Invasion! Watch: War of the Worlds (1953)

Watched:  07/11/2020
Format:  Criterion BluRay
Viewing:  Unknown
Decade: 1950's
Director:  Byron Haskin

War of the Worlds (1953) the movie and the Mercury Theatre radio play from 1938 are so baked into my formative years, they're alongside Superman, King Kong, 20,000 Leagues Under the Sea and other popular fictions that make up the mythology and common language for a lot of born in the shadow of the mid-20th Century.

I saw the movie after buying and listening to the Orson Welles radio program when my dad found out I was interested in the radio show and the events surrounding it that I'd read about in a magazine.  My dad, always one to say "if you liked that, you need to check out this", got me to the video store within a few days and we sat down and watched it together.

What's remarkable is how genuinely *thrilled* I was by the movie, in both senses of the word.  The movie only has one or two quasi-jump scares, but - as was the novel (which I finally read about 15 years ago) and the radio show - the movie is so relentless in putting all of Earth on its heels, from the moment the three pals approach the ship waving a white flag onto get atomized, it's some weird viewing.  There's no brilliant but dangerous plan to be enacted that defeats the aliens - humanity loses this one.

As I've pitched the movie - in the middle of a pandemic, it's a lovely reminder of the time germs were our friends.

Lovingly restored by Paramount and just released by Criterion, War of the Worlds is a movie geek's dream.  There's so many technical aspects to the movie worth discussing, from the original three-strip technicolor to the construction of the Martian crafts, to the myriad visual effects, matte paintings and absolutely perfect sound effects - an army of character actors, and two leads who've somewhat otherwise fallen through the cracks of film nostalgia - it's an amazing technical achievement, done so well it holds up as a visual masterpiece.  And, in fact, with this restoration, is just an astonishingly crafted, visually beautiful film.

If the last time you've seen the movie was from the 2005 re-release, run (don't walk!) to watch this version, which recovers the original color palette employed in almost punchy candy colors, restores the visual effects to maximum effectiveness, and has cleaned up audio and re-created sound effects by no less than Ben Burtt.

The movie features the typically generous collection of extra features that get me to pay the entry fee for Criterion discs.  There are a few documentaries, the 1938 radio drama, an interview from San Antonio's KTSA with Orson Welles and HG Wells, and more.

The movie itself is just as gripping as ever.  From small town America to the final scenes in the fall of Los Angeles, it's anchored by focal characters Dr. Clayton Forrester (Gene Barry) and Sylvia Van Buren (Ann Robinson) - a scientist and professor of Library Science, who happened to be there when one of the initial craft came down and are there throughout.  And, of course, there's a romance a-bloomin' between the two.  Through Barry and Robinson, we get the realization of the horror of the situation, but the still very human need for connection in the darkest hour.  A parable for any time, really.

If you've never seen the movie - now is the time!  This restoration is utterly remarkable.  If you have seen it but it's been a while - do it for the same reason and to remind yourself of one of the md-20th Century's finest technical filmic achievements, and to get all the bonus materials from Criterion.

Random Watch: Troop Zero (2019)

Watched:  07/09/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  2010's
Director:  Bertie, Bert

I walked into this with zero expectations, pretty sure it was a Troop Beverly Hills sort of thing, but it's a smart, sweet movie with a sort of indie feel I haven't seen in a movie in a while.  But, in a weird way, for kids with storylines the adults will get even if the kids watching the movie don't quite get what the adults are saying to each other.

It's the rare movie about underdogs that is kinda actually pretty realistic about underdogs, as well as how kids can expect the world to want to keep them that way.  You will likely laugh, you may get a bit weepy. 

Anyway - why isn't Viola Davis on Mt. Rushmore yet?

Kaiju Watch: Son of Godzilla (1967)

Watched:  07/08/2020
Format:  BluRay
Viewing:  First (all the way through)
Decade:  1960's
Director: Jun Fukuda

Between you, me and the wall, I have been kind of dreading getting to these Godzilla films.  I'm not necessarily a fan of Minilla, but I understand his place.  Some of my first exposure to Godzilla was via the 1970's cartoon series which included "Godzooky", a character intended to appeal to the youths who was a doofus time sink taking away minutes from Godzilla fights.

We're only 13 years away from the amazing work of the original Gojira by this point, but as happens when kids glom onto a character, all the edges were knocked off (see: Mickey Mouse or Batman by 1940).  Godzilla is a big goof who people are afraid like maybe you'd fear a giant cow, and the introduction of "Baby Godzilla" in this context is mostly about giving kids an avatar to project what it'd be like to hang out with Godzilla and learn how to use your own atomic breath. 

I've never really been one for this line of thinking - I never wanted to be Robin if I could be Batman.  I suspect I at least kinda liked Godzooky as a kid.  A funny Godzilla was probably pushing the right buttons for me.  But there is nothing cute or particularly funny about Minilla.  In fact, he's kind of grotesque.

he looks like shirtless, toothless, old, fat man who can't find his slippers

It's just no way to run a monster island. 

Our story is that several scientists have come to a remote, supposedly empty island to work on a weather control experiment that will somehow assist with resolving world hunger.  This island is a popular napping spot for Godzilla.  It also contains mantises the size of a human.  The experiment goes kooky and radiates the island and the mantii grow to Godzilla sizes.  Minilla hatches from an egg and in his original form looks like a tadpole mated with a cow patty.  Its revolting and you kinda root for the mantises to make short work of the abomination. 

But Godzilla shows up and saves him. 

There's also a giant spider on the island (who is a dick).  And a fetching island girl who is the sole survivor of an archaeological expedition that went on way too long. 

This is also one the doofiest designs for Big G.  And I don't even know what they were thinking.

what if an alligator and avocado fell in love?

This movie is pretty clearly more or less aimed at the kiddies, and that's fine.  Jamie tells me it was straight to TV, which is wild.  But it does sort of have that budgetary look.  They forego multiple sets for just building pretty good mantises and a great looking spider muppet.  Why Minilla and Godzilla look like flaming garbage, I do not know.

Anyway - this is the era I've been bracing for as its "Godzilla, Friend to the Children" time, and I soon need to watch stuff like All Monsters Attack, which I have never successfully navigated. 

PODCAST: 110 - "King Kong" 1933, 1976, 2005 & "KIng Kong Lives" (1985) and "Kong: Skull Island" (2017)

King Kong  (1976)
watched:  06/03/2020
Format:  DVD
Viewing: No idea
Director:  John Guillermin

Kong Lives (1985)
watched 06/08/2020
Format:  DVD
Viewing:  third?
Director: John Guillermin

Kong: Skull Island (2017)
watched: 06/12/2020
Format:  DVD
Viewing:  second?
Director:  Jordan Vogt-Roberts

King Kong (2005)
watched:  06/13/2020
Format:  DVD
Viewing:  third
Director:  Peter Jackson

King Kong (1933)
Watched:  06/23/2020
Format:  BluRay
Viewing:  no idea
Director:  Merian C. Cooper

For more ways to listen

It's King Kong-a-Palooza as we take on 5 movies about one big monkey. Stuart joins in as we talk about the modern mythology of King Kong, what the story tells us, and what it tells us about ourselves that we retell the story every few decades. We reflect on man, ape, mysterious islands, mystery in general, and fame as we ponder the various takes. Join us as we discuss 1933, 1976, 2005 "King Kong" installments, as well as "King Kong Lives" and the recent entry "Kong: Skull Island".

The Signal Watch PodCast · 110: "King Kong" 1933, 1976, 2005, "King Kong Lives" & "Skull Island" w/ Stuart & Ryan

Music:
King Kong Main Theme (1933) - by Max Steiner
King Kong Opening Theme (1976) - by John Barry

Stop Motion Watch: 7th Voyage of Sinbad (1958)

Watched: 07/07/2020
Format:  TCM on DVR
Viewing:  third
Decade:  1950's
Director:  Nathan Juran w/ special fx by Ray Harryhausen

These days The 7th Voyage of Sinbad (1958) is most famous for being part of the line of films with stop motion special FX by Ray Harryhausen, the great miniatures expert who is the direct line between King Kong and everything through Jurassic Park.

I dunno.  It's a lot of fun!  But - you know - in the unlikely event someone shrinks your beloved down to a 4" action figure size, I do not recommending putting her in a tiny box and then shoving it down your pants.  That's just weird, Sinbad.

Tweet-a-Long? Nope. Amazon Watch Party Try Out! "Cat-Women of the Moon"! (1953)

We've been coming out at you via twitter for a few months, but we're going to give Amazon's Watch Party a try out!

Join us for B-movie classic Cat-Women of the Moon starring one of my favorite actresses (full-stop and non-ironically), Marie Windsor!

Here's how it works:

• Day:  Friday, 07/10/2020
• Time:  8:30 PM Central
• You click on this link (you do need an Amazon Prime subscription to make it work)

We're picking a short movie because, honestly, we don't know how this is going to work.  Plus, Marie Windsor!

I'll be sharing the link again on Friday.

I'll be looking for feedback on whether this was a good experience or not.  I'm already anticipating a half-dozen reasons this may not be ideal.

Ennio Morricone Merges With The Infinite

Ennio Morricone, famed composer of film scores, has passed at the age of 91.

It's hard to measure the impact of Morricone's work.  He scored hundreds of films, shows and other works with a seeming endless variety to his work.  For American ears, he broke onto the American film scene as he shattered our expectations of what a Western might sound like and created an entirely new aural concept to match Leone's vision of the world of gun slingers and pioneers.

To this day, I'm uncertain what instruments were deployed for some of his most famous music, but he wasn't yoked to a symphony - though he was quick to employ one, and a chorus, or - maybe most famously - a solo singer.  While listeners may often pause while watching a film and guess rightly "is this Morricone?", the diversity of approaches from The Thing to Once Upon a Time in America to Days of Heaven can defy categorization.  From electronic instrumentation to oboes to you-name-it, he found the sound of the soul of a film, and made them sing.

Ann Miller Watch: On the Town (1949)

Watched:  07/05/2020
Format:  TCM on DVR
Viewing:  Unknown
Decade:  1940's
Director(s):  Stanley Donen, Gene Kelly


Look, I'm not *proud* of the whole Ann Miller thing, but there it is.

Screwball Watch: My Man Godfrey (1936)

Watched:  06/28/2020
Format:  TCM on DVR
Viewing:  First
Decade:  1930's
Director:  Gregory La Cava

This movie got a scad of Oscar nominations and was very big upon its release.  It's a comedy about class, wealth, those who have money and those who don't in a contemporary picture released in the thick of the Great Depression.

Kaiju Watch: Godzila and Mothra - The Battle for Earth (1992)

Watched:  07/01/2020
Format:  BluRay
Viewing:  First (somehow)
Decade:  1990's
Director: Takao Okawara

Do you like pointless Indiana Jones rip-offs?  Confusing plot twists that come out of nowhere?  Psychics?  and our friends, the Twins/ Fairies/ Cosmos?  Sad Japanese people talking about how we're all boned anyway, because we're destroying our own environment?  Disappearing mullets? Plot threads that begin, are very important, and left unresolved?  Most of all - do you like MOTHRA?

Well.

Godzilla and Mothra: The Battle for Earth (1992) is here to deliver the goods.

Comedy Watch: Eurovision Song Contest - The Story of Fire Saga (2020)

Watched:  06/27/2020
Format:  Netflix Streaming
Viewing:  First
Decade: 2020's
Director: David Dobkin


I am not going to write this up and/ or oversell it.  But it was better than I thought it would be, and I got to see Pierce Brosnan play an Icelandic fisherman.  And now I know who Rachel McAdams is after Jamie explaining to me who she is once a year for twenty tears.

Noir Watch: The Lady From Shanghai (1947)

Watched:  06/29/2020
Format:  Noir Alley on TCM
Viewing:  third
Decade:  1940's
Director:  Orson Welles

The backstory to the making of The Lady From Shanghai (1947) is famous, gossipy Hollywood lore.  Hayworth starred alongside soon-to-be-ex husband and director, Orson Welles, transformed from the red-coiffed icon of Gilda into a platinum blonde and a femme fatale.

A bit like The Big Sleep, a lot of people talk about how this movie is confusing, but I didn't find it particularly so.  While I cop to the fact that The Lady from Shanghai isn't a pat story and that the plot wanders - it all holds together within each character's motivation, and I don't really get the complaints.  From Muller's shownotes, I'll give the credit for cohesive storytelling not to Welles, but to his editor Viola Lawrence, who took Welles' loose footage and worked with him to get it into some sort of story, and got it cut to a standard-length picture when Welles left the movie.

PODCAST: "Jaws" (1978) - Fourth of July Cinema w/ SimonUK, Jamie and Ryan

Watched:  06/24/2020
Format:  BluRay
Viewing: ha!
Decade:  1970's
Director: Steven Spielberg

For more ways to listen - Podcast options


Something's fishy as we discuss one of the first megablockbusters. It's a Signal Watch Summer Spectacular as we discuss a movie with teeth! Bite down on Spielberg's first smash hit, while we chum the waters with more than an hour of chatter that'll have you wishing you brought a bigger podcast player.

The Signal Watch PodCast · 109: "Jaws" (1978) - SimonUK Cinema Series w/ Jamie & Ryan

Music:
Jaws Main Title - John Williams, Jaws OST
Out to Sea - John Williams, Jaws OST


Simon Playlist

The Signal Watch PodCast · SimonUK Cinema Series

80's Watch: Ferris Bueller's Day Off (1986)

Watched:  06/29/2020
Format:  Amazon Streaming
Viewing:  Unknown
Decade:  1980's
Director:  John Hughes

There's no point in talking much about Ferris Bueller's Day Off (1986), one of the most discussed movies of two generations.  And, of course, Josh Gad's web series Reunited Apart recently brought a gaggle of cast members back to discuss the film.  On this note, Jamie suggested we give it a watch - which we hadn't done in a few years, at least not in pieces, edited, on cable. 

I have no idea what today's kids see when they look at the movie.  The idea of wealthy, white kids running around Chicago without consequence, with a suggestion of sex between the leads, would surely get a social media tsking, and a shocked look from kids who can't understand teens not getting a ride from mom or just spending the day online playing Fortnite.  I don't know. 

It holds up, in its way - at least for those of us who for whom it was a staple and cultural touchstone. 

In 1986 I saw the movie with my parents (I would have been 11), who gave me some surprising insight into what they thought of me at the time by repeatedly saying "Ryan, don't get any ideas".  It is fine - I did not.  They really underestimated my form of laziness where it was easier to just go to school than make up the work.  I don't think I cut class til college. 

It really is an amazingly well put together comedy with an outstanding cast.  I mean: Edie McClurg, people.  But naming names - you all know who is in here and what they do.  The funny thing is, the older I get, the funnier I find Jennifer Grey.  She was always funny - but that seething, misdirected rage is just... amazing, as is her turn at the end.

And how can you not like a movie where they watch The Cubs play?

Anyway - yeah.  You know the movie. 

Doc Watch: Becoming (2020)

Watched:  06/26/2020
Format:  Netflix
Viewing:  First
Decade:  2020's
Director:  Nadia Hallgren

I'm aware Michelle Obama is a polarizing figure, what with encouraging kids to eat healthy and being an interesting, intelligent counterpart to her husband.  But, hoo boy, in a period of American journalism which seems distant and we can hope is on the ash-heap, the press sure tried to find ways to make her a villain. 

Noir Watch: Underworld USA (1961)

Watched:  06/26/2020
Format:  Noir Alley on DVR
Viewing:  First
Decade:  1960's
Director:  Samuel Fuller

One of the things I enjoy about watching noir and older films is figuring out how great some directors really were.  I still haven't watched enough Samuel Fuller, but I have yet to see a Fuller movie that didn't hit me over the head like a 2x4, and Underworld U.S.A. (1961) is no exception.

PODCAST: "Total Recall" (1990) - Arnie-Fest continues with SimonUK and Ryan!

Watched:  06/18/2020
Format:  Amazon Streaming
Viewing:  Unknown
Decade:  1990's
Director:  Paul Verhoeven

More ways to listen - choose a podcast format


We get our respective asses to Mars and talk Arnie's big-budget sci-fi opus, "Total Recall". Is this the real life? Is it just fantasy? Simon and Ryan dig into this 1990 fan favorite full of rad ideas, great sets and design, a terrific cast and a pace that's hard to beat. From the director of "RoboCop" and Sharon Stone's star turn! Open your minds and join us!
 

The Signal Watch PodCast · 108: "Total Recall" (1990) - ArnieFest w/ SimonUK and Ryan

Music: 
Total Recall Main Theme - Jerry Goldsmith



Playlists

Arnie-Fest

The Signal Watch PodCast · Arnie Fest

SimonUK Cinema Series

The Signal Watch PodCast · SimonUK Cinema Series

Friday Tweet-a-Long: Slithis (1978)

Movie:  (Spawn of the) Slithis - 1978
Watch Movie at:  Amazon Streaming
Day: 06/26/2020
Time: 8:30 PM

hashtag: #slithis

Let's pause it right at the beginning and wait for the cue at the hashtag.  We usually get going right at 8:32 or so.

This looks super good.  Nuclear waste!  Swamp creature!  Southern California sun-dappled beach town and mayhem and murder!  And very, very good acting.  Plus, it looks like they're kinda riffin' on Jaws, too.

Friday night!  Prepare your own beverage of nuclear waste, fire up your twitter machine and join us as we ponder SLITHIS.  Or SPAWN of the SLITHIS.  Or whatever they called this thing.

Spidey Watch: Spider-Man - Into the Spider-Verse (2018)

Watched:  06/23/2020
Format:  BluRay
Viewing:  No idea
Decade:  2010's
Directors:  Peter Ramsey, Bob Persichetti, Rodney Rothman

I feel like Spider-Man: Into the Spider-Verse (2018) found its audience on home video that it didn't quite find at the theater, which makes me wonder how the coming sequel will do.  I will say - I am delighted that the movie is finding the bigger audience it deserves and I'm still disappointed in Sony for failing to push the movie harder when it was coming out.  Especially because - as much as I like the movie, it's just something to see on the big screen.  I feel like a lot of people I've talked to who watched it on their screens aren't quite getting it because they aren't able to "see" the movie the same way and see how every frame and every detail is next level work. 

Maybe when theaters re-open and there's nothing new to show, Sony can re-release S:ItSV.  If they do, go see it on the biggest screen you can find.

At some point in the past year I mentioned wanting to show this movie to my dad, and he was just sort of confused (it happens.  He was not expecting a Spidey rec.).  But, man, this movie does such a phenomenal job of catching what it is to be in those early years of high school where you're figuring things out, and your parents are looking in from the outside as you come into yourself and find your people.

One of these days. 

Anyway - in these days of challenge and change, I'm glad Jamie thought to put it on.  Anyone can wear the mask.

Tweet-a-Long Watch - "Basket Case" (1982)

Watched:  06/19/2020
Format:  Amazon Streaming
Viewing:  First
Decade:  1980's
Director:  Frank Henenlotter

We've been taking suggestions from the peanut gallery for Friday night Tweet-a-Long, and Lauren brought this one.

Horror isn't really my thing, but sometimes the movies hit me just right, and that was the case with Basket Case (1982).  A no-budget film that relies on a strong concept, some non-Henson-inspired puppetry and a go at stop-motion that would do Gumby proud, it's just simply way better than it seems like it should be. They go with less-is-more approach to our friend in the basket, and make sure a heaping helping of the horror is the descent our lead is on, acting out of love and Stockholm Syndrome.

Essentially the story follows a young man who hits NYC with *something* in a wicker basket - his conjoined twin from whom he was separated at a young age, with the intention the twin would die.  Both have lived, and now seek revenge on the doctors who performed the surgery.

Along the way, the more normal brother begins to get an idea of what it would be to fall in love - which is at odds with his brother for any number of reasons I'll leave it to you to find out.

Anyway - good pick, Lauren!