Texas Watch: Paris, Texas (1984)

Watched:  07/04/2026

Format:  Criterion

Viewing:  First

Director:  Wim Wenders

As a forewarning, I really don't have anything new or novel to say about this movie.  It won Cannes in 1984 and is one of those movies that gets discussed *a lot*, I guess.  But I've avoided those discussions because I'd never seen the movie and was fundamentally avoiding spoilers.  

I haven't seen that many Wim Wenders movies, but of what I've seen - I've been a fan/ I'd watched the beginning a couple of years ago - just the first 45 minutes of a lengthy runtime, as Wenders movies tend to go, and had no idea where it was going.  Which - fair..  Paris, Texas (1984) should have been a slam-dunk for me, but I just never got to it until after our mid-day Fourth of July activities ended and before we put on fireworks from New York.

Starring Harry Dean Stanton, Dean Stockwell and Natassja Kinski - it's a movie that reminds you that a deeply compelling movie doesn't need FX, a cut every two seconds, a needle-drop every ten minutes or fifteen subplots.  That's not to say Paris, Texas is representative of movies in 1984 - one of the years that defined the modern movie.  I'm not really sure it points to much more than what was happening in independent film in the 1980's that would inform indie movies for the next fifteen or twenty years.  Character driven, mood driven, and trying to show something about the human condition.

Franken-Watch: The Bride! (2026)

Watched:  07/01/2026

Format:  HBOmax

Viewing;  First

Director:  Maggie Gyllenhaal

Before release, I was really looking forward to the release of The Bride! (2026).  

As many know, one of my favorite movies is The Bride of Frankenstein.  This ranking is followed immediately by Frankenstein, and I tend to think of them as a two-part movie as much as a pair of individual movies.  I still re-read Mary Shelley's Frankenstein from time-to-time. In 2018, I celebrated the 200th anniversary of the book's publication by visiting a sort of display at the Lilly Library at Indiana University. 

The Bride! was released with what I'd consider a serious marketing push - a rarity these days.  And then the reviews hit and word was not good.  And then people I know saw it and were unenthused, and so I decided to wait for streaming.

I am sad to report that this was the right call.  

Here's what I think.  

TLDR Super Watch: Supergirl (2026)

Watched:  06/25/2026

Format:  Regal

Viewing:  First

Director:  Craig Gillespie

It is probably worth noting that while a great IP to slap on thermoses and t-shirts, Supergirl is maybe the least consistently written mainstream character in comics.  So there is no "right way" to write Kara Zor-El.

I've read my fair share of comic books starring Supergirl over the past few decades.  I've read Silver-Age, Bronze and Copper-Era stories.  I read 90's-00's Not-Kara Supergirl by Peter David.  And was one of people who was flipping out when they brought Kara back in the mid-00's.  Aside from giving New 52 Supergirl a pass, I have pretty complete runs of pretty much everything since the 2005 reboot.  I heartily recommend the current series by Sophie Campbell as one of the best comics I've read in a while.  I own a copy of Action Comics 252.  

I've seen the 1980's Supergirl movie at least three times - including on VHS as a kid.  I watched the entire run of the CW TV show.  Am familiar with various incarnations in live action and animation.  (I have an affection for almost all of those takes.)

I am not a Supergirl PhD, but I feel pretty well oriented.  So, there's my bona fides.

Car Watch: F1 - The Movie (2025)

Watched:  06/21/2026

Format:  AppleTV

Viewing:  Second

Director:  Joseph Kosinski

So, I watched F1: The Movie (2025) a year ago in the theater.  It was an enjoyable movie that was about car racing and produced by Jerry Bruckheimer - so I figured I knew what I was getting, and I was right.  And that is not a complaint.  When I go to Chili's for dinner, I do not complain when the Old Timer with Cheese is the Old Timer with Cheese.

F1: The Movie stars a hot dude who is the best at what he does, but our hero is *also* a troubled rogue.  In this way, he is Maverick from Top Gun.  And, really, this movie is a scramble of beats from Top Gun and basic movie formulas of a certain era for which middle-aged men apparently yearn.  F1: the Movie also features the bonus of being about an old gun fighter showing the new kid on the block what it's all about in order to really satisfy us aging movie-dudes.  

Marilyn at 100: Clash By Night (1952)

Watched:  06/21/2026

Format:  TCM on DVR

Viewing:  Second or Third

Director:  Fritz Lang

I'm never going to get over having seen Barton Fink too many times in my younger years.  

Plainly put, the character of Barton Fink is based loosely on the real-life play-write Clifford Odets, who went out to Hollywood to turn his plays about *the common man* into movies.  So every time I see Odets' name on a movie, I kind of know loosely that this will be about the gritty lives of the everyman, and have very particular dialog tics.  Also, I kind of wonder how full of shit this movie really is at its core - not something I generally care about.

Odets strove to capture a sense of at least emotional realism in his plays and movies, setting them not in penthouses and mansions for the New York elite attending shows, but writing plays that took place on the streets below among the working class, seeing their daily struggle as the real poetry.  And I think there's something to that.  

That this film came out of RKO in 1952 is a bit of an eyebrow raiser.  But RKO had this script and they had Fritz Lang as a director and Barbara Stanwyck and Robert Ryan on contract.  And that's a great start.

Marilyn at 100 Watch/ Noir Watch: Niagara (1953)

Watched:  06/16/2026

Format:  TCM on DVR

Viewing:  Second

Director:  Henry Hathaway

I had only seen Niagara (1953) once before, back in 2012.  I recalled specific images, but was aware that I couldn't recall the actual ending.  

On a rewatch, I can see why.  The movie really cruises along to the last act, and then loses much of the appeal the film has carried up to that point.

Marilyn Monroe, in her first starring, top-billed role, stars alongside Signal Watch fave Joseph Cotten and the lovely Jean Peters.  Monroe plays the wife of Cotten, who knows she's too young for him, too vivacious and who has started running around with a younger man behind Cotten's back.  Cotten thinks something is going on but can't prove it.

They're staying in some cabins overlooking Niagara Falls on the Canadian side, and have fallen into a malaise.  Jean Peters shows up with her husband, (sigh) Max Showalter, on a delayed honeymoon.  They meet Monroe, who is made up and dressed to make Jean Peters look positively plain-jane by comparison - a tremendous feat.

Noir Alley Watch: Blackout (1954)

Watched:  06/14/2026

Format:  TCM on Noir Alley

Viewing:  First

Director:  Terence Fisher

A Hammer Noir from 1954, Blackout is a British produced and London-set film that I am mostly glad I watched with Eddie Muller's commentary.  It is... an oddball movie, certainly, feeling like it zigs and zags as to what the movie is about or is even doing, which is absolutely a way to keep an audience guessing.

I'm not a fan of star Dane Clark, who I've only seen a couple of times.  I won't get into ad hominem attacks, but he's not my cup of tea as a compelling person to watch on screen.  Here, he's sort of an American - but maybe not?  Who is down to his last shilling in a London hotel bar.  

Up walks Belinda Lee. who looks like a Robert Maguire painting come to life, and offers him a job, even though he's nearing "blackout" drunk.  Lee is...  something else, so who can blame him for taking her up on the offer? Especially when the job pays 500 pounds and is to marry Lee.

He wakes up the next morning in a stranger's apartment, is told he just turned up there by an artist Maggie (Eleanor Summerfield), and sees a huge portrait of the woman he thinks he married.  He wanders out into the street to find Lee's picture beside that of her slain father.

For the film's remaining runtime, he has to dodge the cops, figure out who is playing him and why, and whether Lee and he ever actually got married.

There's a few sequences that are quite good.  According to Muller, this is famed Hammer director Terence Fisher's break, and the general quality I associate with Fisher shows itself from time to time.  

For some reason there's a whole sojourn in an old neighborhood where we meet Clark's mother that feels completely separate from the rest of the film, and is the best bit.  There's also what seems a twisted and very dark ending - that the movie instead tosses into the fire to give the audience a happy ending that leaves the whole thing on a false note.

Lee is amazing on film - just one of those actors who the camera loves. Muller lets us know we likely don't know her because she worked in Europe and died very young in a car accident. 

I'm not sure I liked the movie too much.  Normally I'd like a movie that winds and twists, but here it feels like one of those exercises where you hand a story off every few pages to someone different who has to pick up the story, while doing their own thing.

My feeling is that this one won't stick with me very long, except for a few images here and there.  I've certainly seen cheaper and worse, but this one just felt like the B picture it really was - but worth seeing to see Fisher's work at this point, and what was happening in British noir.

Hallmark Texas Watch: Texas Two-Step (2026)

Watched:  06/14/2026

Viewing:  First

Format:  Hallmark Channel

Director:  Eva Tavares

Regional specificity is hard.   

I live in Austin, Texas which has, in the last two decades (and to my surprise), become a real tourist town.  People come here and drink, eat some barbecue and street tacos, feel they've lived authentically Austin/ Texas and go home.  And that's fine. 

It's not just at Christmas that Hallmark likes to make movies about country life's superiority to city life.  We do not require the yuletide season to insist that what you really need to do is give up your nice place in a city and your much-worked-for career track and do... something? in the country.  Not when you can boff the guy from high school who is roughly doing now what he did at age 17.  And, Hallmark -  occasionally - likes to make movies specifically about people doing this in Texas.  

While looking for World Cup Games, I saw Hallmark was debuting their latest "Texas" movie.  And I watched it so you don't have to.

Texas Two-Step (2026) is a movie about a woman who must go home to "Blue Creek" from Austin/Dallas to check in on her aging aunt and her roadhouse country bar and grill. 

Monroe at 100 Watch: How to Marry a Millionaire (1953)

Watched:  06/13/2026

Format:  TCM

Viewing:  First

Director:  Jean Negulesco

I'd always heard that How To Marry a Millionaire (1953) wasn't very good.  In the end, it was not as bad as I figured, a nicety of someone telling you something is horrible which is just not great.  But...  eh.  

The problem for modern viewers is that this movie was the spiritual sequel to Gentlemen Prefer Blondes, and people generally see GPB first and this film second, and HtMaM just isn't anywhere near as memorable, funny or entertaining.  

In my opinion, anyway.  

80's Watch: Band of the Hand (1986)

Watched:  06/12/2026

Format:  Amazon

Viewing:  Unknown

Director:  Paul Michael Glaser

Back in the 1980's it didn't take much for me to think a movie was pretty, pretty good.  We rented this when I was maybe 12, and we thought it was awesome.  But I also have not seen this movie in this century.  What I did know is that when this movie came up in conversation, people seemed to think it was quite bad.

I did try to rewatch part of this movie at some point in high school or college and was like "ah, yes.  This is maybe not as good as 12-year-old me believed".  But it isn't one that was popular to begin with, and did not become more popular over time.

The movie is essentially about an Outward Bound Intercept program that takes a sharp left turn and ends in a gang of troubled youth becoming remorseless killers with no future.  Is this how it's pitched?  Absolutely not.  But in a practical sense - that's it.

Monroe at 100 Watch: Monkey Business (1952)

Watched:  06/11/2026

Format:  TCM

Viewing:  First

Director:  Howard Hawks

Not everything is going to land.  

This movie had everything going for it.  Cary Grant and Ginger Rogers star, Marilyn Monroe plays a major supporting role (just before she landed leads), Howard Hawks is directing, it has Hugh Marlowe, Charles Coburn and even the kid from Gentlemen Prefer Blondes (an infinitely superior movie).  

But I only really laughed at a few bits.  

My real feeling is that this movie worked very well in 1952 and has aged badly through changing social conditions and what I'd guess is better versions of similar premises.  

Monkey Business (1952) is a screwball comedy when the genre was running on fumes and a decade before it would be transmogrified into live action Disney films and Jerry Lewis vehicles.  

Disney/Pixar Watch: Hoppers (2026)

Watched:  06/09/2026

Format:  Disney+

Viewing:  First

Director:  Daniel Chong

We don't get out to the cinema like we used to, and so it was that I missed Hoppers (2026) in the theater, despite what I'd call pretty good buzz.

It's an odd movie for Pixar, which is reeling from a few years of what I'd call unpredictable box office (which is just the industry these days).  A few movies tanked, and then a few sold like hot cakes.  If I was them, I'd be deeply unsure what to think audiences actually want in a film.

Hoppers is a weird movie.  I don't mean the sci-fi concept, which is cute and fun.  A young, plucky, adorably flawed girl, Mabel (Piper Curda) is doing battle with Mayor Jerry (Jon Hamm) who wants to build an overpass for his beltway through her beloved woodland glade.  She figures out a wacky scientist (Kathy Najimy) and her team (Sam Richardson and Melissa Villasenor) have built robots and can transfer their consciousness into the animal-shaped bodies.  This is done to observe species up close.  

Classics Watch: Rebel Without a Cause (1955)

Watched:  06/08/2026

Format:  Amazon

Viewing:  fourth, I think.  

Director:  Nicholas Ray

I didn't think I'd watched Rebel Without a Cause (1955) since the mid-90's - but here it is in 2012. I really need to start checking old posts to see what I've already covered here.

The first time I saw the movie I believe I was thirteen.  My friend's dad saw us entering teen-hood and wanted to share a bit of the teen-culture he'd grown up with.  The film had such an impact on the fellow, he bought the same car James Dean drives in the movie.

Rebel Without a Cause is, I think, one of those movies everyone knows but far fewer people have bothered to watch.  Which is a shame.  I think it's kind of a fascinating movie and it's remarkable it got made then, and now would be turned into a moist melodrama with someone muttering the theme of the film - which would be the title of the movie.  

Monroe 100th B-Day Watch/ Pride Watch: Some Like It Hot (1959)

Watched:  06/01/2026

Format:  BluRay

Viewing:  Third?  Second?

Director:  Billy Wilder

Maybe one of the movies that I pray never gets remade,* Some Like It Hot (1959) is a wild ride of a movie that seems like it absolutely couldn't have happened on screen as a major motion picture in 1959, but... it very famously did.  Whether audiences fully grokked the subversion of the film in '59, or even now, is something I'll need to dig into.

Starring Monroe at the height of her name as a draw, plus a young Jack Lemmon and Tony Curtis - it's an oddball period piece about two down-on-their luck musicians who need to flee the mob after witnessing the Saint Valentine's Day Massacre, and - knowing there's a job for two women in an all-girl band - go full Bosom Buddies and hop a train to Florida.  

90's Schlock Watch: Twister (1996)

Watched:  05/29/2026

Format:  HBOmax

Viewing:  Second

Director:  Jan de Bont

This clunker that has aged poorly in so, so many ways is about two absolute perverts who clearly can only become aroused when their lives are endangered by natural disasters.  They are followed by a vast team of nameless people who delight in their kink, and seem to have no interior lives or external concerns other than bearing witness to the named characters' pursuit of their shameful desires.  

Why this was not directed by David Cronenberg, I cannot say.

Our male lead has met a stable woman, a therapist, who he believes can save him from his shameful kink.  Knowing this therapist will never join him in his thrill-seeking debauchery, he simply pawns her off on one of the sub-perverts.

Reunited with his fellow degenerate, scene after scene unfolds wherein Bill (Bill Paxton) and Jo (The Quarterback Princess, Helen Hunt) pursue tornadoes as threat to life and limb, delighting in the chaos.  Both know the old thrills are not doing it for them anymore, and only when they strap themselves with leather to ride out an F5 tornado with no protection - the ultimate depravity - are their degenerate appetites satisfied.

Noir Watch: The Strange Love of Martha Ivers (1946)

Watched: 05/27/2026

Format:  Noir Alley / TCM on DVR

Viewing:  Second or third

Director:  Lewis Milestone

I'd been meaning to return to this one for years, but then it was hosted on TCM's Noir Alley by Eddie Muller and Ms. Rosie Perez.  Fifteen years and a whole lot more Liz Scott and Stanwyck under my belt, and I imagine my view of the movie is a bit different now.

The Strange Love of Martha Ivers (1946) is a twisted, black-hearted melodrama that is one of those movies that is likely to make one a real fan of Barbara Stanwyck if you weren't already (and I am).  It's a movie with more twists and turns than you'd expect, while still delivering a finale that feels completely earned and the only way this could end.

Doc Watch: The Yogurt Shop Murders - Part 5 (2026)

Watched:  05/24/2026

Format:  HBOmax

Viewing:  First

Director:  Margaret Brown

Last year we watched the documentary series The Yogurt Shop Murders (2025), a multi-part doc that covered the unsolved murder of four teenage girls in a yogurt shop in Austin, Texas in 1991 and the 34 years of nightmare that followed for the families and for some of the accused.  

I'll let you read that post and why the doc was impactful.  And maybe a bit of why, as a local, it hit home.

Ironically - within about five weeks of the airing of the fourth and final episode, the City of Austin announced a positive ID on the murderer - Robert Eugene Brashers.  Brashers was a drifter of sorts and is best described as a serial killer.  Based on DNA evidence and ballistics evidence, it is pretty clear who committed the crime.

Too Much Title Watch: Godzilla, Mothra and King Ghidorah - Giant Monsters All-Out Attack (2001)

Watched:  05/23/2026

Format:  DVD

Viewing:  Second

Director:  Shûsuke Kaneko

So, I've only seen this movie once before - and while I've long loved Godzilla, I didn't really do a deep dive into the filmography of our giant pal - mostly because of a lack of availability of affordable Godzilla flicks in the US - until COVID hit.   At that time, affordability wasn't an issue and I picked up mostly every film just prior to lockdown.  With lockdown - we dove in kind of head first, with no plan.  Just grabbing movie based on which monsters were in them.  

When I watched Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001), it was in, like April 2020.  So imagine the headspace we were all in.

Anyway - I think around this time was when I was trying to understand what the hell Toho was even doing in the 90's and 00's.  And the answer is - it gets really confusing after Godzilla Vs. Destroyah.  I have no idea if Godzilla 2000 and Godzilla vs. Megaguirus are  in the prior continuity.  They certainly are not tied to this movie, which came next.  

There's a hard break in continuity with this movie, basically starting us over (again) as a direct sequel to the 1954 movie.  Just as we'd seen in Godzilla Raids Again (1955)  and Godzilla Returns (1984) and as we'd see in the movie following this one - Godzilla Against MechaGodzilla.  

All-Out Attack is trying on Godzilla as a horrifying antagonist again - or at least looking to turning a 15 story radioactive lizrd into something frightening after he'd maybe become a giant luchador.  

Espionage Watch: Patriot Games (1992)

Watched:  05/23/2026

Viewing:  First

Format:  Amazon?

Director:  Phillip Noyce

So, I don't really know how I missed this one back in the day.  No idea.  Harrison Ford.  James Earl Jones.  A Tom Clancy adaptation.  Honestly, I think I was at a 6-week-long drama camp because that's how cool I was in high school.

But I have now seen Patriot Games (1992) and it's kinda fine.  It's not my favorite.

Movies like these were prime dad viewing in the 1990's.  Men in ties would look grim and look at technology and go to board rooms.  They'd use real world issues and events and movements and tell a story that seemed wildly plausible, from a certain point of view.  The Cold War was absolutely a wild time, and it showed up in big, thick books by Tom Clancy that dads read in business trips and sometimes they'd turn into a movie.

This movie pits a splinter group of the IRA against - very specifically - Jack Ryan.  We met Jack Ryan in The Hunt for Red October as Alec Baldwin in 1990, but Harrison Ford is Harrison Ford, so I guess if you want even more money, you swap out actors.  I am not going to try to make sense of the continuity.  (Jack Ryan is now John Krasinski).

Crime Noir Watch: Vice Raid (1959)

Watched:  05/21/2026

Format:  Amazon Prime

Viewing:  First

Director:  Edward L. Cahn

I had never seen a Mamie Van Doren movie, and didn't know this was one.  I was getting on the elliptical and literally just threw on a movie and "Vice Raid (1959)" sounded like something I didn't need to focus on super hard.  And up came her name.

And boy howdy, was Mamie Van Doren's mere existence the feature attraction.  The movie essentially is doing the Tex Avery wolf for the first 2/3rds of the movie.  I have never seen a movie that literally puts up a picture of the female star and then gives her measurements.  This is a thing that happened.

The other interesting bit about this movie is that it's a 1950's movie about a prostitution ring that acknowledges what it's about using the word "prostitution".  Pretty crazy for the era.