Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Saturday, November 21, 2015

First two episodes of "Marvel's Jessica Jones"



Here is where I don my comic hipster cap and harken back to the days when I was picking up Brian Michael Bendis' Alias during its initial run.  Yeah, yeah.  I was reading Alias before reading Alias was cool.*

You have to keep in mind, and the kids will never believe this, but Bendis did not arrive on this Earth fully formed as a successful writer of Avengers and X-Men.  He started in indie comics (if you're never read Torso and Goldfish, correct that situation), with a particularly noirish/ crime-ridden bent to his work, which was how I picked it up.  It's good stuff.

Marvel was in a really weird spot when he showed up.  The Spider-Clone debacle,  merging with an action figure company and, basically, the 90's had nearly done the entire company in.  At the time, they were a publicly traded company, and their stock totally, totally tanked.  It was ridiculous.  For all the warm fuzzies the kids have about that 1992-style X-Men of Many Pockets, that shit almost killed Marvel the first time around under the stewardship of Bob Harras, currently steward of DC Comics (hey, DC, how are sales over there, pals?).

So, by the turn of the Millennium, new leadership was installed and Marvel was trying all sorts of stuff, including not-quite-Vertigo type titles under the Knights (basically PG-13) and Max (basically R-rated) banners.

Thursday, September 10, 2015

Friday, August 28, 2015

More Happy Birthday to Jack Kirby - Marvelous Marvel

A friendly reminder that in honor of Jack Kirby's birthday, you can donate today to the Heroes Initiative, an organization that helps freelance comics folk with financial support in times of need.

Click here to donate and see what else is going on today thanks to the Kirby4Heroes Campaign.

So, Jack Kirby more or less made up about 90% of the Marvel Universe that anyone cares about.  He didn't do Spider-Man and had limited contributions to Iron Man, but he drew up a whole lot else.

Way back before World War 2 and his own enlistment, Kirby went ahead and made-up a superhero to throw a punch at Hitler as a proxy for the slug Jack would have gladly thrown himself.




Sunday, July 19, 2015

Marvel Watch: Ant-Man (2015)


I was never skeptical of an Ant-Man movie.  For folks who have long followed my ramblings, you know I have a very simple rule for why I'll give anything a go when it comes to sci-fi and superheroes:  there is no such thing as a bad idea, only bad execution.  Frankly, when people were predicting doom for Guardians of the Galaxy because (oh my goodness!) it wasn't a known quantity!  and it had a raccoon and tree-man! I was left scratching my head and saying: well, those aren't actually problems for a movie.   Those are just new or odd things.

Re: Ant-Man comics:  I have a pretty huge gap in my comics' knowledge regarding Hank Pym as Ant-Man from the classic Marvel U, and I was just left confused by Mark Millar's take on Pym in The Ultimates, that I sort of believe has taken Pym off the playing board for Marvel forever.  I'm totally unfamiliar with anything about Scott Lang other than that - he exists in the comics, I guess?  It seems like I saw him in a Marvel role-playing game supplement.  At some point I read one issue of something called Irredeemable Ant-Man, which didn't really work for me.

So, there you go.  I basically can't tell you anything about Ant-Man as a comics figure beyond the period in the 1980's when Hank Pym was adventuring with no mask and just growing and shrinking things and using the heroic name "Hank Pym" as part of West Coast Avengers.  But check in with me if you have questions about Super Turtle.  I have wisdom.

As per the movie?

Monday, July 6, 2015

TL;DR: Finally Reading Marvel's "Infinity", event comics and the DC-ification of the Marvel Universe

It took me a really long time to make it through Marvel's Infinity collection of Avengers stories.  There was no "Trade 2" of New Avengers, so in order to keep up, I had to buy a huge, expensive trade with a mix of Avengers comics that I wasn't reading.

Back in Arizona, I remember seeing the recipe for a "Kool-Aid Pie" and, more or less based on the name, I went ahead and decided I must try it out.

I hadn't ever done much baking, or made a pie, but I bought the ingredients, all of which looked like ingredients I should probably have for a pie.  A crust. Sugar.  Dehydrated milk, I think.  Then I got out the mixer and whatnot, and maybe 1/3rd of the way through the process of making the pie, I re-read the recipe and realized - "oh, I'm just whipping up sugar and Kool-Aid and putting it in a pie-crust".  It was literally an inedible pie.  It would have looked neat and cool sitting there all purple, but there was nothing really there.  No pie in my pie, just- purpleish whipped sugar.  Not even the basics of an actual pie, just something you would throw in a movie, I guess.

That's kind of Marvel's Infinity.  It seems like it should be a story.  It seems like it's going somewhere, but it was sort of a hand-waving illusion to get you to next, more expensive event, and all of this was some laborious and unnecessary Kool-Aid pie.

oh, yeeeeaahhhhhhh....!!!!


To be blunt -

Saturday, June 6, 2015

Cap Watch: Captain America (1990)

Some time in 1989, with the success of Tim Burton's Batman now making the idea of superhero movies an attractive financial reality, I remember walking out of a movie and into the lobby of a local theater here in sunny Austin, Texas (Great Hills 8 then, The Arbor 8 now), and seeing the poster below:


While I was aware this was Marvel running to catch up with their own non-flying, non-laser slinging superhero, I was also pretty jazzed.  Captain America seemed pretty attainable as far as superheroes went.  I had vague memories of the 1979 movies, I'd been reading a little Cap here and there, and I really wanted to see someone smack bad guys with that shield.

Then, Spring and summer 1990 came and went, and no Cap movie materialized.  I was a bit of a showbiz follower, and I knew what it meant when a movie was delayed or shelved (it rarely meant they were holding onto the movie because they just forgot to release it).

Flash-forward to on evening after June 2002.  I had moved to Phoenix and was already up a little late,when the TV told me they were going to air the 1990 Captain America movie.  Rather than just set the DVR and go to bed, I sat up with the movie until the bitter end.

The film was grainy and desaturated, and I remember that slow sinking feeling of despair setting in that was once so common when it came to portrayals of superheroes on TV or in movies.

Honestly, if you didn't try to watch everything with a superhero in it prior to Sam Raimi's Spider-Man and Singer's X-Men, you will never really understand what it was like to be grateful for anything with a superhero in it somewhere outside of comics.  And if you came into superheroes with the Avengers movies, you are living in a very magical time, indeed.

Because for a long time, it seemed like a point of pride for movie makers to take the source material of a comic book superhero and obliterate it in favor of whatever the director felt like doing.  Sometimes this worked - and both the Burton and Nolan Batman movies work as movies even if they're not exactly Dark Knight Detective movies.  Prior to that, I'll admit that Superman had completely ignored much of the comics in favor of doing their own thing, but they did keep core elements in place enough that they managed to make the movie clearly a Superman flick.  Even Wonder Woman, which you guys know I think is the bees knees, rarely featured super-bad-guys and never any of her established villains.  It just hung tight to being a good show with a solid lead character.  And, it's safe to say, Lynda Carter and Christopher Reeve's takes on the characters wound up deeply impacting the post-Crisis on Infinite Earths DCU.

Thursday, June 4, 2015

Cap Watch: Captain America II - Death Too Soon!

This evening we took in the second, not lesser, but - indeed - final installment of the TV movie exploration of Marvel's Sentinel of Liberty, Captain America in Captain America II: Death Too Soon (1979).

The movie is perhaps even more of a curiosity than the prior attempt, but it's worth noting that Wonder Woman - which we sort of think of as fully formed, first aired as a TV movie with tennis-pro Cathy Lee Crosby as a jump-suited, blonde Wonder Woman prior to the decision to try another TV movie pilot with Lynda Carter, which led into the series (which had to switch networks and decades before the 1977 season, just to make life more complicated).

Things were a little different back when you had to actually be home to watch TV when it aired, and once it was gone, it was gone.

Cap DOES NOT let thugs take money from sweet old ladies.  No, really.

I genuinely feel this movie is better acted and directed than the origin story, and the plot plods along at a mosey instead of a painful death march.  I'm not saying this even good TV, but I am saying it didn't physically hurt to watch (even if I did end the movie with a migraine halo).

Wednesday, June 3, 2015

Cap Watch: Captain America (1979)

It's been a long time since I've seen this version of Captain America, but I am pretty sure that this was also my first real exposure to Ol' Wing Head.  What's weird is that I remember knowing who Cap was when I watched the movie, but I don't know why.  I didn't own any Captain America comics until 4th or fifth grade, so I guess I was watching those "throws his mighty shield" cartoons.



If I had to guess, this movie was intended as a bit of a pilot for a Captain America TV show, and the movie didn't get the eyeballs that they were hoping for.  This would have been after Wonder Woman and The Incredible Hulk were on TV, so there was recent precedent for making super-heroes work on TV in a dramatic context, as well as sci-fi concepts like The Bionic Woman/ Six Million Dollar Man franchises.  But, if I am going to pick nits, the primary difference between those shows and Captain America (1979) is that the Captain America movie is very, very not good.

The sins are many.  It nonsensically overcomplicates Cap's origin, strips it of any WWII-era ties, and goes all in on post-Watergate cynicism regarding patriotism while paradoxically insisting we "cram Captain America down their throats".

Saturday, May 23, 2015

Disney Watch: Big Hero 6

Well, wasn't this a very nice superhero story?



We missed this for whatever reason when it hit theaters.  Kind of wish I hadn't because it looks like they were really thinking in terms of 3D projection that my very 2D television did not replicate.

Well, c'est la vie.

Big Hero 6 is maybe the flipped opposite of what DC has been doing with their heroes, and while I am aware the movie did okay ($222 million domestic is impressive, and a total of $652 million internationally is great) I don't think it slipped into the zeitgeist in quite the way it might have.  But I also don't hang around little kids all that much.  So, parents, correct me.

But this is superheroing for the all-ages set in a very good way.

Saturday, May 16, 2015

Marvel Watch: Avengers - Age of Ultron

So... I had the benefit and/or handicap of seeing Avengers: Age of Ultron in its third weekend of release.  As always, a little context:

I was never a big Avengers reader growing up.  I was far more into Uncanny X-Men for my Marvel team book of choice, but I was also not a reader of Thor, Iron Man and most of the rest of the Avengers line up of characters, and only dipped in and out of Captain America, a book I had certain opinions about when it came to tone and what I was interested in reading.  Most of what I know about the Avengers comes from reading Marvel Super Heroes Role-Playing Game supplements and character guides, and via comic dork osmosis.

Thus, I don't have as many conceptual ideas regarding Avengers as I might about lots of other characters, especially from DC Comics.  But Marvel was always better about balancing character and plot, and so the Marvel characters have tended to be fixed points over the years in ways that DC characters so often seemed to struggle.  But if you ask me "what's Wanda Maximoff like?", I can give you a basic idea, and feel fairly confident, even if I only ever owned a dozen or so comics in which Wanda appeared.



The movie has taken it a bit on the chin from clickbait articles and folks looking to weigh in, and I was under the impression this installment in the Marvel Cinematic Universe was likely to be something endured to make sense of coming MCU movies.

But, you know, I actually liked it better than the first Avengers movie.

Marvel Watch: Captain America - The Winter Soldier (2014)



I'm way past the ability to discuss this movie from a critical standpoint.  Y'all know I'm a fan of the character and concept of Captain America, and with this movie, I felt like Marvel really finally got to the Steve Rogers I dig.  And, you know, people, all I want to see is the shockingly earnest Steve Rogers bounce his mighty shield off the cranium of a HYDRA agent.  And, here, I get that.

We're off to finally see Avengers: Age of Ultron, so Jamie threw this in the BluRay player this evening so we could review, I guess.  Whatever the reason, I am always up for this flick.  Goofy techno-thriller with 70's government paranoia that intentionally or otherwise has some curious parallels to the real world that, holy god, nobody ever seems to notice or talk about, Robert Redford out to remind everyone he gave up on handsomeness some time ago, Jenny Agutter showing up because, hey... who doesn't like Jenny Agutter?*

Let's Finally Talk Marvel's "Daredevil"

I'm not a rabid fan of The Man Without Fear, but on and off over the years, I've enjoyed reading comics about Marvel's foremost punching bag, Daredevil.  Of all of Marvel's staple characters, since the 1980's at least, Daredevil has been like a weird superhero/ noir/ gangland epic soap opera that mostly lost it's way when it veered too far into the rest of Marvel's superheroing and was at it's best when it kept even the costumed heroes and villains a bit more grounded and spent a lot of time with Murdock out of costume.*



If I were to recommend runs, I'd really recommend the Frank Miller era (the man's work just keeps bearing fruit) and the unbelievable Brian Michael Bendis era that had tremendous impact not just on Daredevil - forever changing the character while making him, somehow, even more Dardevil - but on the concept of dual identities in comics.  

So when I saw the initial previews of the Netflix-direct Daredevil show, I was a little shocked to see how much it looked exactly like a mix of Miller, Romita Jr., Mazzucchelli and Klaus Janson's work on the book and the Bendis-era Maleev tones and compositions.  And while Miller's story took place with Daredevil well established in the Marvel U, it certainly harkens back to his work.

Saturday, April 25, 2015

Marvel Watch: Avengers (2012)


What are you going to say about Avengers three years later and with 90% of the world's population now well aware of the exploits of Earth's Mightiest Heroes?  We watched it to get caught up for Age of Ultron, but I am realizing it's been a while since I've seen Thor II, and I don't own a copy of either Thor for some reason.  No, really, I like the Thor movie a lot.  They're super fun.

Of all the Marvel movies, I'm still not sure this one is even in my top 4.  It counts on the fact you really don't care that Loki's plan makes no sense whatsoever in order to keep up with the movie, and Loki makes his escape in the opening sequence from the back of a pick-up truck, like there should be banjo music playing.  There are some choices made that maybe weren't the best in retrospect, and there's a lot of standing around on the heli-carrier.  I mean, a lot of it.

The thing is, despite what I think are some scripting problems, editing decisions that could have been made differently, and the fact it features my least favorite of Caps' costumes (I really dig what I've seen in the trailer for Age of Ultron), it's still got so many good parts, you can overlook the deficiencies and still like it quite a lot.  If nothing else, the actors are all very specific and on-point in their performances.  That sort of team-effort in a movie can be what makes the difference making your Star Wars franchise hum versus the endless sea of forgotten franchises that had teams but focused entirely too much on any one character (I still remember being surprised when I read as a kid that Star Wars was Luke's story.  Of course it is, but, you know, I thought of him as one of a bunch of people) or where the actors lacked chemistry.

Anyway, it's big-screen fun, and it really does tie in with the movies before and after so seamlessly - if you ignore the useless army of forgettable villains and their ridiculous scheme.  But it doesn't matter, it does give our heroes something to overcome and come together, and that's what the movie is all about.

Thursday, April 16, 2015

A Whole Lotta TV: Kimmy Schmidt, Daredevil, Batman, Americans, Mad Men, Flash and more - keeping me from movies

I realized I hadn't been posting a whole lot, at least not about movies.  But I've also been watching a metric @#$%-ton of TV lately.

Like a lot of you, I heard the Tina Fey produced Unbreakable Kimmy Schmidt was pretty good, and at 22 minutes per episode, only 13 episodes and that each one was like eating a box of Hot Tamales or Mike & Ike's, it was the first series I've binge-watched since I was home with the flu and watched 2 seasons of Archer.


A concept that, no doubt, HBO would have insisted been a brooding melodrama with plenty of sexual dysfunction and nihilism, this take on "what happens when a girl is kidnapped at 14 and doesn't leave her bunker cult layer until she's 29ish?" is, instead, super upbeat, life-affirming and a hell of a lot of fun to watch.  The brand of humor feels akin to the dizzy chaos of early 30 Rock, and even if we only ever get these 13 episodes, they were pretty damn enjoyable.  But, yeah, I guess there's a second season guaranteed by Netflix (where the show is living), so I'm down with that.

Anyway, it's not often I watch 13 episodes of something so fast I don't even mention it between start and finish, but there you are.

And before we move on:

Sunday, March 8, 2015

Rocket Raccoon Trade: A Chasing Tale (hardcover collection of "Rocket Racoon" issues 1-6)

With the release of this summer's feature film, Guardians of the Galaxy, Marvel has done a better job than usual of capitalizing on the potential product tie-in for the movie.  Sure, at the time of the movie's release a few things hit the shelf that were the typical "well, this is perfunctory" new material by C or Z-list talent, but they also got name talent on a few ongoing, sustainable projects.



Of these, the one I had the most natural interest in was the Skottie Young helmed Rocket Raccoon ongoing.


Friday, March 6, 2015

Wednesday, February 25, 2015

Agent Carter Draws to a Close (and I'm a little sad)

I'm not sure how many episodes there wound up being of Agent Carter, or how many weeks.  I think the answer is "eight", but I didn't major in math, okay?

But it was a great ride, a lot of fun, and I really, really hope people who didn't watch the show during its televised run find it online.  I'd certainly be onboard for another 80 episodes, but I suspect nobody is asking me.



Most certainly tying into the Marvel Universe of both Captain America: The First Avenger and things to come in Captain America: The Winter Soldier - the show was not dependent on either for it's success, and stood alone as a rock solid entry in the Marvel U, working for me in a way that Agents of SHIELD, unfortunately, did not.

Sunday, February 15, 2015

We take on a tough, sensible question from a longtime reader

Horus writes in with a sensible question/ point of order:

Here's what I don't understand about you, League. I completely agree with the basic attitude of the post: any character can be good, just write them well! But then, why stick to Big 2 characters?

As you yourself say:

"And, here's the problem in a shared universe driven by editorial management: is that thing you liked replicable, or does it require the handling of specific creators with a specific vision?"

Why stick with the shared universe, which perhaps necessarily is going to end up being driven by editorial management? Or if you demand shared universe, why not go with something looser and third party (hey, Cerebus and Spawn once had a comic together, you know!).

Just saying, if you want weird, creative characters with great stories and writing, they're out there, just not provided by the folk who view characters entirely in terms of branding and name recognition . . .


Wow. Well, don't pull any punches, man.  Sheesh

But that's fair. If we can't ponder this sort of question, we aren't doing anyone any good.

here's a random picture so we have a picture

There are a lot of factors, and I'd start with the first - that I'm a human who contradicts himself and we get most angry with the faults we see in ourselves.  So, check that off your list.

Wednesday, February 4, 2015

Marvel's "Daredevil" show looks a whole lot like Daredevil without the red outfit



I've been pretty jazzed about the idea of a Netflix-direct Daredevil show since they announced the idea.  For those of you who follow Daredevil as a comic, this looks more or less as depressing and grim as the comics that we like, for some reason.  And it's clear they aren't about to make the same mistakes as the ill-fated film version which made me a sad panda.

I really do think it takes a while for Matt Murdock to seep in as a character, so multiple episodes of expanding on the backstory, on what makes Marvel's longest running case of Catholic guilt tick is a welcome bit of TV in my book.

Daredevil owes his continuing relevance to the Frank Miller era of the 1980's (as do comics, in general), and it can't hurt to refer to the take Miller put on the character that transformed him from a chipper blind attorney to a... chronically depressed blind attorney.  I assure you, them's is good comics.

This is supposed to be followed by a take on the Brian Michael Bendis series, Alias - which I think they're calling Jessica Jones or something in order not to refer to the Jennifer Garner TV series, as Garner would go on to play Elektra in Daredevil for some reason, and if we called it Alias, I'm pretty sure the universe would collapse in on itself.  Then, a Luke Cage TV series, which... man, this one was obvious.  Had to be done.

Now, enjoy the time The Hulk met Daredevil.



And, of course Stan Lee makes a cameo around the 1:13 mark.