Watched: 02/24/2024
Format: Amazon
Viewing: First
Director: Robert Gordon
Selection: me
I was watching something recently - no idea what - and they showed clips from It Came From Beneath the Sea (1955), one of the 1950's staple sci-fi atomic-age monster horror movies I'd always meant to get around to, but it just never happened. In the clips, I saw the giant, stop-motion squid at the center of the movie tearing up San Francisco-based landmarks so I thought "hey, let's watch that with Dug."
So, we did.
Quick note: the version we watched on Amazon was colorized, and done pretty well, I believe by Amazon. But it's not what I was intending to watch. Beware which version you're clicking on when you agree to rent the film.
At the time, this movie was very successful, but seems to have been somewhat forgotten by Gen-X and subsequent generations. Jamie stated out loud what I was wondering: did someone read a synopsis of Gojira (1954) and decide to try to make something similar here? Maybe, but also: by 1955, we were into the second wave of monster films as studios realized the popularity of Dracula and Co. had not really diminished, but - also - wasn't it fun to have giant, radioactive ants (Them! - 1954) or just big old sea beasts (The Beast from 20,000 Fathoms - 1953).
Unlike Gojira, the military here is shown as successful, eventually, against the beast. But, if you like movies about meetings and some awkward romance (and if you have an interest in getting into Godzilla, I hope you like both), this is the movie for you.
Look, Harryhausen is a master, but he can only make so much movie so fast. And make it look as good as it does in this film. So there's not a lot of time in the movie where we actually see the giant octopus. When we do, it looks fantastic. The FX and stop-motion are top of their game for the era, if nothing else, just skip around the timeline of the film to watch that. It's extremely cool.
The film stars Kenneth Tobey as our submarine commander hero and sexual harasser, Faith Domergue as the brilliant lady scientist who eventually takes Tobey down a peg even as she's clearly ready to bed him, and Donald Curtis, whom I have seen in multiple other movies but never in such a prominent role. They're all fine. Tobey I have an affection for as the guy from the original The Thing From Another World and a whole bunch of Joe Dante films (plus Airplane!). Domergue just isn't one of my favorites. She's very... there in the movie, but she always feels a little flat to me. And Curtis isn't bad as the third wheel.
The sexual politics of the movie are squarely 1955 for most of the film: he-man Tobey makes his intentions known, Domergue is sorta having it as Tobey literally corners her and all but waggles his eyebrows. But the curious bit is the speech delivered by Curtis, informing Tobey (who presumably has been at sea since WWII) "hey, women have their own minds, and they're entering the workforce as equals, so step the fuck off" to which Tobey seems amenable-ish. It arrives way too late, and has been ignored coming from the mouth of Domergue, but it does arrive, and for that alone I was shocked.
The movie is a tight 80-something minutes, so it's not exactly going to kill your day to watch the movie. Just don't come in expecting deep character studies or anything. Come in looking for SF to get blowed up by a squid and you're good.
No comments:
Post a Comment