80's Watch: UHF (1989)

In the glorious summer before my Freshman year of high school, I saw UHF (1989) in the theater.  Twice.  I admit, once was at the dollar theater, but still.  In fact, one of those dates would have been right around now as my ritual was to go see a movie the night before school started, and that year, our movie of choice was UHF.  For a dollar.

You're welcome, Weird Al.

"Weird" Al Yankovic was an extremely well known figure by 1989, having broken through with his 1984 album "Weird Al" Yankovic in 3D and - much to my delight and surprise - he's still going strong in 2015.  He just played two nights in Austin.  His last album actually hit #1 on the Billboard charts.  Not bad for a song parody man who has managed to outlast and/ or outlive about 90% of the acts he's spoofed.

The movie has a razor-thin plot and is more or less an excuse for Al to move his talents for translating rock songs into jokes about processed foods into the more visual realm of pretty spot on spoofs of TV and movies.  And, really, he sort of very casually takes on the culture of TV in the 1980's in general.

I really don't know how I CAN'T go see the new "Apes" movie

My Apes obsession crescendoed in the days prior to any blogging or social media. Circa 1998 - 2001, I was all about Planet of the Apes and its sequels. Somewhere, I still have a Charlton Heston action figure and 12" dolls of Cornelius and Dr. Zaius.  Now that I think on it, once, when Jamie was in the hospital, I left her there to go catch a screening of POTA at the original location of the Alamo (with her permission).

My favorite of the series, of course, was the original, which Tim Burton remade into a mess of a surprisingly boring film about 10 years ago. My second favorite was always Conquest of the Planet of the Apes, in which you learn about the early days of the ape revolt, which had been hinted at in the previous films.  Its a sort of cautionary tale/ leninist fantasy of the beleagured apes rising up and striking back at their tormentors (us a-hole humans) who have basically been treating apes as slave labor in the context of the film.

@#$% is about to get real, yo

The trailer above is quite different from Conquest, so its a new story that seems to give a faux-scientific plausible explanation for how the ape revolt could have ever happened. In some ways, its a bit like introducing midichlorians, but after the goofy mutants of Beneath the Planet of the Apes, I'm not sure the franchise maintained the same credibility with even the fans that Star Wars carried for so long.

Everyone who comes to Planet of the Apes has a different perspective,  because (a) its not a series built on a cheery proposition and (b) my own wife just gets creeped out by the make-up, so she won't watch the films even when I can prove that Kim Hunter as Zira is just awesome (she appears in the first 3 Apes films).

see!  even Cheston loves Zira.  Maybe too much.

As a kid, I remember watching the Apes movies when WGN or our local UHF station would have "Ape Week" (5 Apes movies in 5 nights.  It was as good as "Godzilla Week".  Man, UHF ruled.), but unlike Tron or Star Wars I do remember having to work pretty hard to grok the Apes movies.  In a lot of ways, the social commentary and criticism of the movies that I thought pretty clever in 1998 just wasn't apparent to me as a kid.  But, you know, apes.  You had to watch.

The original novel of Planet of the Apes is actually quite a bit different from the 1960's version of the movie, and vastly different from the Mark Wahlberg-starring version, although there's a bit of the "suprise ending" in all three.   Its worth noting that Rod Serling, Mr. Twilight Zone himself was part of the brains behind the movie of Planet of the Apes (1968), which makes total sense if you've seen the movie. 

Anyhow, I'm up for an Apes movie.  This looks properly ridiculous.

Weird Al Watch: UHF (1989)

Watched:  09/02/2019
Format:   Amazon Streaming
Viewing:  No idea.  Must be a dozen
Decade:  1980's

My claim to fame is that I saw this movie twice in the theater.  Once - because it was summer, Weird Al had a movie, and it was mid-afternoon.  The second time I caught it was the day before I started high school, kicking off the tradition I kept up through college where you got and see a movie the day before the school year starts so you're thinking about something else.

You've either seen UHF (1989) or you haven't.  Starring "Weird Al" Yankovic, already quite famous by 1989 thanks to several hit novelty records and MTV airplay, the movie is basically a bunch of music videos and really funny sketches tied together with a razor-thin plot about running a broke, non-network TV station on the edge of town.  It's an underdog story about big corporate stations being run by mean people vs. underdogs who break the mold and come out on top thanks to creativity and a sense of community.  Or something.

It's also a reminder of how much weird comedy could get in the 1980's, with skits like Gandhi II and Spatula City, and that firing a firehose into a kid's face can be hilarious in the right circumstances.

The cast is weirdly impressive when you realize it features both Michael Richards and Fran Drescher just before they broke big just a few years later, but also Emo Philips, Billy Barty, David Bowe, Victoria Jackson, Gedde Watanabe, David Proval and a handful of "oh, that guy!" actors.  And, of course, in a stunning coup of casting brilliance - Kevin McCarthy as the evil network affiliate owner and operator.

I dunno.  There isn't much to say about the film.  It's still fun, even when you know not everything aged well or fallen out of relevance.  But a lot of it still has that magic (ex: Conan the Librarian continues to work all too well). 

And I genuinely like some of the gags, like the homeless guy asking for change to break a dollar.  Just gold.

Anyhow- for some early Michael Richards genius and pre-Nanny Fran Drescher, you can do way worse.  And Weird Al is just funny as all hell in this thing.

Weird Al Watch: UHF (1989)

Watched:  08/08/2025

Format:  DVD

Viewing:  Unknown

Director:  Jay Levey

I was walking through Walmart and passed the $5 DVD bin and saw UHF (1989) sitting in the pile, and realized I didn't have a copy of the movie.  

I've already written this movie up twice before, so no need to do it again.  But it is a delight.  I may be suffering from some Space Jam Fallacy here, and I am pretty sure most of the jokes would make no sense to anyone under 40, but what the hell... there are things in this movie that I genuinely love, and I wish Al and Co. had made ten more movies.  

Also, how funny is it that Fran Drescher is in this in a supporting bit like 4 years before she launched one of the biggest shows of the 90's? 

80's Watch: Blue Thunder (1983)

We'd bid some friends good-evening and I was following my usual post-cocktails routine of drinking a couple of glasses of water and eating something when 1983's helicopter actioner, Blue Thunder, came on our local UHF-channel/ CW affiliate.  Then, somehow, it was suddenly 2:00 AM and I'd watched the entirety of Blue Thunder again.

It happens.

No one is going to confuse Blue Thunder with a good movie, and, cut for TV, it's an even less good movie.  But when it's midnight and you're a few drinks in, Blue Thunder is, apparently, exactly what's needed.

In the cold light of day, I think I remember the plot.  It's been at least fifteen, maybe twenty years since I last watched Blue Thunder, but it goes something like this:

More About Bees and the 1970's

So, Nathaniel asked me why I forgot to mention the giant, hallucinatory bees in 1978's The Swarm.   And, he's right to ask, because it's probably the most stunning/ least magical visual special effect in the movie.

What's most interesting is that the bees inject a venom into their victim that make them not just hallucinate, but hallucinate a very large bee.

Now, as a kid I saw an ad for The Swarm on TV as the Late Late Movie on local UHF, and they kept showing the clips of the hallucinations.  Unfortunately, at age 11 or so, I was not qualified to stay up for the midnight to four AM shift, so I missed the broadcast and never saw the movie I assumed was all about giant bees.  At some point when SimonUK suggested we watch this movie, like, two years ago, I eagerly said "you mean the movie about the giant bees?"
"No, the one with Michael Caine."
"Right!  With giant bees!"
"Well... no."

2015 - A Year in Movies (Let's Talk Numbers!)

When I came back to the site at the end of 2014, I picked up in 2015 with enough hubris and energy to decide to write about each movie I watched this year.  Unless something weird happens in the next few hours, I am able to accurately state that I posted on every movie I watched which I watched in its entirety in calendar year 2015.

I did not mention every movie I did not watch all the way through, usually because I tuned in for a bit to a movie I'd seen before and wouldn't bother to finish or came in very late.  I also didn't do full write-ups of a few movies, but no one seemed to mind that I had nothing to say about Spies Like Us.

So, in this post - let's talk numbers.  I'll give out awards later.

For the breakdown on a spreadsheet, feel free to click here.  It's also at the bottom of the post, if you hate clicking things.

As of 2:18 PM on December 31, 2015 I watched and said something about 181 movies.  

The last time I kept count was 2012, when I watched just 136 movies.  As I recall, we were watching a lot more TV that year and I was working like crazy.

That said - that's a whole 45 more movies, at about 1.75 hours a piece, that's about 79 more hours of movies - or two working weeks.  Plus, I dunno, maybe 45 minutes per post.  That's about 34 hours of post-time.  So, a total of about 113 hours more than 2012.

(edit:  I actually checked and back in 2012, we were double-posting movies a lot.  It was 136 posts and 147 movies.  Corrected numbers - 34 more movies in 2015, an average of 59.5 hours of movies, 25.5 hours of posts, so - let's call it 85 hours more than 2012).

Yikes.

If we figure 181 movies at 2.5 hours of watching and posting, that's 452.5 hours I've give you people this year, or more than 11 weeks of work.  And it's likely more than that as a lot of the movies were more than 1.75 hours, so let's not think too hard about this before I start really worrying about what I'm doing with my life.

Anyway, here we go...

Mr. Peppermint Merges with the Infinite

I saw online that local Dallas kids' TV icon, Mr. Peppermint, has passed.

Mr. Peppermint was actually Mr. Jerry Haynes. And while he played the jovial, puppet be-friended Mr. Peppermint on TV, he was also the father of Gibby Haynes, frontman for The Butthole Surfers. A fact I have never really been able to wrap my head around.

When I was about 4 years old we moved from Michigan to Dallas, and its important to note a couple of things (a) we spent a lot of time in fantasy la-la land as kids, going to puppet shows, plays, movies, etc... and the KareBear was all about the magical land of make believe. I assume it kept us very quiet, and (b) I have only vague memories of Mr. Peppermint, but all of them are colored with candy-coated awesomeness.

Younger readers may not remember that local TV stations used to have a kid's club host, usually on the UHF channel. Sort of like how they would also have a late-night host. These sort of spun out into ideas that got picked up nationally like Bozo the Clown for morning programming and Elvira for late-night programming. On the morning shows, they'd host cartoons, maybe have a live audience that would play games, etc... *

But, honestly, I don't remember much about what was actually on Mr. Peppermint's show, Peppermint Place. I was 6 years old when we moved away.

I do recall it made a huge impact on me that my Ma, The KareBear, took us to see Mr. Peppermint when he did a show at the mall.  I had only seen one celebrity before, and that was some random guy dressed up as Darth Vader signing 8"x10" glossies at the JC Penny.  But Mr. Peppermint came out and talked to his puppets and he had the suit and cane and everything.

Part of why I've gone on and on about this is that:  well into college, I secretly really wanted to be a Kid's TV Show Host.  I'm totally not kidding.  I didn't yet have a character in mind, but I liked the Mr. Peppermint model of just being a genial guy in a colorful suit with puppets.  At the time, Austin just had this kind of loud lady named Kelly who would intro the cartoons, but she clearly didn't give a damn about Animaniacs or Batman.  And I figured if I could get the right angle, I would make the cartoon block way, way more fun.

And then, about 1995, they quit having a kids' club host, and that was that.

I think I grew up with ideas about how things worked that were sort of stuck circa 1955, especially when it came to what made for good TV.  Other kids were watching The Cosby Show and I was watching Mr. Ed re-runs and Leave it to Beaver.  And I'm not unconvinced that a friendly guy on TV talking to kids isn't a better model than the hyper-kinetic mess that makes up most kids' programming these days.

Anyway, here's to Mr. Peppermint, Gibby's dad, and friends to kids in the greater DFW area for generations.

* I remember conversations in middle school about how Bozo's "Grand Prize Game" was f'ing IMPOSSIBLE - where you through ping pong balls into buckets as far away as ten feet.

50 Years of Star Trek

Here's to 50 years of Star Trek, in television, movies and beyond.

September 8th, 1966 saw the premier of Star Trek on network television.  The episode was "The Man Trap" (the Salt Monster one).  The show lasted for three seasons and blazed trails before spinning off into weirdly wild success in syndication.  Of course, Star Trek: The Next Generation cut out the middleman and went straight into syndication.

I am not a real Trekker, and I'm okay with that.  I never really watched much Deep Space Nine, Voyager or Enterprise.  Not the way I watched original series or Next Generation.  I like all the movies with the original cast for one reason or another, even if I mostly enjoy Star Trek V as camp.  I even liked Star Trek Beyond quite a bit  (Karl Urban was fantastic).

Where Star Wars broke me circa 1999, ending it's drought in 2015 with The Force Awakens, there's always been enough Trek to keep me invested, willing to go to bat and try another movie, TV show, episode, what-have-you.  But I've never felt fan enough to attend a Star Trek convention or the like.  Which is weird.  I guess I've just always been aware that I'm a fan, but I've seen the real fans, if you know what I mean (I do not know a single word of Klingon, for example).

The original show sparked my imagination when I became a regular viewer of episodes at 5:00 PM on the local UHF channel when I was about 10.  The idea of moving through space, of not just constantly fighting some antagonist over and over, but exploring, of discovery - that got my interest.  Also, Lieutenant Uhura.  But flying around in a ship I still haven't gotten over, not necessarily shooting or punching to solve the problem of the week, of trying to find a better tomorrow out on the edge of known space...?  Sign me up.

Happy 80th Birthday, Bugs Bunny!

in which I argue this is a hero of the people

Because parents are now largely concerned their children will experience any joy that doesn't have bumpers on it,* I don't think kids really know about Bugs Bunny.  Which is a shame.

Being a 1980's latchkey kid who had a Zenith for a babysitter, like most of my generation, I had WB cartoons blasted at me day and night for my entire youth.  From my earliest memories straight through college, Looney Tunes were not just a staple, but a constant.  In a way, the cheap programming of a thousand UHF channels and basic cable options may be the truest common denominator for 2-3 decades of Americans.  All of us know "Rabbit Season/ Duck Season".  We all know the weird, hilarious poetic tragedy of Michigan J. Frog and those who find him.  We all know the best thing to do when pursued is to dress as a coquettish young blonde and flirt with our pursuer.

It's printed on our DNA.

Rogers Watch: Won't You Be My Neighbor? (2018)

Watched:  09/07/2018
Format:  Streaming Amazon
Viewing:  First
Decade:  2010's

Batman! The 50th Anniversary!

Longtime readers will know - Batman, the TV program, is probably ground zero for everything you see here at the ol' blog.  Born in '75, obviously I was too not-yet-in-existence to catch the show when it premiered in 1966, and I think my dad was in Vietnam and my mom was in college and not watching TV when the show hit the airwaves.

Family history says my first words included "Batman".  Or, more specifically, "Mat-man", as I couldn't quite work that "b" sound quite yet.  The story is that my mom needed to fix dinner for my brother and myself, and at some point she figured out I'd hold perfectly still for half an hour each week night when she'd point me at the TV while Batman played in syndication, and the rest just sort of played out.

As big as Star Wars may have been in my early childhood, so, too, was this version of Batman - or so I am told.  But I have almost no memory of watching the show at this age, I just remembered the characters and sounds of the show.  It fell off the syndication wagon in my local viewing area for a number of years, and didn't return until 1989, when the popularity of the Michael Keaton Batman meant someone decided to cash in.

Edgar Froese of Tangerine Dream Merges With The Infinite

As noted in the title, we lost a musical pioneer this week.  Edgar Froese has merged with The Infinite.  (Thanks to Cavender for the link.)

My first exposure to Tangerine Dream was, oddly, as a reference in cult sci-fi book The Architect of Sleep that I read at summer camp when I was a kid.  The hero of the book was a Tangerine Dream fan who accidentally made his way to a parallel Earth where apes had not evolved to be the bipedal species.  Instead, raccoons were living in a sort of feudal, dark-ages-like society.  I dunno.  It's been almost 30 years.*

My take away was the hero was kind of a slacker-stoner who was into stuff even more mellow than Dark Side of the Moon's second half.  At some point in my youth, then, I was buying Tangerine Dream on vinyl and cassette and chilling out like a champ under my Captain America and Michael Jordan posters.

I also recall, not too long after reading the book - and I can't remember if it was before or after I owned any Tangerine Dream, this movie came on the local UHF station, and it was directed by Michael Mann and had a score by Tangerine Dream.  Thief?  you ask.  Ha.  NO.  The Keep, one of the most unjustly hidden gems of the 1980's.  (edit: this is now available on Amazon Instant!  holy cats!)

Anyway, after that I noticed Tangerine Dream did a lot of scores.  The aforementioned Thief, Sorcerer, Risky Business**, Near Dark.  Legend, anybody?

Yeah, Tangerine Dream can sound dated, but I put that up to how much they stamped a certain period of music, the massive influence they had and the army of imitators who flooded movie scores - never quite hitting the same level.

But we're not going to do this post and then not give you some examples.

So, here we go.

Supermarathon! Superman IV: The Quest for Peace

Ah.  Yes.

So, Superman IV: The Quest for Peace.

I recall this movie coming out, hanging around local theater Showplace 6 for maybe a week or two and then disappearing.  I vaguely remember bad reviews, but as a kid who was used to every movie he loved receiving bad reviews, this wasn't anything to sweat.

One day in the Spring of 1995 I was doing laundry at my first apartment, and I remember watching the entire thing, with commercial breaks, on Austin's UHF affiliate as I ran down to the laundry room during commercial breaks to swap out loads.

Superman unilaterally threatens every nation on Earth

The thing about Superman IV is that it actually has a pretty solid premise going in, a premise that it jettisons partway through and replaces with a blow-dried Rocky Horror stand-in with shiny fingernails.

I like that the film attempts to take Superman through the question of responsibility of a Superman when it comes to the nuclear question, and that he starts at "that's not really my decision" - changes his mind - and then, through the course of the narrative, sees that mankind needs to make a decision on its own.  You can see the high-minded ideals Reeve brought to the screenwriters as a co-creator of the story.

90's Watch: The Brady Bunch Movie (1995)

Watched:  06/23/2018
Format:  Amazon Prime
Viewing:  I dunno.  4th?
Decade:  1990's

Huh.  So, the original Brady Bunch ran from 1969 - 1974 and then endlessly in reruns.

Here's the math:

• End of show to release of the movie - 21 years
• Release of the movie to now - 23 years

Yeah, Gen-X'ers, I know.

"Planet of the Apes" 50th Anniversary

So, Shoemaker sent me a text alerting me that today is the 50th Anniversary of the Premier of Planet of the Apes!  I've found three completely different release dates, and February 8th is absolutely one of them.  I wasn't born yet, so I don't know, but I expect this is the Premier date the rest were release windows across the US.  Movie distribution used to be a bit different.

Michael Mann Watch: The Keep (1983)

So, a few days ago, pal JuanD posted something to Facebook about German electronic musical combo, Tangerine Dream, and - knowing neither Juan nor I had any better plans for Saturday, I got us all fired up, as I'd recently seen that Amazon Instant was offering up the 1983 Michael Mann opus, The Keep.

I didn't promise the movie would actually be good.  I'd seen it before.  But if you're looking for an extended mix and meshing of the finest in early synth odyssey and forgotten tone-poem movie making, well, my friends, have I got a commercially unviable flick for you.

The first time I saw The Keep was some point circa 1988.  I'd actually heard of Tangerine Dream thanks to a sci-fi book I'd read a year or so before (The Architect of Sleep) in which the first-person narrator was a fan of the band.  I'm thinking that I saw that name come up prominently and stuck with the movie.  In an era when most of what was on the radio was by Guns N' Roses and Janet Jackson, I didn't have a lot of Tangerine Dream immediately available to me, and this was the first time I'd actually heard them.  It's also possible I also saw the name of Miami Vice and Manhunter mastermind Michael Mann listed as director, but I don't remember when I knew the movie was his work.

If you've seen The Keep, it's kind of remarkable that I gave up an evening of my life watching the movie (and loved it), but back then, I had no real preconceived notions of what a movie should be.  Around that same time I recall watching My Life as a Dog, first with English dubbing and then with subtitles, on two consecutive nights, and agreeing with my brother that it worked much better with subtitles.

Later, I'd ask other people if they'd ever seen the movie, and realized that the completely random viewing on a local UHF channel that led to me seeing the movie meant I was one of very few people who'd seen it.  In college I met people who knew it either by reputation or because of the Tangerine Dream connection, but can't recall anyone who had seen it (though I suspect JAL had watched it, and I'm just failing to recall).  The studio has more or less disavowed the movie.  It's not really been available since VHS, and even the version available on Amazon is in SD.  When I saw the movie a few years ago at The Alamo, we weren't watching the 35mm copy the studio sent around for rentals.  We were watching the only copy the studio owned, and they so didn't give a shit about it, they were sending it out for viewings.

Watch Party Watch: Reform School Girls (1986)

I'm sure this movie had a poster, but mostly existed as a worn out VHS

Watched:  04/28/2023

Format:  Amazon Watch Party

Viewing:  Unknown

Director:  Tom DeSimone

So, first:  Apologies.  It's probably best that I actually remember the movies we're going to watch more than a few key scenes.  This movie turned out to be a bit much more than I recalled it being, and I find it insane I was watching this on cable when I was like, 13.  

Ah, the 1980's.

I was a bit surprised that no one had seen this, and many never heard of it.  It's a cult-classic of the 1980's, and a lot of what made it so has faded in the ensuing 37 years.

This is a movie that, as Jenifer put it, covers all the tropes of the "women in prison movie" and then cranks up the exploitation (this is New World Pictures, one of the Roger Corman brands).  So, it's assuming an audience that has grown up on slew of "women in prison" pictures that started showing up post WWII as earnest socially conscious filmmaking paired with, you know, ladies kicking each other, which was a novelty.  Plus a host of other sketchy activities, some explicit, many implied.  

1983's Chained Heat - which stars Sybil Danning but as a prisoner -  is a pretty good indicator of what was going on at this point. It has legit actors (Henry Silva, John Vernon) but is clearly an exploitation picture.  Mostly I remember 1980's-me wandering the aisles of the video store and being acutely aware there was more than one movie about women in jail, and some vague promise of sexiness.  But since my Mom was paying, I was not asking to see these films.

Reform School Girls is loosely based on the 1957 film Reform School Girl, which I have not seen.  But also familiar if you've seen other pictures. It's mostly been forgotten, but 1980's hip young adults were very into reflecting back the absurdities of the 1950's American monoculture.  If you go back and watch other 1980's movies, usually lower budget stuff, but you can see the Elvis, Marilyn Monroe, etc...  But also much as folks like myself born in the 70's grew up with 4 or 5 channels, most of which was reruns of stuff from decades prior.  So, yeah, I imagine replays of those old movies were part of all that.*

The movie itself follows a teen girl who gets in trouble with the law, which lands her in court and on to "reform school" (but good luck pointing out when anyone is in class in this movie).  The movie hits all the notes of prison and women in prison films, starting with the "you don't know what you're in for" messaging to the lead and therefore us.  And then cue the humiliations of entering prison, paired with the exploitation of a 1980's Corman flick.  And that's when I realized "oh yeah.  This is probably full of nudity", which is an awkward moment with a chat full of people.  

The movie's stars are Sybil Danning (who many dudes of a certain age has a passing knowledge), Pat Ast (whom you should Google), and Wendy O. Williams of The Plasmatics, who is 37 and playing... 45?  and 17?  I dunno, but I've thought she was great since I was 13 or 14.  And then actually stars a supposedly 16 year old Linda Carol (I am suspicious of her listed birth year) as our POV character hero.

I *do* think the movie is funnier than was taken by the group.  Everything is at 11.  It's all absurd, including the atrocities of the film, and that's kind of the point.  But maybe that's just not where we're at these days.  We kind of are more aware of actual exploitation in a way the 1980's was not.  But the movie could have leaned into the absurdity more and had fun with it instead of saying "no, the joke is how woefully dark this is going to get, and we're going to refuse to take it seriously".  

All in all, I wish I'd revisited it solo, but here we are.  

*it's funny.  Growing up in Austin, we really didn't have much in the way of TV on local channels after 10:30 PM except SNL.  I read  lot of references to latenight movies playing on local TV, but by the late 1980's, I was watching Reform School Girls on cable, not the movies that inspired it.  I don't remember what would have been playing on our UHF channel, if, in fact, they hadn't signed off.  I suspect the larger cities of the 1970s had more of this, but we just didn't.  

"Star Trek IV" and "Gilda"

Yesterday we spent the day helping Wagner move into her new pad down here in South Austin, so by the evening, I wasn't excactly pressing Jamie to make sure we got a night out on the town.  An order to Domino's later, and we had our evening mapped out.

STIV: TVH

I'm no true Trekker (I'm more of a Trekkie), but I love some original-cast, original-series Star Trek.  For Christmas, Jamie had got me a Blu-Ray set of the first 6 Trek films, some of which I haven't watched in years. 

I think we all knew about Trek growing up, but I wasn't really sold on the premise until 1984, when my folks moved us to Austin and Trek ran every weekday afternoon on the local UHF channel, KBVO.  No need to recount much more here, as, thanks to the power of the internet and 8 years of blogging, I've already done so elsewhere. 

Kirk and Spock try to decide if Pier 39 is too touristy

But what I would recount here is that seeing Star Trek IV: The Voyage Home in the theater was an eye-opening geek-tacular experience in my youth.  Yes, its the sit-com episode wherein the crew travels to 1987 to recruit some humpback whales in order to prevent an alien intelligence from accidentally destroying Earth with their megaphone.  But it was also the movie where people were so excited, they were cheering, standing up to applaud, etc...  really, pretty incredible.

The movie holds up remarkably well, and the Blu-Ray edition I have cleans up all the fx and optics that had gotten a little funky over the years.  The plot is, perhaps, a little silly, but its good, clean fun, and does what sci-fi does so well, and that's uses a metaphor to explain the issues of the day (ie: we need to be careful how we deal with our planet and the species we share it with, as we cannot predict the tragedy their loss will bring us). 

Also, it gives us all the line we use (inaccurately) when we see ourselves flying into the Bay Area:



Kids today won't get the scant Cold War references either as Chekov gets picked up as a Russian spy on our naval vessel, the USS Enterprise, nor the stalemate of Federation vs. Klingon that plays out in the bookend scenes. 

Its also unfortunate that we don't get a bit more time to explore the Enterprise crew dealing with the late 20th Century or get more cultural comment (and it is kind of hilarious that the single-use device, the communicator, is the size of a brick).  But I can say that to this day, when my computer at work does not do as I say, I still find myself repeating Scotty's condescending "hellllloooo, computer...".  (Yes, I work on Windows machines.  Don't judge me.)

Anyway, I still love this movie.


Oh my Goodness, Rita Hayworth
After Jamie toodled off to bed, I watched Gilda, a post WWII decidedly noirish flick about everything from tungsten cartels to romantic obsession, to philiosophizing men's room attendants.  Starring Glenn Ford and Rita Hayworth, its a reminder of what an "A" noir looks like in comparison to, say, 5 Against the House. 

Not the most subtle advertising for why you should watch this flick

I'd pose the question of whether or not the movie would have been made without Casablanca as a predecessor, as it seems a product of somewhat similar setting, characters, etc... only without anybody having anything honorable to fight for, and sinking into noirish territory rather than the turn to the just-cause that Casablanca provides as the alternative. 

It does, however, feature Rita Hayworth as Gilda, the quickly-obtained wife of a shady night club owner, who has good reason to butt heads with his strong arm, Johnny Farrell (Glenn Ford).  There are some comparisons one could make to the Coen's development of the Tom/ Verna/ Leo triangle in Miller's Crossing, although here its all a bit more...  tuxedo-clad. 

The role of Gilda is remarkably well-written, with some seriously snappy dialog, and became the role Hayworth would be associated with for the remainder of her life.  She would also inspire looks and other characters in countless movies afterward.  And I find it hard to believe Jessica Rabbit, and countless other "oh, that woman singing is trouble" scenes would have existed without Put the Blame on Mame. 

Its definitely a film I'll want to watch again, and not just because of Rita Hayworth.  There were a lot of plot threads, some things I'll want to see again as per how whole scenes were thought through (such as the use of disguises during the Carnival sequence), etc...  Its a smart, clever movie and I can see why it turns up in so many lists.

As easy as it is to just want to applaud Rita Hayworth for her Hayworthness, Glenn Ford and George Macready are also both really good as well.  I haven't seen all that much of Glenn Ford's work, but I can see why he was a popular actor.
I hear San Antonio residents will be able to see it on the big screen this summer as part of the TPR Summer Film series!  So, you know, go check that out when NathanC begins promoting the film season.

G Watch: Godzilla 2000 - Millennium (1999) - but, really, a quick history of how I decided to like Godzilla again

Watched:  01/08/2024

Format:  Hulu

Viewing:  4th?  5th?

Director:  Takao Okawara

Selection:  All me, baby

I had to check, but somehow I've not written this one up, but I know I watched it during that circa 2020-era where I was dealing with the COVID lockdown by just watching an endless stream of Godzilla films.  

So, this movie is the key to my Godzillaissance.   

As a kid, I was a Godzilla fan via a few channels.  There was an American produced Godzilla cartoon that ran for a year or three.  I have some flickers of memories of watching Godzilla movies on TV with Steanso during long summer days.  We also had two key Godzilla toys.  My toy was the Shogun Warriors Godzilla, which I absolutely adored.  Steanso, however, had this amazing playset with Godzilla, a non-canon monster, a city backdrop and army vehicles, which I remember us setting up and having a good 'ol time playing with.  

But this was also the era of Star Wars, Tron and other fun, shiny stuff, and so Godzilla fell by the wayside.

Also, Godzilla was weirdly hard to come by.  Unless you were home to catch a movie on UHF, badly dubbed movies weren't something most channels wanted to run.  And you weren't going to get much in the theater.  

In fact, when Godzilla Returns/ Godzilla 1985 was released, I *wanted* to see it, but it came and went so fast, it wasn't until my 11th birthday party that I used my "I can rent whatever I want" pass to rent the movie.  What I don't remember is Godzilla films from Toho on the shelf.  I just have zero memory of Blockbuster carrying the movies, or the Mom & Pop places before Blockbuster.  That may have been an artifact of sorting out US distribution or me being distracted by trying to unlock the mystery of what was happening in those Sybil Danning movies on the shelf.  But given that I would rent stuff like Robot Jox without blinking, given the option, it seems like I would have picked up a Godzilla movie or two.