So.  Interesting, small, indie movie with some name talent.  I kept wondering how this was pulled off, and then the movie ended with "Directed by LeVar Burton" and the lightbulb went off.  Who doesn't love LeVar Burton?  And if you don't think he's great, we can't be friends.

And when I say name talent, I mean Chabert, of course.  But also Seymour Cassel, Alfre Woodard, Adrienne Barbeau, Larry Hankin, and Burton himself.  I am not familiar with actor Johnny Whitworth, one of the major leads, but he was good!

The movie is... odd.  It's about Alvin (Seymour Cassel), a patient in hospice who is facing his end.  He loses his roommate (Hankin) who he kind of got along with - but maybe not as well as he believed. Alvin's an old, sad and angry asshole, and a letch who grabs the butts of the volunteers.  He talks about sex like he's in a a dorm trying to impress wide-eyed Freshmen as a Sophomore.  

Chabert Watch: Ghosts of Girlfriends Past (2009)

Watched:  05/28/2025

Format:  Max

Viewing:  First

Director:  Mark Waters

When people ask "why did studios stop spending money on romcoms", I think it's fair to point to movies like this and say "well, this is what they were making, and people didn't like it."  Metacritic has this at a 34, which sounds correct.  

I had not seen this movie, and until I looked it up a week ago to watch it, I thought it was a movie in which Eva Longoria was a ghost hassling her boyfriend.  But that was Over Her Dead Body, which people also didn't like.

Ghosts of Girlfriends Past (2009) is a movie I may have known existed at one point, but...  in 2025, I just had no memory of it coming out.  I don't know if it met expectations or not, making about $100 million worldwide.  

Chabert Watch: Hello Sister, Goodbye Life (2006)

Watched:  05/27/2025

Format:  YouTube TV on demand

Viewing:  First

Director:  Steven Robman

This movie is about a young woman (Chabert, playing a college junior here) with a rocky relationship with her father, who has remarried and has a young daughter (Samantha Hanratty).  When her father and her step-mother die in a car accident, she learns that her father named her custodian of her half-sister.

While attending college, she moves into her father's house and tries to take care of a seven-year-old.  As it turns out, for a hard-partying college girl, this is a change of pace.

Wendie Malick plays Chabert's mother, a woman who also seems like a lot of fun, but who maybe was not a role model for structured parenting, and is more excited to have an adult-aged college daughter she can hang with than she was to raise a young child.

Happy Birthday, Kylie Minogue

Kylie's war room for when she plays "Risk"

Over COVID, my passing interest in the music of Kylie Minogue turned into a whole thing.  I wrote about it here after JAL, TreyMerica and I saw her in Austin in April.  Here's the photo album of us attending.  Rita Ora opened, and was great.

I am not an expert-level fan, but I am a fan!  And so it is that I wish Ms. Minogue the happiest of birthdays.

She's on tour now in England, so I hope it all goes swimmingly for her.

Here she is from Disco, performing Magic.

Doc Watch: Pee-Wee as Himself (2025)

Watched:  05/26/2025

Format:  Max

Viewing:  First

Director:  Matt Wolf

Watching Pee-Wee as Himself (2025) is a strange journey.  There was a lot I didn't know up until when he joined The Groundlings, and then there was what I did know -  including the two arrests.  But in the end, the film kind of unravels a bit in a way that seems almost inevitable - surely director Matt Wolf laying the trail to let us know this is coming.

Beyond that, the doc faces the same problem that I found with the recent Steve Martin documentary.  It's a lengthy film, it criss-crosses the years and draws connections, but the subject is so practiced at maintaining their inner-selves, and their privacy, that even at the end, you feel like you barely saw anything even after 3 hours.  

Jumbles of photos from a childhood are interesting, but don't tell a story.  Talking heads commenting on what they're already framing are useful, and provide color, but it feels very carefully managed - we're told it's carefully managed.  We keep seeing the collections, but there's no discussion of what's in there, or why (and as a collector, I know there's a story behind everything).  We see his parents, but they won't ever come out and discuss them beyond "his dad was macho and may not have liked Paul's lifestyle".  His mother is a non-entity.

Both Paul Reubens and Steve Martin, who agreed to let themselves be known via documentary, still want to control, and so we get a look through a very narrow lens, which is better than nothing, but it feels more questions are raised than are satisfied.  If you want to spend time with how Pee-Wee came to be - then we've got a great film for you.  If you want to know Paul Reubens, that may not really happen.  

Happy Birthday, Siouxsie Sioux

 

Best wishes to Siouxsie Sioux on her birthday. 

With any luck, she's pondering new music.

Chabert Watch: Elevator Girl (2010)

Watched:  05/26/2025

Format:  UP free trial on Amazon 

Viewing:  First

Director:  Bradford May

Job:  Massage therapy receptionist, Would-Be Chef, DJ for children and old people, I lost track

new skill:  Landing a dude to fund her boho lifestyle

Man: Ryan Merriman

Job of Man:  Attorney - Mergers and Acquisitions

Goes to/ Returns to:  Stays in place

Event:  a six-year old's birthday, and others

Food:  No special food, but they do make hummus

So, this is somewhat technically Lacey Chabert's first Hallmark movie.  If you're looking for ground zero for how she eventually became a big deal at Hallmark, she signed up for this movie, which was picked up for distribution through Hallmark (a lot of "Hallmark" movies are not made by Hallmark, but made independently to be purchased by Hallmark.  I don't know all the details.).  

It's now available on UP!, which I learned is still going when I looked for this movie, but I hadn't seen the network in years.

Around this same time, Chabert's career was obviously in an odd patch.  She's having work released, but this is her first release of 2010.  In 2009, she was in the big studio romcom Ghosts of Girlfriends Past starring McConaughey, Jennifer Garner and Michael Douglas, but also The Lost, which we've already covered.  And she's doing a bunch of cartoon voice work - she voiced Gwen Stacy on The Spectacular Spider-Man for 25 episodes.

The description for Elevator Girl (2010) made it sound like it would be about people from two different classes making it work, but it's more like...  two people with nothing in common dating. 

Peter David Merges With The Infinite

I remember being handed a Hulk comic at summer camp, featuring the gray-skinned Hulk of the period.  I only knew the Hulk as the green skinned guy who yelled a lot and I was stunned at what I saw.  He was now a Vegas enforcer named "Mr. Fixit", and it was absolutely wild.  I soon learned through the Bullpen Bulletins, it was Peter David driving that effort.

Peter David's name was kind of everywhere for the first decade and a half I read comics, and of his many great efforts, I particularly liked his X-Factor and Supergirl.  He had a unique ability to find ideas that were out there, and, like The Hulk, turn them into something familiar but new.  X-Factor became a complex story about a mutant team affiliated with the Pentagon.  Supergirl went from the Matrix character to the Earth Angel inhabiting a dead girl to a girl who could kind of leap far and was bullet proof.  I assure you, this all made sense at the time.

He also transformed Aquaman, created Young Justice, handled She-Hulk, Star Trek, Superman and endless more.

David will be remembered among comic fans as one of the most creative minds of his era, making oddball ideas make complete sense and for caring so much about his work.  

I know he'd been having health issues for a while, and I'm sorry he passed.

Marvel Re-Watch: Thunderbolts* (2025) - in which we really talk about Marvel in 2025

Watched:  05/25/2025

Format:  Drafthouse

Viewing:  Second

Director:  Jake Schreier

We had already seen Thunderbolts (2025) in the theater when the movie opened, but Jamie in particular wanted to see it again, and I'm a fun guy, so why not?

I enjoyed it on a second viewing maybe more than I initially liked it.  It really is a tight script, and I kind of reveled in the fact that the big set piece at the conclusion of the movie takes place without a shot fired.  This is near Doom Patrol territory in how we're approaching super-stuff.  

I've seen complaints about the palette of the movie, a gripe which seems to be missing the way movies work, and instead of saying "the aesthetic looks ugly.  They did it wrong" failing to ask "why does it look the way it does?  We know this was intentional."  Because the conclusion there is pretty @#$%ing obvious, and you're so close.

But we know all this.  So I want to talk about where we are with Marvel in 2025.

Box office for the movie is not amazing.  It's made something like $330 million, which I would happily take, but which is a pretty far cry from billions of dollars Marvel hopes to make with every movie.  But...