Monday, October 30, 2023

HalloWatch: Werewolf of London (1935)




Watched:  10/29/2023
Format:  BluRay
Viewing:  First
Director:  Stuart Walker

Every year, Jamie and I each carve a jack 'o lantern.  Usually we put on a movie something we've seen before, often a comedy or horror-comedy.  But this year I squeezed in one of my Halloween bucket movies for the year, but I can only say I *partially* watched this one, because I was also carving a pumpkin and then cleaning up the aftermath.

this year's effort.  Jamie's Dracula on the left, my ghoul on the right


I had just never gotten around to Werewolf of London (1935), which is a bit of a surprise even to me.  I am a fan of Lon Chaney's take on The Wolfman that would pop up 5 years later, but I never make it through the rest of the werewolf films in the box set.  I'm trying to get a picture of 1930's and 40's horror, one Halloween at a time, and have tried to watch offerings from Universal and RKO.  Also, I exist in the same world as Warren Zevon, so you'd think I'd eventually just be curious to see the damn movie.

The plot is nowhere near as tight as The Wolfman, and the performances not as punctuated.  But that doesn't mean it doesn't have anything to offer.  I liked the make-up, the transformation FX, and the general idea of the story.  

Scientists visit Tibet to find a flower they've heard only blooms in moonlight, and while securing the plant, are attacked by a werewolf.  Returned home, renowned biologist, Wilfred Glendon, begins acting anti-social and ignoring his wife (played by Bride of Frankenstein's Valerie Hobson), who just happens to have her childhood boyfriend show up at the same time.  A doctor Yogami appears and is also looking for the flower, which he says alleviates the symptoms of werewolfery.  

Anyway, mayhem ensues, the doctors both are werewolves, etc...

All in all, it's really not bad, but the lead - unlike most Universal films - doesn't really have a sympathetic motivation in the same way we see Larry Talbot - a victim of chance.  There's a dash more Jekyll and Hyde to the story than in the case of The Wolfman, but not enough to get hung up on thinking it's borrowing too heavily.   

In general, it's an okay movie.  I didn't dislike it, and will watch it again with my full attention.  A highlight was seeing Valerie Hobson in another movie shot at literally the same time as Bride of Frankenstein, but given far more to do.  She's good!  

But, yeah, I need to watch it again next year to say much more.  But I've 100% seen far worse.

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