Joe Ely Merges With The Infinite

Legendary Texas Musician Joe Ely has passed.  He was 78.

More here.

Ely was part of the Flatlanders and continued to perform up until very recently.  I saw him with my Cousin Sue and family a few years back at the Saxon Pub.  Ian McClagen was just sitting at the bar.  

Not too much longer after that, I was paying to park at a lot off Colorado with a bunch of people from out of town (I remember one dude was from Belgium), and there was Joe Ely at the kiosk, paying to park.  He heard me freaking out and saying "That's Joe Ely!  That's Joe Ely!" which was a fact I assume he knew.

Ely was a crucial figure in Texas music for decades, and a Texas legend.  He'll be missed.

Holiday Goofiness Watch: North Pole Nutrias (2002) and A Meowy Christmas (2017)

Watched:  NPN  12/07/2025, MC  12/14/2025

Format:  YouTube/ YouTube

Viewing:  First for both

Director:  Rick Dealup/ Steve Rudzinski

As we near Christmas, we did two quick watches with Dug and K to get ourselves in the Christmas Spirit.  The first was North Pole Nutrias (2002), a puppet-show running about 26 minutes and created by New Orleans-based pair Quintron and Miss Pussycat.  The second was a little indie movie out of Pittsburgh called A Meowy Christmas from 2018.  This one runs about 55 minutes, but feels like it's about 6 days.

While watching North Pole Nutrias, I learned not everyone knows what a Nutria is - which is a large-ish rodent that lives along rivers and near water.  They've invaded the waterways for New Orleans and cause enough problems that there's been a bounty on the animals.  But!

North Pole Nutrias is, apparently, a bit of a holiday tradition for the hep cats of New Orleans, and I get it.  It's a puppet show, shot on tape, and has some distinct vibes of music and art scenes of the late 90's.  Kind of an embracing of the media we'd grown up on - specials like Emmett Otter's Jug Band Christmas - but made with an intentional lo-fi feel and hand-made aesthetic.  Think Pee-Wee's Playhouse, that you know through the glossed up version and are just used to.  

Rob Reiner Merges With The Infinite

I hate this.  I hate writing this.  

No one deserves to die the way Rob Reiner and his wife Michele passed.  

Most of the time, I'm able to write a simple "they were beloved, and will be missed, here's why this site is memorializing them", but today, on this one, the cruelty of what happened is a bit overwhelming.

We all know Rob Reiner, and kind of wish we had met him.  He seemed absolutely aces, and he made so damn many good movies.  Hell, he'd be a legend just for his few scenes as an actor just in The Wolf of Wall Street, but as a director and producer, he put out some of our favorite movies.  

May the Reiner's family know what the work Rob Reiner did meant a lot to so very many people, and that Rob and Michele will be mourned.

Disney Doc Watch: The Sweatbox (2002)

Watched:  12/14/2025

Format:  Internet Archive

Viewing:  First

Director:  Trudie Styler

Hoo boy.

So, this was probably not the final form of the doc The Sweatbox (2002), but it is the one that I found online at The Internet Archive.  It's a little rough and incomplete, but was clearly heading toward a final cut.  Why is it in this state?  Apparently it's been quashed by Disney, and yet... here I am.  A man who watched it.

The Sweatbox is a doc about the making of what became The Emperor's New Groove, a film which we recently watched.  The film takes the viewer through the Disney process of making an animated film, giving viewers some insight into how the sausage is made, which may be surprising if your knowledge of film is based in live-action.  The Disney animation tradition established by Walt and the original Disney animation team was always to run story, gags, etc...  through a committee so you could be told honestly what worked and what didn't.  When Walt was around, he would ask how you could "plus" something - ie: make it better.* Or, sometimes, be honest that something may need to change, and/or you may need to dump a favored idea.

True Crime/ Noir Watch: The Phenix City Story (1955)

Watched:  12/14/2025

Format:  TCM on HBOmax

Viewing:  First

Director:  Phil Karlson

The Phenix City Story (1955) was not at all what I was expecting from brief descriptions I'd read over the years when making a choice for what to watch.

First - Phenix City is a real city in Alabama on the Georgia state line.  Second - this is a true crime movie that was made in the wake of the assassination of a recently elected new Attorney General from the State of Alabama who was voted in on his promise to clean up the vice and corruption in Phenix City.

Phenix City sits across the Chattahoochee River from the larger Columbus, Georgia and near a very large Army Base, Ft. Benning.  Apparently, for decades and decades, that was enough to make the small town (about 24,000 people) into a place where one could gamble and pick up hookers while the locals looked the other way.  While Phenix City also had more churches per capita than anywhere else in Alabama, somehow the city basically turned a blind eye to the economic engine that is allowing your town to be Pottersville.  

The movie is wildly frank about this for a Hayes Code-era movie.  They murder children, on screen.  There's other acts of terrible violence.  It mentions and shows prostitution, gambling, etc...  and even discusses and shows prostitution offered in return for votes for the corrupt politicians.  I'm kind of shocked this movie isn't a much bigger deal just as a counterpoint to what people think is both the squeaky clean media of the Eisenhower era and a counterpoint to the dumbulbs who think things were all Mayberry in ye olden thymes.  

Disney Watch: The Emperor's New Groove (2000)

Watched:  12/13/2025

Format:  Disney+

Viewing:  Second (I think.  Maybe third?  Jamie will tell me.)

Director:  Mark Dindal

I remember quite liking The Emperor's New Groove (2000) when I saw it in December of 2000.  I believe Jamie, The Dug and I went to see it on Christmas Eve in Lawton during it's initial release.  But I haven't come back to it over the years.  No real reason - there are many movies and I don't rewatch everything.

The other week, I saw some memes using Gronk imagery and was thinking "man, why have I not rewatched that movie?"  Frankly, aside from David Spade's character becoming a llama, I didn't really remember much about the movie other than "it is funny".  

On a revisit, it's an odd Disney film.  It feels very... small.  And for a movie with "groove" in the title, it has I think one song and it's performed by Tom Jones?  

Christmas Horror Watch: Silent Night, Deadly Night Part 2 (1987)

Watched:  12/13/2025

Format:  Amazon?

Viewing:  First

Director:  Lee Harry

Sometimes horror fans complain that critics will say "this is pretty good for horror" or something of the like.  And I agree - that's a bit dismissive of a whole genre.  But my suspicion about why this happens is that sometime in high school, a person who would one day become a critic was with friends who rented something like Silent Night, Deadly Night Part 2 (1987), and their takeaway was "this is what you guys are watching?"

On its face, yes.  This is a movie with problems.  It's three years after the first film's release, and this sequel - put out well into the age of VHS where most people probably saw the first Silent Night, Deadly Night - spends 36 minutes doing a mix of clip show of the first movie and having our new villain/ protagonist relay the story of the first film to a psychiatrist.  Then it spends ~30 minutes relaying the fate of the brother of the first Kill Krazy Kris Kringle (our hero/villain) before it unleashes our guy onto the world, where he immediately goes after his abusive former Mother Superior.  

There is, to my surprise, an added bit of pretension at the end as we learn the surviving nun was the same woman our Second Santa avenged after near SA - killing the dude with a Jeep.  I did not think this was the sort of movie to include dramatic irony, but here we are.

By the way, I did figure out immediately that at some point I'd seen the first half of Silent Night, Deadly Night, but I must not have finished the movie.  

But if your critics' only takeaway was "that wasn't very good", I am afraid they're missing the point.  This is the opposite of "elevated horror" - this is Santa Exploitation Horror.  This is a mad man walking around a suburban street firing off something like 20 shots from a six-shooter while he laughs stiffly and badly.  This is a guy murdering people for talking in the movie theater and punishing "naughty" people with an axe to the head.  It's not scary - it's basically a comedy.

So does it succeed as a film delivering on that premise?  

I mean, I think so.  This is a Rental movie to watch while drinking beer, and maybe cheer a bit when some murders happen.  

Thanks to the merging of the first film into the first act of this movie, it's also a wildly overcomplicated movie for a movie about a guy who puts on a Santa hat to kill people.  And it's part of the movie's charm.

I am only sad that I watched it by myself.

One day I need to do a post about how maybe the usefulness of critics and awards is minimal, and that what really makes a movie survive is a culture that can sustain those movies.  And horror and the horror fanbase is amazing about keeping movies alive and making lowkey celebs out of people who made a cheap movie 40 years ago.

Dick Van Dyke at 100

 

Dick Van Dyke is now 100.  What a delight to do a "at 100" post and have the person still with us and in terrific shape.

He's easily one of the earliest actors whose names I knew who wasn't a Star War.  As a kid, I remember being taken to a re-release of Mary Poppins, and it was part of how I fell in love with movies.  And, of course, reruns of The Dick Van Dyke Show played well through when I was a young adult - when I feel like I finally got the appeal (no, not just Mary Tyler Moore - it's really funny and now I kind of want to watch it again).  Not bad for a show that ended 9 years before I was born.

Later, I'd see him in Bye Bye Birdie and other films.  The man is an entertainer.  

Here's to lasting a century and somehow remaining universally beloved.  You have a lot of choices of how you want people to think of you at 100, if you're remembered at all.  This may be the absolute best case of all.

Chabert Watch: Slightly Single in LA (2013)

Ah, the "look at our galaxy of stars" rom-com poster.  Always a promising sign.

Watched:  12/12/2025

Format DVD

Viewing:  First

Director:  Christie Will Wolf

Editor's note:  we've decided to Thelma and Louise our way through the remaining Chabert filmography.  I've been looking to see if I can find the Chabert films I haven't seen yet via very cheap used copies or online (one way or another).  

Ugh.  

File this under "this movie was never aimed at me" but also "never write fiction that is a thinly veiled version of a story about yourself".

Christie Will Wolf (here listed as Christie Will) is the writer/ director/ producer of Slightly Single in LA (2013).  These days she's a prolific director and producer of Hallmark movies, and I've seen some of them in whole or part.  She also was the mastermind behind 2011's Holiday Heist, one of the hardest-to-watch movies viewed during ChabertQuest 2025.  

The movie is a rom-com/ would-be Sex in the City about the foibles of a group of women and their token gay friend (Jonathan Bennet).  The story follows around Chabert's character, Dale, who has had bad luck in love.  But what's played for comedy is merely comedy shaped but at no time made me so much as crack a smile.  The movie feels like it's about someone with terrible risk analysis and decision making skills.  But the movie is written, directed and produced by one person - who seems totally unaware that the characters are not just unrelatable, but deeply unsympathetic.  

This lead character sucks.  But she sucks the least of all of the characters, so... yay?

DC Studios: Supergirl Trailer Arrives

The movie isn't arriving until late June of 2026, but we have our first trailer for the upcoming movie, Supergirl.  

For comics readers, we're going to recognize this is a loose adaptation of Supergirl: Woman of Tomorrow by Tom King and Bilquis Evely.  It's a pastiche on revisionist westerns, especially True Grit.  So she comes by the duster thematically and honestly.

Yes, this is a different Supergirl than Helen Slater or Melissa Benoist.  And I shock myself to say this - but that's okay.  I adore Silver Age Supergirl, and Bronze Age Supergirl, but Supergirl, with her story, was in need of a serious overhaul, which I think she got locked in via comics scribe Sterling Gates several years ago now.  

The basic idea is - she's not Superman.  He was an infant foundling, she was a survivor of a catastrophe she saw first hand.  She is walking trauma.  Ma and Pa taught Clark to be kind and love everyone, Kara learned the world will literally explode beneath you.  Anyone who thought Superman was a bit too sunshine-y now has their flip side of the coin.

Milly Alcock seems a solid choice for this Kara from her appearance to her spirit, and I think The Youths will like Alcock and her Kara Zor-El.  I've seen nothing that makes me anything less enthused about her as the choice.

Here's that trailer: