Hitchcock Watch: Rope (1948)

Watched:  04/02/2026

Format:  BluRay

Viewing:  First

Director:  Hitchcock

This was my first time watching Rope (1948).  For some reason I have massive gaps in my Hitchcock viewing, and I do a poor job of just getting over myself and putting the movies on.  

From even back when I was in film school, I came to believe that this movie was mostly just one big technical trick, but that the movie itself wasn't very good - which is why I never bothered watching the film.  The description was always that it was a lesser movie.  But I literally don't know what the @#$% those people are talking about.  Rope slapped.

Yes, it is several long takes stitched together - and a technical trick trying to do something novel where the technology just wasn't there.  Film reels were only so long in 1948, and camera equipment was hefty.  And I'm kind of left to wonder if Hitchcock watched Lady in the Lake and thought "that's not the trick.  The trick is to let the camera be the camera but keep it running - let the audience feel they're in the room."

And, especially in the third act, I found all of that incredibly effective.  

It doesn't hurt that the movie has a few things I like in general:

90's Superhero Watch: The Rocketeer (1991)

Watched:  04/01/2026

Format:  Disney+

Viewing:  Unknown

Director:  Joe Johnston

I can't put my finger on why, but I just felt like watching a movie where someone blew up a bunch of Nazis trying to operate on American soil.  

So, I saw The Rocketeer in the theater back in 1991.  Even 16-year-old me was thrilled it was going to have airplanes and a guy from a comic book and pre-1960's styling.  And it was going to have that girl from Labyrinth!  

Watching it now is a completely different experience but no less joyful.  Back then I didn't get all the references and nods which the movie crams in left and right, using the movie almost as an excuse to reward Hollywood nostalgia nuts.

However, I recall being very *aware* of The Rocketeer as a comic property before the movie came out because comic fan mags and catalogs featured Dave Stevens' Bettie Page inspired art that was used to promote the property.  However, I couldn't find the actual comics.  And, a bit like some pics of P'Gell from The Spirit, it gave me some very wrong ideas about what the comic book was when I finally read it.  

Supergirl (2026) Trailer is Up

Heyyyy!!!  The second Supergirl trailer is up.

You can watch the trailer from YouTube here:

Here's that Teaser Trailer from earlier:

I mean, so far, so good.  It's a very particular take, and very far from her first appearance in 1959.  Which, you know, is fun...  but would never work in a million years as a movie now.  The closest we'll get to that is Helen Slater, and then some of what Melissa Benoist brought to the screen.

I don't mind the traumatized refugee take - it absolutely makes sense.   And, frankly, the comic they're using as the bones for this movie is a gorgeous, memorable story (Supergirl: Woman of Tomorrow).  

So far, I like Milly Alcock.  The look and feel all feels spot on.  So, sure!  Looks like a blast.

Do I have qualms?  No, man.  I don't.  I am not here to outsmart a trailer that looks perfectly nifty.  At this point in my life I just say "is this for me?"  And I think this is.  Sometimes I'm right, sometimes I'm wrong.

Totter Noir Watch: Under the Gun (1951)

Watched:  03/29/2026

Format:  Sketchy Russian Site/ Archive.org

Viewing:  First

Director:  Ted Tetzlaff

So, because the studios are dumb and don't make their older movies easily available, I watched this on a sketchy Russian site (link above).  And I wanted to watch this movie. In fact, I would have paid real American dollars to watch this movie.  

"Why watch this one?" you ask.  It has (in order of interest) Audrey Totter, Richard Conte, Sam Jaffe and John McIntire.  And was a crime flick I'd not seen discussed anywhere except for one still I saw go by on social media a couple of months back.

Conte plays a mobster who has gone to Miami from NYC, and while there found singer Audrey Totter,* who he plans to bring back to New York and make a star.  Totter is wary, but knows this could be her big break, and so jumps in a car with Conte and his two heavies.

Apeman Watch: Tarzan and the She-Devil (1953)

Watched:  03/28/2026

Format:  TCM

Viewing:  First

Director:  Kurt Neumann

I wasn't planning to watch Tarzan and the She-Devil (1953), but had it on, and Cheetah the Chimp was carrying a rifle and I was like "yeah, okay...  I'll finish this movie".  

This isn't Johnny Weissmuller, it's Lex Barker* as Tarzan and Joyce MacKenzie as Jane.  It also co-stars Raymond Burr(!) as a Great White Hunter-type, Tom Conway as a cuckold and Monique van Vooren as Lyra, the titular She-Devil.  

Lyra is mostly just a woman of means who knows her own mind and doesn't let men dictate her life, which makes her a She-Devil.  She also would like to be on Tarzan, but that's par for the course in these movies.  

Wise Sci-Fi Watch: The Day The Earth Stood Still (1951)

Watched:  03/23/2026

Format:  YouTubeTV

Viewing:  3rd or 4th

Director:  Robert Wise

Hey!  Happy 75th birthday, Gort!

The Day The Earth Stood Still (1951) is a landmark for science fiction, especially in cinema, and would help launch a thousand imitators in the years to come (thanks, Ed Wood!).  It's also an A picture, which for Sci-Fi in the post WWII era must have been something.  We're still five years before Forbidden Planet would launch the notion that would birth Star Trek.   Notably, it was released the same year as the doomsday epic, When Worlds Collide.  

A flying saucer arrives and circles Earth, eventually settling on the lawn across from the White House.  The whole world knows this is happening, and we get international news reports (is this the first use of this trope in a scifi movie?).  Hours after landing, the craft opens and a man in a space suit emerges, who a soldier waits all of about 45 seconds to shoot for no reason.  A giant, metallic robot emerges, threatening everyone with weapons - atomizing guns, tanks, cannons, etc... with a beam from its face.

Our hero, Klaatu the space man, turns out to be Michael Rennie - He looks and speaks just like a normal man.  When world leaders refuse to meet to hear him out, he becomes frustrated, steals some clothes and bolts from Walter Reed.  With great luck, he winds up in a boarding house where Patricia Neal is dwelling with her son, and he uses the name "Carpenter".

Valerie Perrine Merges With the Infinite

Our beloved Miss Teschmacher from Superman: The Movie, one Ms. Valerie Perrine, has passed.  She was 82.

Perrine starred in movies like Slaughterhouse-Five, Lenny and Can't Stop the Music.  She was such a fan favorite in Superman: The Movie that, despite being an original character for that movie, the character has shown up over and over in other Superman adaptations, from Smallville (Tess Mercer) to  Supergirl to the 2025 Superman film, played by Sara Sampaio.

Perrine had been ill for some years, but had maintained a presence online, seeming cheery despite her condition.

We'll miss knowing she's out there.

You can assist with funeral expenses by going to this gofundme.  

80's Fantasy Watch: The Neverending Story (1984)

I'm with the horse by the last 30 minutes

Watched:  03/22/2026

Format:  YouTube

Viewing:  Unknown

Director:  Wolfgang Petersen (I know, right?)

An absolutely seminal movie of my youth - I really grew to dislike this movie over the years.  Sorry, nostalgia fans.  

I saw it in the theater opening week, and Gmork, that big wolf, scared me so bad, I remember exiting for the men's room.  But that was fine.  I know I saw it a couple more times, but it wasn't one that landed with me as a kid in the way of other films.  I didn't identify with Bastian or Atreyu, they were just kids in a movie with neat FX.  It was fine, but not a favorite.

When I was 14, I was signed up to babysit a kid, and somehow got my hands on a copy of the movie so we watched it - and I realized - "hey, this movie isn't very good".  Like, it looks neat, it has some memorable set pieces.  But there's no story in the Neverending Story (1984).  I mean, there is - but it's all meta stuff about a kid who reminded me of the kids at school who just never got their shit together and always looked like they might cry (middle school was going to eat Bastian alive).

Action Comedy Watch: Novocaine (2025)

Watched:  03/21/2026

Format:  Amazon

Viewing:  First

Director:  Dan Berk/ Robert Olsen

This movie hits that awkward spot of being "fine".  It's more or less what you were expecting from the trailer - a bit better in some spots, and a bit lacking in others, but when you saw the trailer you were like "I know exactly what this will be".  And you were 85% correct, with that remaining 15% not exactly blowing the doors off.

Novocaine (2025) should maybe have been like, one episode of a show.  The concept is both interesting and wildly limiting, and the story here is not really enough to fill the runtime of a whole movie.  And the movie around the concept is just boilerplate action stuff that feels deeply constrained by budget.  

But it's also not bad.  I wouldn't say that.  It's fine.  It's deeply gross at times, maybe a bit hard to watch in a scene or two.  And maybe weirdly should not have named the condition that our lead is supposedly suffering from, as it exists and sounds very rough.  It's kind of like turning epilepsy into a super power for a movie.  Maybe a fictional condition would have sufficed.

Canon Watch: Big Trouble in Little China (1986)

Watched:  03/21/2026

Format:  Amazon

Viewing:  Unknown

Director:  John Carpenter

I'm glad they kept making movies after Big Trouble in Little China (1986), but what, really, has been the point?