Wednesday, July 19, 2017
I was skeptical when Matt Reeves and Co. relaunched the Planet of the Apes franchise a few years back. We're big fans of the original five films here at The Signal Watch - but despite a certain affection for Tim Burton and an appreciation for anything with a simian in a featured role, I've only seen that remake once. Because I kind of hated it and wound up having to apologize to several friends who agreed to go see the movie with me.
So, yet another go at the idea wasn't something I was looking forward to initially.
But, lo and behold, Rise and Dawn of the Planet of the Apes were released, and, yea, I dug them. They managed to find an astonishing line where they could break from the original narrative but still give nods enough, show respect for those movies and still be entirely their own thing. If Caesar wasn't the child of apes who'd traveled through time and space, we still found a way to make him the founder of the Ape Society that didn't need to bend time and space to get the job done. And if I always stood by the complex heart of the original slate of films, the new movies refused to be any less challenging.
I'm pleased to report that War for the Planet of the Apes is a worthy conclusion to the trilogy, an astonishing technical achievement, and - as all the apes movies have been (save the Burton one-off) a thoughtful character study and examination of morals. And, of course, a dystopian sci-fi franchise that actually earns its dim view of humanity. It isn't just ignorance or folly that leads to man's downfall, it's mankind's inability to tame our demons that drives us straight over the cliff.
Well, this is going to complicate things.
But, yes, I'll absolutely be going to see it. First read about this circa 2001 in a book by Les Daniels.
I was always a little lukewarm on Black Lightning as a superhero character until, I guess around 2002 or so, someone came up with the idea that Jefferson Pierce was a little older and had daughters who were manifesting powers (and, of course, wanted to be heroes, too).
Not only did it mean Black Lightning was suddenly anchored a lot more as a character - no longer just "that black guy with lightning powers" which he'd become after the early appearances, it gave him a robust supporting cast.
Unfortunately, The New 52 wiped away the take on the Pierce family I'd come to like quite a bit, following the characters across a few DC books. Needless to say, I'm thrilled this is the angle they're taking on for a new DC show on the CW. Those writers do family well, and - when given the chance - also do people of multiple generations pretty well.
Looking forward to tuning in and seeing how they pull this off.
Monday, July 17, 2017
Monday 7/17 marked the 30th anniversary of the release of RoboCop. It's no secret that we here at The Signal Watch are fans of the 1987 sci-fi cyborg opus, and, so, over the weekend, we watched the movie for 476th time.
The first time we caught RoboCop, it was at a one-screen, old-fashioned movie house in Ishpeming, Michigan, when we were on our annual visit to see the grandparents in the summer of 1987, and - for whatever reason - my mom decided we needed to not spend another evening pounding soda in my grandparent's living room, and, instead, pound soda out of the house.
We alerted my mom to the idea that the movie was Rated-R, but the KareBear and Admiral were fairly liberal about this sort of thing, and in the era of Arnie, if my dad wanted to watch the latest Rated-R action releases, he was watching them with us, so we were getting pretty well desensitized to violence in movies, is what I guess I'm accidentally saying.*
Sunday, July 16, 2017
It's impossible to measure the impact this man had on pop culture and culture in general. Legendary director and inventor of the modern zombie genre, George Romero, has passed.
We'll miss you, George.
Saturday, July 15, 2017
note: Preacher, both TV series and the comics series upon which the show is based, contain graphic violence, deeply mature themes, deeply immature themes, sexual frankness and deviation and no small amount of content of a religious nature which many-a-good folks would reasonably find offensive. You can read this post, watch the TV show, or read the comics, but you've been forewarned, you're on your own, and your mileage will vary.
Last year, Preacher came to television via AMC - arriving as a sort of high octane dramedy and a loose adaptation of the original comics which ran from 1995-2000 under DC's Vertigo imprint. The second season is now underway, but I only made it fifteen minutes into the first episode of this year's offering before saying "You know, I'm good. Let's not watch this."
You can do well with a superhero comics adaptation so long as you remain basically true to the intention of the authors, or - in the case of serial comics - find that core to the characters and concepts that have brought readers back, year after year, outlasting almost all other forms of long-time serial publications in the states.
Friday, July 7, 2017
So, I hadn't actually paid all that much attention to Spider-Man: Homecoming (2017) prior to showing up to see it in the theater Thursday night. Sure, I'd watched the trailer and was pleased they went with The Vulture for a villain.
At this point, I'm fine with just noting the release date of a Marvel movie, paying my money and showing up. Marvel hasn't always knocked it out of the park, but I'm generally guaranteed a pretty good time out at the movies, and some of the films have been spectacular, reminding me both why I love superheroes and a trip to the movies.
It wasn't too hard to figure out that this Spider-Man film would stick to the high-school years, abandon comic canon (all the Marvel movies have done that), but stick to the core of what makes the character work (also, all the Marvel moves have done that). After feeling let down by Sony's reboot of Spidey with The Amazing Spider-Man - so much so (gulp) I never watched the sequel - I was thrilled that Marvel and Sony saw the light (and potential for profit) enough to bridge differences and make it work.
I'm pleased to say I enjoyed myself as much as I did at Guardians of the Galaxy 2, and many other Marvel films of the past decade. And, while there are huge changes from the comics, Spider-Man: Homecoming reminded me why I ever liked Spider-Man, his world, and his niche in the Marvel Universe. And, that I am very much not alone in wanting to see Peter Parker swinging from a web and trying his hardest.
Tuesday, July 4, 2017
Saturday, June 10, 2017
This one hurts.
Adam West has passed at the age of 88.
Literally my earliest memories include watching Batman starring Adam West as Batman and Burt Ward as Robin. Steans-family lore states that my first words were "Batman" as I ran around our home with my security blanket around my neck.
The story is that I was toddler-ish and Jason was two years older, and my mom, The Karebear, had to make us dinner before my Dad got home from work (dude worked hard and late). In order to wrangle me, her ADD wunderkind, she figured out that I'd sit perfectly still for Batman, which happened to be on in syndication right when she needed to fire up the stove.
When the Michael Keaton-starring "serious" Batman was released, in 1989, when I was 14, the show came back on cable, and I totally got what they were up to. Somehow, inbetween, like many of my generation, there'd been some confusion about the show being a drama that was kind of stupid and something you grew out of. But, nope, the show had been winking to the older crowd all along.