Noir Watch: Party Girl (1958)

Watched:  07/21/2018
Format:  Noir Alley TCM on DVR
Viewing:  First
Decade:  1950's

Noir Watch: Roadblock (1951)

Watched:  07/18/2018
Format:  TCM Noir Alley on DVR
Viewing:  First
Decade:  1950's

Noir Watch: The Man Who Cheated Himself (1950)

Watched:  07/02/2018
Format:  Noir Alley on TCM/ DVR
Viewing:  First
Decade:  1950's

Musical Watch: An American in Paris (1951)

Watched:  03/26/2018
Viewing:  First
Format:  TCM on DVR
Decade:  1950's

I just found this in my drafts.  Yeah, so back in March I watched An American in Paris (1951).  Never wrote it up, just started the post. 

So I'm not writing one now.  But there's plenty out there on this movie, so...  there you go.

Noir Watch: Crime Wave (1953)

Watched:  05/28/2018
Format:  Noir Alley on TCM - DVR
Viewing:  First
Decade 1950's

Sometimes casting can save the day for a fairly standard plot in a movie - it can be a real pleasure to see your favorite actors, character or otherwise, play out the parts in your boilerplate movie.  Other times that same old jazz standard gets a new look, a new interpretations and the execution is enough to make you stand up and applaud.

Noir City Austin: The Accused (1949) & The Underworld Story (1950)

Watched:  05/19/2018
Viewing:  First/ First
Format:  Noir City Austin at the Alamo Ritz
Decade:  1940's/ 1950's

Both films were shown as part of Noir City Austin, hosted by TCM Noir Alley host, Eddie Muller and presented in 35mm. 

Noir Watch: Caged (1950)

Watched:  05/15/2018
Format:  Noir Alley on TCM (on DVR)
Viewing:  First
Decade:  1950's

There are probably two ways to watch Caged (1950), either as a camp classic or through the lens of 1950.  JimD taught me several valuable phrases, and in the top three I include "chronological snobbery".   Basically - chronological snobbery is that thing you do when you watch a movie made from a time probably before your birth and nod sagely to yourself saying "oh, thank goodness we figured out how to make better movies, people sure were dumb as both filmmakers and as an audience back then."

Noir/ Windsor Watch: The Narrow Margin (1952)

Watched:  05/11/2018
Format:  Noir Alley on TCM - DVR
Viewing:  Fourth
Decade:  1950's

Holy smokes I love this movie.

Noir Watch: Armored Car Robbery (1950)

Watched:  05/10/2018
Format:  Amazon Streaming
Viewing:  First
Decade:  1950's

It will surprise you that a movie entitled Armored Car Robbery (1950) is, indeed, about the robbery of an armored car and the fallout of that same robbery.

Noir Watch: Mystery Street (1950)

Watched:  04/25/2018
Format:  Noir Alley on TCM/ DVR
Viewing:  First
Decade:  1950's

Noir Watch: No Questions Asked (1951)

Watched:  04/08/2018
Format:  DVR from TCM's Noir Alley
Viewing:  First
Decade:  1950's

Noir Watch: The Big Heat (1953)

Watched:  03/10/2018
Format:  DVR from TCM (Noir Alley)
Viewing:  4th or 5th
Decade:  1950's

Second Maigret Post Up at Texas Public Radio

Watched:  02/24/2017
Format:  Kino-Lorber BluRay
Viewing:  First
Decade:  1950's

I watched not one, but TWO Maigret mystery movies.  And, shockingly, wrote them both up.

Here's my post over at Texas Public Radio.

French Detective Watch: Maigret Sets a Trap (1958)

Watched:  02/17/2018
Format:  Kino-Lorber BluRay
Viewing:  First
Decade:  1950's

I am reviewing a pair of excellent films for Texas Public Radio, based on a series of novels by a Belgian writing about a French Detective. 

Here is the review for the first movie.  Thanks to TPR for the opportunity!

Noir Watch: Night and the City (1950)

Watched:  02/16/2018
Format:  TCM Noir Alley DVR (from November.  Yeesh.)
Viewing:  First
Decade:  1950's

At this age, it's not often you wrap up a movie and are pretty sure you've just seen one of the best movies of its genre.  But there you have it.

Peggy Cummins Has Merged With The Infinite

I was unable to confirm yesterday when I saw the news, but now The Hollywood Reporter has it that actor Peggy Cummins has passed.

Cummins is in at least two fantastic movies, Curse of the Demon (1957) and, of course, one of my hands-down favorite films, Gun Crazy (1950).

You can read the linked article to get a notion of Cummins' career, which was fairly brief despite her obvious talents.  Not everyone stays in pictures, or even in Hollywood.

Halloween Watch: War of the Worlds (1953)

It's kind of funny that in this post and the last, I'm referring to movies referenced in my own title banner, but there you have it.

I checked, and it has been a while since I last watched George Pal's 1953 movie of War of the Worlds.  A number of years now, in fact.

My interest was piqued by the idea of a Martian invasion in 6th or 7th grade when I learned about Orson Welles' and the Mercury Theater's 1938 War of the Worlds radio broadcast - which supposedly caused a panic (sort of, but not really).  Click on the link and listen.  It's a hell of a show.

Shortly after all this, around the age of 12, The Admiral found out I wanted to watch the original movie, and so he and I rented it and I think it was just the two of us who watched it.

Honestly, despite the fact it was not a gore fest or built on the tension-making trip wires of, say Ridley Scott's Alien, that movie scared the hell out of me.

TL;DR: We Discuss Our Love of Wonder Woman as Character, Icon and Hero

This isn't a review of the movie, which I'm slated to see in a few hours.  But with the arrival of Wonder Woman in cinemas, I wanted to reflect on Wonder Woman as a character and my road with Diana.

Like most kids of my generation, I grew up with Wonder Woman as the default "superhero for girls".  Sure, DC had a wide array of female characters, but a lot of "team" concepts aimed at boys included 1 or maybe 2 girls on the team no matter how big the roster got (see: GI Joe).  And on Super Friends, Wonder Woman was the all-purpose female character who was not Jayna of The Wonder Twins of Wendy of Super Marv and Wendy (ahhh, the 70's).

but at least they gave WW two villains from her rogues gallery

Noir Watch: The Blue Gardenia (1953)

I'm not entirely certain what to make of The Blue Gardenia (1953), and possibly talking about it right after watching it is a mistake.  It was this week's pick on TCM's "Noir Alley", introduced by the great Eddie Muller.

My current take on the film is that I like a huge amount of the pieces that made up the movie, but wasn't a raging fan of the movie itself.  I mean, it stars Richard Conte, Raymond Burr and Anne Baxter (who does some kind of edgy stuff for 1953 - but that's noir all over).  It's got a scenario as treacherous as many or most in noir, pulling the world down a normal person's ears because she made a bad decision or two.  And it's one of the more straightforward "no means no" messages you're going to see in a movie, but baked into the social standards of the era - which makes it all the more challenging.

And did I mention Fritz Lang is the director?  And Nicholas Musuraca (Out of the Past) was DP?

AND it had George Reeves in a supporting role as a wiseguy of a cop?

Yeah, I don't quite get why the movie felt a little flat.

Noir/ Crawford Watch: Sudden Fear (1952)

We're watching the new FX series, Feud: Bette and Joan (highly recommended), and it reminded me I'd been meaning to watch Sudden Fear (1952), a noirish potboiler starring Ms. Crawford, Jack Palance and Gloria Grahame.

Just the casting alone was enough to raise an eyebrow.  Of course I've seen a number of Grahame's pictures, a handful of Crawford's, but when it comes to Jack Palance, I've seen Batman, Shane and, sigh, his pair of 80's City Slickers comedies.*  And to see him in a movie where he has to act like a basically normal, functioning human was almost bizarre.  Because by the time I was a kid, even in real life Jack Palance was acting like a cartoon weirdo.

It's a strong, taught thriller with some great cinematography, tremendous use of sound and Crawford putting it all out there as she does a large amount of her acting completely alone.