Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Monday, July 18, 2022

Watch Party Watch: Futureworld (1976)

Behold - Paltrow's mom getting with a Robo-Brynner



Watched:  07/15/2022
Format:  Amazon Watch Party
Viewing:  First
Decade:  1970's
Director:  Richard T. Heffron


When I was in maybe 8th grade, my brother and I rented the original Westworld, declared it "rad as hell" and pondered renting the 1976 follow-up Futureworld.  If a movie about robots going berserk in the old west was cool, wouldn't the follow up be even better - in a sci-fi playland?

Well, I remember us telling my dad we were going to rent Futureworld, and my dad saying "Sometimes sequels aren't as good as the original.  Like this one."  In retrospect, I realize this means sometime my dad had tried to watch Futureworld.  

For Houstonians, this movie provides an extra treat as a bunch of it was filmed around town.  Thrill to seeing the underground tram at G. Bush International!  Say "isn't that Jones Hall?" as the leads enter Delos.  Wonder where they are in the Johnson Space Center for great stretches of the film, and why NASA agreed to this shit!

Thursday, July 14, 2022

Friday Night Watch Party: Mae West (PIVOT - we're doing FUTUREWORLD)

 


Probably the first platinum blonde that crossed my young brain was Ann Jillian, even before I put a name to Marilyn Monroe.  Ann Jillian was absolutely one of the few TV stars whose name I learned in part because of curiosity, but she was pushed super hard at audiences for a couple of years before she stepped away from the spotlight.

Anyway, Mae West is a GREAT topic for a movie, and while I think Ann Jillian has 6 inches on West, sure... why not?  Also starring James Brolin, Piper Laurie, Roddy McDowall(!) and more!  

Let's engage in some 1980's TV movie goodness!  Complete with commercials!

Day:  Friday - July 15th
Time:  8:30 PM central
Format:  Amazon FreeVee
Cost:  $0 (but commercials)

link live 10 minutes prior to showtime





Wednesday, July 6, 2022

PodCast 203: "Doctor Strange and the Multiverse of Madness" (2022) - Marvel Madness w/ Jamie and Ryan




Watched:  07/02/2022
Format:  Disney+
Viewing: First
Decade:  2020's
Director:  Sam Raimi




Jamie and Ryan take a multidimensional look at Marvel's Magical offering from earlier in 2022. Join us as we jump around looking at a Marvel film from a novel point of view, scale a mountain of plot, and consider what magic Marvel is spinning as they expand the multiverse of possibility.


SoundCloud 


YouTube


Music:
Multiverse of Madness - Danny Elfman


Marvel Madness - Movies and More...!

Sunday, July 3, 2022

Revenge Watch: Lady Snowblood (1973)



Watched:  07/02/2022
Format:  HBOmax
Viewing:  First
Director:  Toshiya Fujita

Oh.  My God.  @#$% yes.

As a rule, I don't personally believe in revenge.  But if you're gonna do it, might as well come at it with ice in your veins and a sword hidden on your person. 

Is there anything I didn't like about this movie?  No.  Is there anything I liked about it?  Everything.

Watch immediately.  Recommended.


Saturday, July 2, 2022

Watch Party Watch: Princess of Mars (2009)




Watched:  07/01/2022
Format:  Amazon Watch Party
Viewing:  First
Decade:  2000s
Director:  Don't care

In it's way, Edgar Rice Burrough's novel A Princess of Mars is maybe the most important book of the 20th Century that you've never read.  Published in 1912 as a serialized adventure, it laid the groundwork for 20th and 21st Century science fiction and fantasy of a certain swashbuckling flavor.  You do not get to Flash Gordon, Buck Rogers, Dune or Star Wars without the book.

It's had two adaptations that I know of - this one by SyFy Channel's unholy love child, The Asylum, and then the billion dollar dud from Disney, which I quite like as it's own thing.  

This movie had two things going for it:  
1)  A book beloved by 12 year olds that should have been a slam dunk to adapt, even for The Asylum
2)  Traci Lords

I am here to report that Traci Lords is a force even (especially?) when she's standing in the middle of a smoking crater of where a film was supposed to be.  All told, if you came to see Traci Lords, there's not really enough, but is there ever enough Traci Lords?

The movie was... bad.  Absolutely handicapped not just by a slim budget but by what they chose to excise from the book, what they added in, and then 79 minutes of the 90 minute run time all telling and zero showing.  Which is a really fucking dumb way to use your money when it comes to retelling A Princess of Mars.  

Not actually a set pic.  This is just Traci Lords on a Thursday.

Friday, July 1, 2022

Friday Watch Party: A Princess of Mars



I love the novel A Princess of Mars, by Tarzan author Edgar Rice Burroughs.   It's some bat-shit sci-fi-fantasy that's wildly imaginative, weird, violent and romantic in the way that would have deeply satisfied me at age 13.

A while back (2012), Disney had its famous catastrophe with John Carter, a several hundred million dollar adaptation of the book(s).  But that book is out of copyright, and three years before that bomb hit the screen, our friends at The Asylum, grabbed Antonio Sabato Jr. and someone we don't talk about nearly enough, Traci Lords, and they went out to the Vasquez Rocks and made a movie.       

I've only seen about thirty minutes of this back in 2009, but it always stuck with me.  And not just because it features Traci Lords.  I felt like, hey - this is them kinda trying.  It's still The Asylum, so, you know, it's got it's quirks. 

  • Day:  Friday July 1
  • Time:  8:30 Central
  • Service:  Amazon
  • Cost:  $2

Friday - Click Here to Leap Into Adventure


Sunday, June 26, 2022

PodCast 202: "Hudson Hawk" (1991) - a 90's Reconsideration PodCast w/ MRSHL and Ryan



Watched:  06/25/2022
Format:  Amazon Streaming
Viewing: First
Decade:  1990's
Director:  Michael Lehmann




Marshall and Ryan look into one of the worst reviewed, most notorious movies of the 1990's! We're looking at what they did, what critics and the public were sort of expecting at the time, where it went wrong and where it surprised us. Join us as we steal a bit of time and ponder an artifact that might turn movie lead into gold!


SoundCloud 


YouTube


Music:
Swinging on a Star - Bruce Willis 
Side by Side - Bruce Willis & Danny Aiello




Saturday, June 25, 2022

Watch Party Watch: His Kind of Woman (1951)



Watched:  06/24/2022
Format:  Amazon Watch Party
Viewing:  Third?
Director:  John Farrow

In celebration of Jane Russel's 101st birthday and enduring foxiness, we watched His Kind of Woman (1951) for our Friday watch party.  

I was aware this movie was weird and goofy, coming out of the Howard Hughes-era RKO studio where things seemed more dictated by Hughes' whims and libido than proven formula,  But until you watch a movie with a bunch of other people and you're responsible for what you're all watching - that's when you go from "yeah, this is kind of wacky" to "wow, this movie is bonkers".  

I'm aware that classic film folks turn their nose up at this movie, but they are wrong.  This is a movie that has everything, and it makes me laugh consistently throughout.  If you want serious, dark film noir, keep walking, because this thing has songs, Mitchum just swinging his dick everywhere, Vincent Price showing the moxie he'd bring to his horror career, and Jane Russell just being as Jane Russell-y as all get out (that's decidedly a feature).  

I had forgotten Raymond Burr was our big bad, and that Charles McGraw had shown up as a heavy.  Anyway, I can't think of a lot against the movie except that the last ten minutes goes on for 25.  Like - there's just way too much climax in this movie and it doesn't include Russell, and that is math I can't get behind.

Anyway, here's to the birthday girl.  Here's hoping she's having a great time wherever she is out there.



Friday, June 24, 2022

Friday Watch Party: His Kind of Woman - celebrate Jane Russell's 101st!


This week is Jane Russell's 101st birthday.  Let's celebrate with a movie that lets Jane do all the things she does best!  A little singing, some acting, some hanging out with Robert Mitchum, and definitely wearing dresses.

Anyway - if you like Robert Mitchum (and you should) and Vincent Price (who you definitely should like) and want to see mystery, romance, exotic locales, amazing wardrobe, Mitchum's super chill delivery, Russell's rad confidence and Price just Pricing it up...  this is a great Friday night flick!

Day:  Friday 06/24/2022
Time:  8:30 PM
Service:  Amazon Prime
Cost:  $3

Join us!  Link will be live 10 minutes before showtime.


Let's chill out with the birthday girl and her pal


Tuesday, June 21, 2022

101st Anniversary of Jane Russell Existing



One-hundred-one years ago today, Ernestine Jane Geraldine Russell joined us on this weird orb flinging through the otherwise uncaring cosmos.  Her arrival and subsequent Jane Russell-ness was and remains a sign that maybe the universe isn't the meaningless void one might otherwise assume.  

Russell is still generally well remembered by the public, if for no other reason for most folks as a co-star in the classic Gentlemen Prefer Blondes.  But Russell was a major star in her own right.  She's a natural in front of the camera, a talented comedic and dramatic actress, can sing and dance, and was game for all sorts of scripts.  Paired with Robert Mitchum in a few films, she's met her equal and acting partner - I highly recommend the ill-titled His Kind of Woman, which is just a hell of a movie, and then move on to Macao.  

I'd highly recommend you check out her work some time.  
 



Saturday, June 18, 2022

Vegas Watch: Viva Las Vegas (1964)




Watched:  06/17/2021
Format:  Amazon Watch Party
Viewing:  First
Director:  George Sidney

Confession:  I thought I had seen an Elvis movie all the way through, but looking at The King's IMDB profile, I hadn't. I've seen others in part (Blue Hawaii, Roustabout, etc..), but am not overly keen on jukebox musicals with a book thinner than a pamphlet.  However, Viva Las Vegas (1964) is kind of the high water mark for these kinds of films, and it co-stars perennial favorite, Ann-Margret.  

Part tourist boosterism for America's playland, part romantic comedy, and all boppin' musical, the film is about 85 minutes of rocket-sled plotting paired with Go-Go dancing, while absolutely nothing happens, and we basically watch plot points used a million times over by '64 to tell the story of Elvis and Ann-Margret falling in love.  And in the last ten minutes of the film, we suddenly have a massive bodycount.  Did not see that coming.

Did I like the film?  Yes.  It's charming, dumb and cute.  Ann-Margret is something else.  Was the film good?  By conventional standards, its a mess.  But it was intended to get teens out to cinemas, promote Ann-Margret and Elvis and sell some records, and by that standard it's Citizen Kane.  

Picture stolen from Jenifer's blog, but you can see Garr in white and Basil's backside in red



Sidenote - Teri Garr is briefly in the movie as a background dancer, and you can see how she got pulled out of the chorus for a leading position.  Also: I heard Toni Basil is in the movie, and you cannot miss her when she's on screen for maybe 4 seconds.




But, yeah, basically Elvis plays a would-be race car driver who is in Vegas to drop off his car for a big road rally before heading off to LA to pick up the new motor.  He meets, immediately, an Italian Count who is the definition of Frenemy, and Ann-Margret, who is a pool manager/ swimming teacher.  Trying to find Ann-Margret, Elvis and the Count go on an ogling expedition of the showgirl shows across Vegas, so, you too, can fill your spank bank and have an idea of what you can objectify for a few bucks if you come to Vegas.  Eventually Elvis finds Ann-Margret, they begin to date (having enormous fun with money we're told Elvis doesn't have), but she doesn't want him to race lest he crash.  So they kind of break up.  But then he goes to race, and she helps.   It makes no sense, as nothing in the movie makes any sense.   And then they show the race, and it's a reminder of how terrifyingly dangerous racing was in mid-Century America and how far we've come in not thinking motor sports should end in death.  

Anyway, it is exactly what I was expecting, except for the scene where Elvis hangs out with a bunch of drunk Texans and it suddenly feels like a documentary or how-to video about how to deal with drunk Texans that is accurate to this day.




Friday, June 17, 2022

Emergency Friday Watch Party: Viva Las Vegas

 


What's 90 minutes and contains as much Ann-Margret shimmying as a movie can handle?  More Elvis being charming as hell than a movie should contain?

That's right, we're emergency watching Viva Las Vegas.  

  • Day:  TODAY 06/17/2022
  • Time:  8:30 PM
  • Service:  Amazon Prime

SHIMMY WITH US BY CLICKING HERE  


Tuesday, June 14, 2022

Ida Watch: The Man I Love (1947)




Watched:  06/13/2022
Format:  Criterion
Viewing:  First
Director:  Raoul Walsh

Cubs were in weather delay, so I put on The Man I Love (1947) so that I might continue on my Ida journey.  

Ida Lupino had previously starred in High Sierra for director Raoul Walsh, and he must have known he had about four choices in Hollywood to pull off the part of Petey Brown (my new favorite character name in anything, ever), and by 1947, Crawford and Stanwyck were not going to sell the age Petey needed to be in relation to all the other members of her family.  

There's a lot of reasons to like this movie, but not least because Ida Lupino is in fabulous gowns and other outfits.  She's... well cared for on this movie in some ways (she also apparently suffered from legit exhaustion on the movie, which makes me think in other ways, she was run ragged), with gorgeous lighting, hair and make-up in every scene.  

Sunday, June 12, 2022

PodCast 201: "Daredevil" (2003) - A Marvel Madness Episode w/ Danny Horn & Ryan




Watched:  06/09/2022
Format:  HBOmax
Viewing:  Second
Director:  Mark Steven Johnson




Danny and Ryan break a Signal Watch record, talking about a movie for longer than the run-time of that movie. Because when it comes to 2003's superhero offering, we need to take this to court and then give it the beatdown. We're jumping off skyscrapers of logic and throwing billy clubs of criticism as we echo-locate what it's all about.


SoundCloud 


YouTube


Music:
Daredevil Theme - Graeme Revell
Guardian Devil - Graeme Revell


Marvel Madness Playlist

Watch Party Watch: Streets of Fire (1984)




Watched:  06/10/2022
Format:  Amazon Watch Party
Viewing:  Unknown
Director:  Walter Hill

Sooner or later I was going to make the Friday Watch Party Gang watch this movie, and indeed, I did.  

Reactions were, at best, mixed.  

The last time I watched this movie, I was ill and Jamie and I recorded a very iffy podcast that required some follow up when I was feeling better.



Noir Watch: The Killer is Loose (1956)




Watched:  06/10/2022
Format:  TCM Noir Alley
Viewing:  Second
Director:   Budd Boetticher

This movie is here to put the lie to the 1950's being a more innocent time.  It's dark and brutal and feels like a gritty novella of the era (which should also tell you that if you think the 1950's were what you saw on TV re-runs, you're a remarkable idiot).  This film mostly made it past censors as near as I can tell because the antagonist as the Hays Office would have seen it gets shot to hell in the final reel.  But that's missing the drifting shades of gray of *everyone* in the movie, including and especially out lead cop.

I watched this one about seven years ago, and it's interesting to return to films I haven't seen much now that I know the actors and noir a bit better.  I have a better feel for Joseph Cotten, Wendell Corey, Rhonda Fleming*, Alan Hale Jr., and even Virginia Christine.  

Anyway - it's a good ticking time bomb of a movie.  Wendell Corey plays a bank employee who seems to be trying to thwart a robbery, but the cops figure out he's involved.  When they come for him, Joseph Cotten accidentally kills his wife.  Seeing Cotten's wife, Rhonda Fleming, at his trial, he vows revenge in the form of murdering Fleming.  

He escapes (via murder) an honor farm and he begins his pursuit.  Fleming and Cotten battle over what it means to be a cop's wife and what she's going through worrying about him constantly and what he feels is his duty.  In a curious turn for the era, the movie refuses to give us an answer if either of them are right.  But as a potential target, it really brings the debate to a boil.

Give this one a shot some time.  It's a quick watch, but gets the job done.  And you'll never look at Wendell Corey the same again.



*I mean, let us be honest - I tend to say "okay" if a movie has Rhonda Fleming, and this one does.  



Saturday, June 11, 2022

Judy Garland at 100



June 10th marked the 100th anniversary of the birth of Frances Ethel Gumm, who we all know as Judy Garland.  

Garland was a star from almost the time she could walk, and was a performer of stage and screen until her untimely passing just 12 days after her 47th birthday.  I am now older than Judy Garland ever was.

I would be very curious to know what the average person on the street thought of Garland during the 1940's til her death.  To put it mildly, her life was tumultuous.  And I am sure the movie magazines and gossip columns covered that, but most people couldn't have known much about her issues at work and at home.  She simply had to have been a given - she had been on screen since before The Wizard of Oz, and even if she disappeared for a while, she always seemed to return, whether it was television or stage shows.  

But the studios seemed literally cruel to her, in ways that anyone should share with their starry-eyed kids considering a career in show-biz, both in front of and behind the lens.  But in the end, though she's been gone for almost 53 years, she's still a draw, whether it's folks tuning in for Easter Parade or Meet Me in St. Louis or The Harvey Girls or Wizard of Oz.  A few people can name directors or studio chiefs, but folks will still stop to see what Garland is doing on screen.  

I don't know if it's a triumph or a tragedy.  But you also can't imagine movies without her.




Friday, June 10, 2022

Friday Watch Party: Streets of Fire



It's a Rock & Roll Fable!

I can't and won't try to explain Streets of Fire, a not-a-musical that acts like one, produced by Joel Silver and lensed by action-director Walter Hill.

But... Join us for motorcycles, rock n' roll, crazy dialog, a fantasy make-believe-land of mid-century America that's weirdly violent, boroughs that each have their own musical theme, and which has no obvious sources of economy other than rockin' out, and a major, major gang problem!

If you dig the music of Jim Steinman (Meat Loaf, Bonnie Tyler), a weirdly cast Rick Moranis, and a 19 year old Diane Lane playing 27 or so - this is the movie for YOU.

Day:  Friday - 06/10/2022
Time:  8:30 PM Central, 6:30 PM Pacific
Service:  Amazon Prime
Cost:  $4



Wednesday, June 8, 2022

Doc Watch: Closed For Storm (2020)





Watched:  06/07/2022
Format:  Amazon Prime
Viewing:  First
Director:  Jake Williams


While I've been sick, I've been watching some urban explorer videos and whatnot, and one of the videos I was watching pitched a full documentary the team had put together about the abandoned Six Flags New Orleans.  It's one thing to make a YouTube video with some footage of derelict buildings and combine it with found images and video, and whatever history you can piece together from the internet (which is often shockingly in-depth), so I was curious to see what a full doc looked like when these same folks put in some doc-style labor.  

Closed for Storm (2020) is a solid feature-length-ish effort.  Like the short-form videos by the same team, it chronicles the intentions, financial big movements that impacted the development of the facility, the actual use of the facility, and the factors that led to the decline.  In prior shorter videos, those factors are usually directly economic paired with bad luck and one or two other things, forseeable and otherwise.

Closed for Storm has to grapple with 2005's hurricane Katrina and the impact on New Orleans and the rise and abrupt end to Six Flags New Orleans.  It documents the bizarre purgatory of the property as it sits, rotting more every year, no one making any moves to level the place or do something with it.  The film winds up being a microcosm of the well-documented perfect storm that is Louisiana politics, callowness of big business, economic disparity in action, and the undealt with trauma of a region

As a micro-budget production by folks doing their best, not all of the film feels as polished as it could be.  I was expecting as much.  But it shows promise for the filmmakers if they can continue to elevate this core concept of using something as crazy as an abandoned theme park as a story telling device to illustrate how shit kinda really works/ doesn't work.  

Unlike Astroworld, which was apparently simply financially failing (news to me), Six Flags New Orleans was lost to the storm and given up on by new owners of Six Flags.  From 2005 to the release of this film, the city of New Orleans, never famous for its decision-making, has left the remains of the park to simply rot, rejecting all proposals.  And if you've ever sat through a bureaucratic process like an RFQ proposal, you know there's intense disinterest and misunderstanding by the persons involved.  So, instead of having literally anything else there, the park has just rotted.

Interviews include attendees, former employees, and the folks trying to find ways to revive the property.  Everyone is deeply sincere, and it's a layer to the usual "why it failed" and "urban explorer" videos you see all over YouTube.  We're not just guessing, the video is talking to people who were there, who lost jobs and who saw a good thing for the community abandoned rather than rebuilt, like so much of New Orleans.  But it seems they couldn't get any of the city-folks who so cavalierly dismiss the park year after year.

If I felt like one major point roughly implied, but not directly stated:  the kinds of people who are making decisions about the future of the amusement park shown in the video are not the kind of people who would give one much thought.  I'm not saying they need to be amusement park nerds, but.  They strike me as the sorts of folks who can take days of vacation and jump on a jet and go to Disney if they want to see an amusement park, or go skiing or do whatever.  But vast parts of the population can't afford to and don't do those things.  In a city like New Orleans, which is largely aimed at adult entertainment or expensive pro sports, an amusement park is no small thing.   

Anyway - I hope these folks keep working on their films.  It feels like there's a lot here to consider, and using specific examples of entertainment properties and resorts is fascinating way to consider economic and cultural forces.


Tuesday, June 7, 2022

Comedy Watch: Senior Year (2022)




Watched:  06/06/2022
Format:  Netflix
Viewing:  First
Director:  Alex Hardcastle

So, it's impossible to talk about this movie and just talk about the movie.  

First, let's get it out of the way - this is a movie that was never, ever intended for me.  So proceed with caution.

Second - this is the first I've seen of Rebel Wilson in a while, and, yes, she's worked hard to reduce, as we once said.  She always looked terrific, and she continues to do so (that is not her actual body in the poster above, which is weird).  Rebel Wilson is all about the eyes and smile, and so long as those don't change, we're good.*

Third - we may now discuss the plot, which opens the can of worms.