Thursday, October 21, 2021

Hallow-Scream Watch: Killer Workout/ Aerobicide (1987)




Watched:  10/21/2021
Format:  BluRay
Viewing:  First
Decade:  1980's (so, so 1980's)
Director:  

A few weeks ago, tweeter Dr. PopCulture BGSU posted a picture or two from a movie of which I'd never before heard discussed, Killer Workout (1987), and I vowed to watch this movie at some point.  Well, our own JimD decided, YES, we would both see this movie, and so a copy showed up in the mail.  

I am genuinely supportive of the genre film preservation going on in weird little corners.  There's basically no reason anyone should work to preserve and distribute Killer Workout.  It's a very low-budget film with no bankable stars, bad cinematography, as wobbly a plot as you're going to find, and zero logic.  Sort of.  But.  Movies like this were an important part of the cinema world for a long time, and they've mostly disappeared as VHS players and tapes have headed to the bin.  It's weird that we may lose a lot of movies because of dedication to a format.

Olive Films is a newer but growing distribution company doing good work out there, bringing a wide range of film types to the market - from respectable classic film to.... Killer Workout.  They seem really cool and I need to spend more time reviewing their catalog.  I would LOVE to know more about their efforts to preserve and distribute films - but I have a lot of questions about their presentation of Killer Workout.  It *seems* like they had an idea to not just get the movie out there, but retain some of the VHS experience.  

Wonder Woman at 80

 
art by Phil Jimenez

Today is being celebrated as the 80th Anniversary of the arrival of Wonder Woman in All-Star Comics #8.  

It's no secret we're big fans of Princess Diana/ Diana Prince/ Wonder Woman around these parts, and we're thrilled that Wondy is, today, as popular - or more so - than ever, thanks to any number of factors.  And, we think she could reach even higher heights!  After all, we firmly agree in her mission of peace and justice.  Plus, twirling!

Anyway, I can either do a TL;DR post about the greatness of Wonder Woman as character, property, icon, etc... OR I can cut it short and let you just bask in the tremendousness of 80 years of lassoing for Truth!

art by Alex Ross


WW84 is an imperfect movie, but it did give us this sequence of Wonder Woman in action as I imagine a Tuesday goes for her



I like many, many animated takes on Wonder Woman, from Super Friends to the WB Animated movies.  But this 3 minute sequence from Brave and the Bold is the most Wonder Woman ever packed into 3 minutes.  




and now.... twirling


JLC Hallow-Watch: Halloween Kills (2021)




Watched:  10/20/2021
Format:  Peacock
Viewing:  First
Decade:  2020's
Director:  David Gordon Greene


SPOILERS

So, this isn't a movie, it's the second act of a three part film about Michael Myers and the residents of Haddonfield.  Maybe the third part of a 4 part film, if you want to think of the 1978 film as the prelude.  

I haven't read anything about the movie as I was trying to avoid spoilers, but it's got a very low reviewer rating on Rotten Tomatoes, which... fair enough.  Horror sequels usually stand alone, using some of the same characters.  But, much like Halloween 2 from the 1980's (now erased in this continuity), this chapter acts more as an extension of the prior film.  Halloween 2 picked up as Laurie Strode was whisked away to a hospital and Myers tracked her down.  This one does similar - picking up from the end moments of Halloween 2018 on the same truck ride where we left the Strode women.

Tuesday, October 19, 2021

Doc Watch: 15 Minutes of Shame (2021)




Watched:  10/19/2021
Format:  HBOmax
Viewing:  First
Decade:  2020's
Director:  Max Joseph

There's something weirdly "student film"-ish about this documentary.  From the "let's start this with a quote" business to a third act diversion that isn't actually on topic, as interesting as it is.  It's the sort of "this is too good not to rationalize its inclusion" stuff I found myself doing when working on docs in college.  It also locks into a political POV that I think keeps the film from reaching a necessary and broader audience, undermining its impact.

But - the overall premise and most of the talking heads are great.

Co-Produced and narrated by Monica Lewinsky, the film looks into how the internet has weaponized shaming/ cancel culture, but really how you can wake up one morning and your whole life is now public and awful, and you have absolutely no say in how it plays out.  

Noir Watch: The Dark Past (1948)




Watched:  10/18/2021
Format:  TCM Noir Alley
Viewing:  First
Decade:  1940's
Director:  Rudolph Mate
Ellen Corby - domestic

A mash-up of two kinds of mid-20th century films, this one is quasi-noir, I guess, mostly because it echoes other films which are definitely noir.  But it's one part "trapped in a location with a criminal and his organization" which you'll know from The Petrified Forest to Key Largo, and one part "hey, kids: psychology!" - which pervaded any number of movies in this era, from Nightmare Alley to Miracle on 34th Street to Highwall

But, basically, a very young William Holden plays desperado Al Walker, whose gang just busted him out of prison, killing a couple of guards and a warden en route.  He and his gang (and his girl, played by Adele Jergens) hide out in the home of Lee J Cobb and Lois "Miss Moneypenny, herself" Maxwell, where they're entertaining a few guests.

It becomes a psychological cat and mouse game as Cobb tries to both save his own skin and that of his guests, and maybe cure the insane murderer, so long as he's got a few hours to hang, anyway.  

It's absolutely buckwild how both medicine and therefore psychology were seen in this era as quick miracle cures that could happen overnight.  I guess when the answer is "20 years ago we didn't have penicillin", everything seems possible.  

As a "we're all trapped in here with criminals" movie, you can do much better.  As a "mid-20th Century psychology" movie... it's just under par.  But, Lee J. Cobb makes for a convincing doctor, Adele Jergens is terrific as Holden's girl.  Holden is very good, himself, but he's early here and when you know movies where he's able to do more and with better dialog, this is definitely a less notable role for him.  

I'm fascinated with the gigantic country/ woodland getaway homes of this period.  I've seen dozens of movies with country houses like this, from Christmas in Connecticut to many-a-noir, and the movies always place actors in gigantic, spacious cabin/ houses that read as "set for a play" much more than a dwelling, and always seem bigger than anyone's actual home.

The movie also has Ellen Corby, who played a domestic in a dozen movies I've seen - and does so again here, but she's always around in some capacity as a "regular" person - be it a nurse, whatever.   I need to start an Ellen Corby tracker, because she went uncredited for years and was maybe the hardest working woman in Hollywood for decades. Yet, no one ever talks about her.  But she has 265 IMDB credits.  265!




Monday, October 18, 2021

Vincent Price Watch: The Pit and the Pendulum (1961)




Watched:  10/17/2021
Format:  DVD
Viewing:  First
Decade:  1960's
Director:  Roger Corman

It is insane that I've never watched this movie.   With Corman directing, Vincent Price starring and a set-up that would become classic and - as Jamie pointed out - feels positively Bond-ian, it's a fun watch.  

It's a period piece, sometime during the Spanish inquisition (don't ask me when.  They're wearing those frilly collars I think of as 16th Century), and the events are around fallout of the Inquisition.  It's a genuinely screwed up story, maybe more thriller than horror, but there are genuine moments of creepiness and chills here and there, which I frankly wasn't expecting.

Sunday, October 17, 2021

PODCAST: "Dawn of the Dead" (1978) & (2004) - Halloween 2021 - Horror Sequels w/ SimonUK and Ryan


 
Watched:  08/25 & 08/31/2021
Format:  YouTube and Amazon
Viewing:  at least second for both
Decade:  1970's and 2000's
Director:  George Romero and Zack Snyder



SimonUK and Ryan celebrate Halloween by taking a bite out of the sequel to the zombie movie that started it all, and which some consider the most delicious of the genre. We also discuss the 21st Century reanimation of the same idea. Join us for a Halloween horror discussion fit to wake the dead.




Music:
L'alba dei morti viventi - Goblin, Dawn of the Dead/ Zombi Soundtrack
What the World Needs Now (Is Love, Sweet Love) - Burt Bacharach


Halloween 2021 Playlist!

Saturday, October 16, 2021

Hallow-Scream Watch: Gothic (1986)




Watched:  10/16/2021
Format:  Amazon
Viewing:  First
Decade: 1980's
Director:  Ken Russell

Gothic (1986) is one of those movies I remember always seeing on the shelf at movie rental places.  It was always in, but I never pulled the trigger and watched it.  I'm thinking the copy on the box describing the movie was not great, because - I believe - had it been more accurate, I would have rented the movie.

Based loosely on some real-life events (and then deeply fictionalized), the movie imagines about 24 hours of drug-fueled shenanigans in a mansion in Geneva at the turn of the 18th to the 19th Century as Percy Shelley, Mary Godwin (soon to be Mary Shelley) and Mary's step-sister arrive to have a hang with the notorious libertine, Lord Byron - in self-exile from England.

Halloween Watch Party: Bride of Frankenstein (1935)




Watched:  10/15/2021
Format:  Amazon Watch Party
Viewing:  Unknown
Decade:  1930's
Director:  James Whale

My friends, I have watched this movie so many times and talked about it so much, I am sure you are sick of it.  But we had a grand old time watching it together for a Watch Party!

So, annual viewing of Bride of Frankenstein, complete!




Friday, October 15, 2021

This Friday 08/15 - Hallow-Scream Watch Party: "The Bride of Frankenstein"



If you've never seen Bride of Frankenstein, it's not really what you think it is.  It's way, way weirder than whatever you had in mind.  

But mostly - It's shockingly modern in its attitudes, mix of humor and horror and pathos.  It ALSO has some #MeToo-level messaging that is so utterly core to the film, that after seeing it, you will be able to spot with absolute certainty someone who co-opted the film's iconography without ever seeing the film itself.  

Come for amazing sets, stunning costumes, high camp, sad monsters and a movie that does it all in about 85 minutes.  Plus, you know, see The Monster drinking booze and smoking a cigar.  

also - announcing SIGNAL WATCH NOIRVEMBER


SCHEDULE

Day:  October 15 - Friday
Time:   8:30 PM Central/ 6:30 Pacific
 

Cost:  $4




The Universal Monsters Hallow-Scream Watch Party series is meant to be a casual good-time as we check out the run of horror movies that started with Dracula and have become staples of culture the world over!  Everyone knows what these monsters look and act like, but it's probable most people haven't ever actually seen the movies they're in!  So, come watch!  

Starting just two years after the silent era, these movies quickly became the blockbusters of their day, bringing strange ideas most people hadn't considered, wild visuals, and complicated creatures to the screen.  And, ever since, studios have been looking to recapture this particular lightning in a bottle.

We think you'll enjoy watching along and checking out the creepfest that is Universal Horror!